“Rutgerus Sycamber”的意思、由来-开放百科全书

Rutgerus Sycamber or Roger of Venray (b. 1456/57, d. after 1509)^[1] was a humanist, music theorist, and a prolific but little-published writer. He was a canon regular of the Augustinian Order based for most of his life at the monastery of Hagen near Worms.

Sycamber is notable for the expansiveness of his correspondence with other humanists in Germany, the Netherlands and France, among them Erasmus, Johannes Trithemius, Robert Gaguin and Wigand Wirt, the last debating the Immaculate Conception. His latest known letter is dated 3 September 1507.^[2] He was part of a circle of literary men living in the cities of southwest Germany, and was known for his "aggressive self-promotion."^[3]

Sycamber was born in Venray in upper Gelderland, close to the border with the Duchy of Cleves.^[4] In antiquity, this was the territory of the Germanic people called by the Romans the Sicambri, Sigambri, Sugambri,^[5] etc., and from this ethnonym he took his Latin surname. It can thus be surmised that he self-identified in some sense as "German."

Little known in the 21st century, Sycamber was a prolific but "rather mediocre" writer. Between 1495 and 1505, he produced as many as 140 opuscula in both poetry and prose, which have survived only erratically. Despite his wide network of influential literary contacts, few of his works were published. Even his friend Trithemius remarked on his prodigious if unavailing output:

Sycamber's Dialogus de musica (ca. 1500),^[7] also known as De recta, congrua devotaque cantione dialogus, dealt with the correct performance of chant in the liturgy.^[8] Other published works are De quantitate syllabarum^[9] (Cologne, 1502) and Litania ad omnes sanctos (Deventer, 1514). The former is written as a dialogue between Sycamber and the dedicatee, the teacher (magister) Jacob Sonnenschyn, to whom Sycamber also addresses appended poems.^[10]

Sources

Notes

1. ^Sycamber may have been born as early as 1451. His dates are also given as between 1456 and 1461, to sometime after 1507. He may have lived as long as 1517.
2. ^Peter G. Bietenholz and Thomas B. Deutscher, Contemporaries of Erasmus (University of Toronto Press, 1985, reprinted 1995), p. 302.
3. ^Barbara Crawford Halporn, The Correspondence of Johann Amerbach: Early Printing in Its Social Context (University of Michigan Press, 2000), pp. 74–76.
4. ^Information about Sycamber's birth derives from Trithemius, Cathalogus de illustribus viris Germaniae (1495), vol. 4.
5. ^In medieval and Renaissance orthography, Latin u is sometimes represented by y.
6. ^Halporn, pp. 76 and 80.
7. ^Tess Knighton and David Fallows, Companion to Medieval and Renaissance Music (University of California Press, 1992, reprinted 1997), p. 427 [https://books.google.com/books?id=_UmMn1EgB7IC&pg=PA427&dq=Rutgerus+Sycamber&lr=&as_drrb_is=q&as_minm_is=0&as_miny_is=&as_maxm_is=0&as_maxy_is=&num=100&as_brr=3#v=onepage&q=Rutgerus%20Sycamber&f=false online.]
8. ^Don Harrán, In Defense of Music: The Case for Music as Argued by a Singer and Scholar of the Late Fifteenth Century (University of Nebraska Press, 1989), p. 48 [https://books.google.com/books?id=kvYIgUEFfp0C&pg=PA48&dq=Rutgerus+Sycamber&lr=&as_drrb_is=q&as_minm_is=0&as_miny_is=&as_maxm_is=0&as_maxy_is=&num=100&as_brr=3#v=onepage&q=Rutgerus%20Sycamber&f=false online.] This work was published in a modern edition by Fritz Soddeman, Rutgerus Sycamber de Venray, Dialogus de musica (um 1500), Beiträge zur rheinischen Musikgeschichte 54 (Cologne, 1963).
9. ^The full title is Dialogus fratris Rutgeri Sycambri canonici regularis de quantitate syllabarum cum paucis carminibus adiunctis inchoat.
10. ^Louis Thuasne, Roberti Gaguini Epistole et Orationes (Paris, 1904), vol. 2, p. 50 [https://books.google.com/books?id=05s8Q9jQXwUC&pg=PA50&dq=%22Jacobum+dictum+Sonnenschyn%22&lr=&as_drrb_is=q&as_minm_is=0&as_miny_is=&as_maxm_is=0&as_maxy_is=&as_brr=0#v=onepage&q=%22Jacobum%20dictum%20Sonnenschyn%22&f=false online.]