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词条 Marin Marais
释义

  1. Career

  2. Works

     Instrumental music  Operas  Sacred works 

  3. Discography

  4. References in film

  5. References

  6. External links

{{Use dmy dates|date=October 2012}}{{More citations needed|date=February 2009}}

Marin Marais ({{IPA-fr|maʁɛ̃ maʁɛ|lang}}; 31 May 1656, Paris – 15 August 1728, Paris) was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for six months. In 1676 he was hired as a musician to the royal court of Versailles and was moderately successful there, being appointed in 1679 as ordinaire de la chambre du roy pour la viole, a title he kept until 1725.

He was the father of the composer Roland Marais (c. 1685 – c. 1750).

Career

Marin Marais was a master of the viol, and the leading French composer of music for the instrument. He wrote five books of Pièces de viole (1686–1725) for the instrument, generally suites with basso continuo. These were quite popular in the court, and for these he was remembered in later years as he who "founded and firmly established the empire of the viol" (Hubert Le Blanc, 1740). His other works include a book of Pièces en trio (1692) and four operas (1693–1709), Alcyone (1706) being noted for its tempest scene.

Titon du Tillet included Marais in Le Parnasse françois, making the following comments on two of his pieces, Le Labyrinthe, perhaps inspired by the labyrinth of Versailles,[1] and La Gamme:

{{quote|A piece from his fourth book entitled The Labyrinth, which passes through various keys, strikes various dissonances and notes the uncertainty of a man caught in a labyrinth through serious and then quick passages; he comes out of it happily and finishes with a gracious and natural chaconne. But he surprised musical connoisseurs even more successfully with his pieces called La Gamme [The Scale], which is a piece de symphonie that imperceptibly ascends the steps of the octave; one then descends, thereby going through harmonious songs and melodious tones, the various sounds of music.}}

As with Sainte-Colombe, little of Marin Marais' personal life is known after he reached adulthood. Marin Marais married a Parisian, Catherine d'Amicourt, on 21 September 1676. They had 19 children together.

Facsimiles of all five books of Marais' Pièces de viole are published by Éditions J.M. Fuzeau. A complete critical edition of his instrumental works in seven volumes, edited by John Hsu, is published by Broude Brothers.

Marais is credited with being one of the earliest composers of program music.[2] His work The[3] Bladder-Stone Operation, for viola da gamba and harpsichord, includes composer's annotations such as "The patient is bound with silken cords" and "He screameth."[2] The title has often been interpreted as "The Gall-Bladder Operation," but that surgery was not performed until the late 19th century.[4] Urinary bladder surgery to remove stones was already a medical specialty in Paris in the 17th century.[5][6]

{{listen|filename=Marin Marais - Pièces a Une Viole du Premier Livre (1686).ogg|title=Marin Marais (1656-1728) - Pièces a Une Viole du Premier Livre (1686) - Prelude - Fantaisie - Allemande - Double - Courante - Double - Sarabande - Gigue - Double|description=Performed by New Comma Baroque|format=ogg}}{{listen|filename=Marin Marais (1656-1728) - Chaconne, No. 82 from Premier livre de pièces à une et à deux violes (1689).ogg|title=Marin Marais (1656-1728) - Chaconne, No. 82 from Premier livre de pièces à une et à deux violes (1689)|description=Performed by New Comma Baroque|format=ogg}}{{listen|filename=Marin Marais (1656-1728) - Tombeau de Mr. Meliton, No. 83 from Premier livre de pièces à une et à deux violes (1689).ogg|title=Marin Marais (1656-1728) - Tombeau de Mr. Meliton, No. 83 from Premier livre de pièces à une et à deux violes (1689)|description=Performed by the Viols of Fort Wayne|format=ogg}}{{listen||filename=Marin Marais (1656-1728) - Excerpts from Suite No.3 from Pieces en trio pour les flutes, violon, et dessus de viole (1692).ogg|title=Marin Marais (1656-1728) - Excerpts from Suite No.3 from Pieces en trio pour les flutes, violon, et dessus de viole (1692)|description=Performed by New Comma Baroque|format=ogg}}{{listen|filename=Marin Marais (1656-1728) – Sonnerie de Sainte-Geneviève du Mont de Paris The Bells of St. Genevieve from La Gamme et Autres Morceaux de Symphonie (1723).ogg|title=Sonnerie de Sainte-Geneviève du Mont de Paris "The Bells of St. Genevieve" from La Gamme et Autres Morceaux de Symphonie (1723)|description=Performed by New Comma Baroque|format=ogg}}{{listen|filename=Marin Marais - Sonnerie de Ste-Geneviève du Mont-de-Paris (Advent Chamber Orchestra).ogg|title=Sonnerie de Sainte-Geneviève du Mont de Paris "The Bells of St. Genevieve" from La Gamme et Autres Morceaux de Symphonie (1723)|description=Performed by the Advent Chamber Orchestra with Stephen Balderston (cello)|format=ogg}}

