词条 | Richard Ray Whitman |
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| bgcolour = #6495ED | name = Richard Ray Whitman | image = Richard ray whitman.jpg | imagesize = | alt = | caption = Richard Ray Whitman, 2010 | birth_name = T'so-ya-ha | birth_date = {{birth date|1949|5|14|mf=y}} | birth_place = Claremore, Oklahoma, USA | death_date = | death_place = | nationality = Yuchi-Muscogee (Creek) Nation | field = Photography, mixed-media, film, painting | training = Institute of American Indian Arts, California Institute for the Arts, Oklahoma School of Photography | movement = | works = Street Chiefs | patrons = | influenced by = | influenced = | awards = | elected = | website = }}Richard Ray Whitman (born 1949) is a Yuchi-Muscogee Creek multidisciplinary visual artist, poet, and actor. He is enrolled in the Muscogee Creek Nation and lives in Oklahoma.[1][2] BackgroundRichard Ray Whitman was born in Claremore, Oklahoma on 14 May 1949.[3] His maternal grandmother was Polly Long.[1] Like many Yuchis, Whitman is enrolled in the Muscogee (Creek) Nation, and his Yuchi name is T'so-ya-ha.[4] He grew up in Gypsy, Oklahoma and attended Bristow High School. For college, he attended the Institute of American Indian Arts and the California Institute of the Arts. Whitman also studied at the Oklahoma School of Photography in Oklahoma City.[1]Whitman began his art career as a painter but also expanded to photography, installation, and video art.[4] In 1973, he participated in the People’s Struggle at Wounded Knee[3] and created art during the struggle.[1] PhotographyWhitman is known for his black-and-white photography portraying contemporary Native realities, especially his "Street Chiefs Series" from the 1970s and 1980s. "Street Chiefs" features images of homeless Native men, primarily in downtown Oklahoma City. "The contemporary Indian in the isolation of the city canyons and rural reservations is avoided. The boredom, pain, frustration, poverty of the reality-counterbalance of our lives is harsh, unattractive, and unmarketable."[2] His photographic portraits are compassionate and empathetic to the lives of homeless natives and places them in the larger context of Indian Removal, which forced tribes from all over the country to Indian Territory.[4] From the 1980s onward, Whitman has incorporated text and computer graphics in his photography to create collage or mixed media. His socio-politically informed work often deals with the issues of homeland and dispossession.[4] Videography and acting careerCollaborating with Yuchi poet and brother Joe Dale Tate Nevaquaya, Whitman created video to document the Yuchi language. Together they worked with French filmmaker Pierre Lobstein in the 1990s. Whitman read T.C. Cannon's poetry in the video "Mazerunner: The Life and Art of T.C. Cannon" which was directed and edited by Phillip Albert. This work was subsequently screened at the Metropolitan Museum of Art (3/19/1994) and was presented on the Bravo Cable Channel and the Independent Film Channel from May, 1995 through June, 1996. Filmography
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Notes1. ^1 2 3 Lester, 619 2. ^1 Lippard, 216 3. ^1 Vigil, Jennifer C. "Richard Ray Whitman." Museum of Contemporary Native Arts: Vision Project." (retrieved 10 May 2011) 4. ^1 2 3 4 5 Abbott, Larry. Richard Ray Whitman, Yuchi. A Time of Visions. (retrieved 25 August 2009) 5. ^1 2 3 4 5 6 7 [https://www.imdb.com/title/tt3951908/] The Internet Movie Database. (retrieved 1 October 2016) References
External links
11 : People from Claremore, Oklahoma|Yuchi|1949 births|Living people|American Indian Movement|Native American painters|Native American installation artists|Native American filmmakers|Native American male actors|Painters from Oklahoma|Native American photographers |
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