| 词条 | Samm-Art Williams |
| 释义 |
| name = Samm-Art Williams | birth_name = Samuel Arthur Williams | birth_date = {{birth date and age|df=y|1946|1|20}} | birth_place = Burgaw, North Carolina, United States | occupation = Playwright, actor | nationality = United States | period = 1973–present | awards = {{nowrap|Tony Award nomination}} and {{nowrap|Drama Desk Award nomination}} {{nowrap|for Home}} }} Samm-Art Williams (born Samuel Arthur Williams; January 20, 1946)[1] is an American playwright and screenwriter, and a stage and film/TV actor. Much of his work concerns the African-American experience. He was nominated for a Tony Award and a Drama Desk Award for his play Home (1979), which moved from the Negro Ensemble Company to a Broadway production in 1980. In the mid-1980s, he received two Emmy nominations for his work for TV series. The Black Rep of St. Louis, Missouri produced the premier of his play The Montford Point Marine (2011). BiographyEarly life and careerSamm-Art Williams was born in 1946 in Burgaw, North Carolina, the son of Samuel and Valdosia Williams. His mother was a school teacher, and Williams attended segregated public schools through high school.[1] As Samm Williams, he entered New York City theater as an actor in 1973, performing in the play Black Jesus.[1] With New York's Negro Ensemble Company (NEC), Williams appeared in such plays as Nowhere to Run, Nowhere to Hide (St. Mark's Playhouse, 1974) and Liberty Calland (St. Mark's Playhouse, 1975), before taking on the name Samm-Art Williams for Argus and Klansman and Waiting for Mongo (St. Mark's Playhouse, 1975).[1] Williams, a 6' 8" lefty, was once a sparring partner of boxer Muhammad Ali. Samm was recruited to work with Ali, who was afraid of lefties.{{citation needed|date=December 2016}} Other early New York acting experience includes understudy work in Leslie Lee's Tony Award-nominated Broadway play The First Breeze of Summer (Palace Theatre, June 7 - July 19, 1975);[2] Eden (St. Mark's Playhouse, 1976), The Brownsville Raid (Theatre de Lys, 1976–77), Night Shift (Playhouse Theatre, 1977), and Black Body Blues (St. Mark's Playhouse, 1978). His early work in regional theater includes Nevis Mountain Dew at the Arena Stage in Washington, D.C. (1979).[1] He made his screen debut playing "Roger" in the Richard Price novel adaptation The Wanderers (1979), and played a subway police officer in director Brian De Palma's Dressed to Kill (1980).[1] An earlier film, the independent blaxploitation feature The Baron, a.k.a. Baron Wolfgang von Tripps and Black Cue, made circa 1977, was released direct-to-video by Paragon Video in 1996.[3] As Samm Williams, he wrote the play Welcome to Black River, produced by the Negro Ensemble Company (NEC) at St. Mark's Playhouse in 1975; and as Samm-Art Williams, The Coming and Do Unto Others, both at the Billie Holiday Theatre in Brooklyn in 1976; A Love Play produced by the NEC that same year; The Last Caravan (1977); and Brass Birds Don't Sing, at New York City's Stage 73 in 1978.[1] Williams participated in the NEC Playwrights Workshop, under the guidance of playwright-in-residence Steve Carter, who strongly influenced his work. About Carter, Williams has said "that no single individual has influenced my writing to the degree that Steve Carter has."[4] HomeWilliams' comedy Home was mounted by the Negro Ensemble Company at St. Mark's Playhouse from 1979–80,[1] moving to Broadway's Cort Theatre from May 7, 1980 to January 4, 1981.[2] The play earned nominations for both the Tony Award and the Drama Desk Award.