Works

Instrumental music

  • Pieces for 1 and 2 viols, Book I (20 August 1686, only solo viols, 1 March 1689 first published with associated basso continuo)
  • Pieces en trio pour les flutes, violon, et dessus de viole (published on 20 December 1692, dedicated to Marie-Anne Roland)
  • Pieces for 1 and 2 viols, Book II (1701), including 32 couplets on "Les folies d'Espagne"
  • Pièces de violes, Book III (1711)
  • Pieces for 1 and 3 viols, Book IV (1717; includes the famous Suitte d'un Goût Étranger.)
  • La gamme et autres morceaux de symphonie (1723, includes La Gamme en forme d'un petit Opéra, Sonate à la Maresienne, Sonnerie de Ste-Geneviève du Mont-de-Paris)
  • Pièces de violes, Book V (1725)
  • 145 Pieces for viol (ca. 1680), about 100 pieces were published in Books I – III

Operas

  • Idylle dramatique of 1686 (music lost)
  • Alcide (1693, in collaboration with Louis Lully)
  • Ariane et Bacchus (1696)
  • Alcyone (premiered on 18 February 1706)
  • Sémélé (1709)
  • Pantomime des pages (with Louis Lully, music lost)

Sacred works

  • Te Deum (1701) for the recovery of the Dauphin (lost)
  • Motet Domine salvum fac regem (1701) for the recovery of the Dauphin (lost)

Discography

  • Marin Marais, Sonnerie de Ste-Genevieve du Mont, Suite en Do majeur (C major), Suite en Re majeur (D major); performers: N. Harnoncourt, A. Harnoncourt, L. Stastny, H. Tachezi; recording label: Harmonia Mundi, France, no. HMC 90414; 1973, 1987.
  • Marin Marais, Les Folies d'Espagne, La reveuse, L'arabesque, Le badinage, Sonnerie de Ste-Genevieve du Mont; performers: Jordi Savall (Bass viola da gamba), Pierre Hantaï (Harpsichord), Rolf Lislevand (Theorbo); recording label: Alia Vox, 9821; 2002.
  • Marin Marais : Pièces de viole du Second Livre, 1701 (Le Parnasse de la Viole, vol. II) – Jordi Savall et al. – Alia Vox AV 9828
  • Marin Marais : Suitte d'un Goût Étranger, Pièces de viole du Livre IV, 1717 (Le Parnasse de la Viole, vol. III) – Jordi Savall et al. – Alia Vox AVSA 9851
  • Marin Marais ~ Pièces de viole des Cinq Livres ~ J.Savall, C. Coin, T. Koopman, H. Smith, A. Gallet ~ Alia Vox AVSA 9872

References in film

  • Marais and his music were featured in the film Tous les matins du monde (1991), an atmospheric, meticulously imagined life of Monsieur de Sainte-Colombe. Marais' music figured prominently in that film, including his longer work Sonnerie de Ste-Geneviève du Mont-de-Paris (1723). The role of Marin Marais is played by Gérard Depardieu as an old man and by Guillaume Depardieu as a young man.
  • A recording of the Sonnerie performed on a Fairlight synthesizer was used in the cult classic film Liquid Sky.

References

1. ^{{cite web|title=track listing for Marais' Le Labyrinthe|url=http://www.mymusicbase.ru/PPS4/sd_4628.htm}}
2. ^{{cite book |title=Facing the music; an irreverent close-up of the real concert world |author=Henri Temianka |authorlink=Henri Temianka |year=1973 |publisher=David McKay Co. |location=New York |oclc=243915303|page=82 }}
3. ^Evers S.(1993). "[Tableau de l'opération de la taille by Marin Marais (1725)—a bladder calculus operation represented in music]" (in German). Urologe A 32 (3): 254–9. {{PMID|8511837}}.
4. ^[G. Grey Turner], "History of Gall-Bladder Surgery," British Medical Journal, 4 March 1939, pp. 464–65.
5. ^{{cite web|url=https://openlibrary.org/works/OL15926712W/Traite'_de_la_lithotomie_ou_De_l'extraction_de_la_pierre_hors_de_la_vessie|title=Traite' de la lithotomie, ou, De l'extraction de la pierre, hors de la vessie: enrichy de figures necessaires pour representer la maniére de sonder, les instrumens propres, le malade dans l'operation: la ponction du perinée, & les differentes methodes de tirer la pierre : avec les appareils, les remedes preservatifs du calcul, & les medicamens pour les taillez|first=François|last=Tolet|date=8 August 1686|publisher=Chez Barent Beek, Marchand Libraire, dans la Wagestraet|accessdate=8 August 2017|via=The Open Library}}
6. ^François Tolet, "Lithotomy, or a treatise of the extraction of the stone out of the bladder . . . , [London], Will. Whitwood, 1689. [Google ebooks]

External links

{{commons category}}
  • {{Britannica|363779}}
  • {{IMSLP|id=Marais,_Marin|cname=Marin Marais}}
  • {{YouTube|CzhsbdoRfr0|Video - Marais - La Sonnerie/cembalo - Complete (09:58)}}.
  • {{YouTube|Z8okJenXuRk|Video - Mariais - La Sonnerie/trio - Complete (07:59)}}.
{{Authority control}}{{DEFAULTSORT:Marais, Marin}}

9 : 1656 births|1728 deaths|French Baroque composers|French Baroque viol players|French classical composers|French male classical composers|Musicians from Paris|18th-century classical composers|18th-century French composers

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