词条 | Poetry as Confession |
释义 |
The review opens with a reference to Emily Dickinson and noting the new trend towards confession in poetry: {{cquote|Emily Dickinson once called publication "the auction of the mind." Robert Lowell seems to regard it more as soul's therapy. The use of poetry for the most naked kind of confession grows apace in our day."}}Rosenthal proceeds to compare the current day approach with that of the poets of the Romantic period such as John Keats. The Romantics, he asserts, found "cosmic equations and symbols". Keats transcended his "personal complaint", and lost it in the "music of universal folornness". Rosenthal introduces the adjective "confessional" when hew moves on to Walt Whitman and his Calamus poems: {{cquote|Whitman took American poetry to the very edge of the confessional in his Calamus poems.}}T. S. Eliot and Ezra Pound are brought up, in the context of the influence of the Symbolists, and how they take us to the "forbidden realm" although "a certain indirection masks the poet's actual face and psyche". But, Rosenthal continues, {{cquote|Lowell removes the mask. His speaker is unequivocally himself, and it is hard not to think of Life Studies as a series of personal confidences, rather shameful, that one is honor-bound not to reveal.}}See also
References
Footnotes1. ^Rosenthal, Our Life in Poetry pages 109 – 112 {{lit-essay-stub}}2. ^Rosenthal, M. L., The Modern Poets: A Critical Introduction New York: Oxford University Press, 1960 {{ISBN|0-19-500718-2}} 3 : Essays about poetry|1959 documents|Works originally published in The Nation |
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