[5] 1980sWilliams went on to play Matthew Henson in the historical drama TV movie Cook and Peary: The Race to the Pole (CBS, 1983). He starred in the PBS American Playhouse dramas Denmark Vesey (1985; title role) and The Adventures of Huckleberry Finn (as Jim; 1986). In the mid-1980s he appeared in television series including The New Mike Hammer, 227, and Frank's Place, a CBS dramedy for which he also served as a story editor. His film work during this time included a role in Blood Simple (1984). Williams wrote the PBS productions Kneeslappers (1980) and Experiment in Freedom (American Playhouse, 1985); episodes for the series Cagney and Lacey, The New Mike Hammer, Miami Vice, and The Fresh Prince of Bel Air; the "John Henry" episode of the Showtime cable network series Shelley Duvall's Tall Tales and Legends; and the NBC special Motown Returns to the Apollo (1986), among other work. He wrote a CBS series pilot titled Lenny's Neighborhood.[1] Later careerWilliams wrote and directed the comedy The Dance on Widows' Row, produced by the New Federal Theatre at Manhattan's Harry De Jur Playhouse at Henry Street Settlement from June 25 - July 30, 2000.[6][7] In 2006, Williams held auditions for his play The Waiting Room, to be performed that spring at the Raleigh Little Theatre's Gaddy-Goodwin Teaching Theatre in Raleigh, North Carolina.[8] In 2011, The Black Rep of Saint Louis, Missouri produced the world premier of his play The Montford Point Marine, starring J. Samuel Davis. Montford Point was where the first black Marines trained.[9] Williams is Artist-in-Residence at North Carolina Central University, where he teaches classes on equity theatre and the art of playwriting. Awards and honors
References1. ^1 2 3 4 5 6 7 8 {{cite web|url=http://www.filmreference.com/film/4/Samm-Art-Williams.html |title=Samm-Art Williams |publisher=FilmReference.com |date=1946-01-20 |accessdate=2011-08-07}} 2. ^1 {{cite web|author=The Broadway League |url=http://www.ibdb.com/person.asp?ID=8587 |title=Internet Broadway Database: Samm-Art Williams |publisher=Ibdb.com |date= |accessdate=2011-08-07}} 3. ^Box Office Prophets: "It Came from the Basement" (column): "The Baron", by John Seal (January 6, 2003) {{webarchive |url=https://web.archive.org/web/20071004122835/http://www.boxofficeprophets.com/seal/basement010603.asp |date=October 4, 2007 }} 4. ^{{cite book |title=Plays by Steve Carter |edition=First |last=Carter|first=Steve |authorlink= |coauthors= |year=1986 |publisher= Broadway Play Publishing, Inc.|location= New York, New York|isbn=0-88145-043-X |page=iv |pages= |url= |accessdate=}} 5. ^1 2 {{cite web|url=http://www.ibdb.com/awardperson.asp?id=8587 |title=Internet Broadway Database: Samm-Art Williams - Awards |publisher=Ibdb.com |date= |accessdate=2011-08-07 |deadurl=yes |archiveurl=https://web.archive.org/web/20110524140434/http://www.ibdb.com/awardperson.asp?id=8587 |archivedate=2011-05-24 |df= }} 6. ^Gutman, Les. "Review, 'The Dance on Widows' Row'", Curtain Up, 29 June 2000 7. ^{{cite book |title=The Impact of Race: Theatre and Culture |edition=First |last=King|first=Woodie |authorlink= |coauthors= |year=2003 |publisher= Applause Theatre & Cinema Books|location= New York|isbn=1-55783-579-9 |page= |pages=249–256 |url= |accessdate=}} 8. ^{{cite web|url=http://www.raleighlittletheatre.org/press/060707-waitingroomauditio.html |title="Auditions for "The Waiting Room" by Samm-Art Williams", Raleigh Little Theatre press releases |publisher=Raleighlittletheatre.org |date= |accessdate=2011-08-07 |deadurl=yes |archiveurl=https://web.archive.org/web/20110727201346/http://www.raleighlittletheatre.org/press/060707-waitingroomauditio.html |archivedate=2011-07-27 |df= }} 9. ^Kevin C. Johnson, "Review: 'The Montford Point Marine'", St. Louis Post-Dispatch, 27 May 2011, accessed 22 June 2011 10. ^{{cite web|url=http://www.ecu.edu/cs-admin/news/releases/2007/9/eculiteraryhomecoming2007.cfm |title="ECU hosts fourth Literary Homecoming", 2007 East Carolina University press release |publisher=Ecu.edu |date=2009-06-17 |accessdate=2011-08-07}} 11. ^ {{dead link|date=August 2011}} External links
7 : 1946 births|Living people|20th-century American dramatists and playwrights|African-American dramatists and playwrights|Writers from North Carolina|People from Burgaw, North Carolina|Guggenheim Fellows |
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