| 词条 | Ska stroke |
| 释义 |
| direction = vertical | width = 225 | header = Skank at different harmonic rhythms | image1 = Reggae eighth note rhythm guitar pattern.png | caption1 = Reggae guitar pattern[4] {{audio|Reggae eighth note rhythm guitar pattern.mid|Play}} | image2 = Reggae sixteenth note rhythm guitar pattern.png | caption2 = Reggae guitar pattern[4] {{audio|Reggae sixteenth note rhythm guitar pattern.mid|Play}} | image3 = Ska sixteenth note rhythm guitar pattern.png | caption3 = Ska guitar pattern[4] {{audio|Ska sixteenth note rhythm guitar pattern.mid|Play}} | footer = }} The ska stroke or ska upstroke, skank or bang, is a guitar strumming technique that is used mostly in the performance of ska, rocksteady, and reggae music.[5] "Reggae is most easily recognized by...the skank."[6] Ska strokes serve as a rhythmic base to a song, and may be doubled by the drums. This style of playing has a dance associated with it, the skank. In reggae, the guitar usually plays a short, percussive, "scratchy chop sound [chord]," on beats 2 and 4 (1 2 3 4), often supported by staccato piano (late 1960s to the early 1980s) or synthesizer.[7] {{audio|Reggae organ-shuffle.mid|Play}} Ska strokes create a bouncing rhythm, going up then down in pitch.[5] Played in {{music|time|4|4}} time (𝄆1 & 2 & 3 & 4 & 𝄇), the chosen guitar chord is played on the downbeat (indicated by numbers), and then a ghost note is played on the upbeat (indicated by ampersands) by lifting the left hand off the fret a few millimeters.[5] However, most traditional ska is focused on the upbeat; playing on the downbeat is more closely associated with reggae, where the ska strokes are played much more slowly as opposed to ska. Double-time: ||:1 & 2 & 3 & 4 & :|| Half-time : ||:1234123412341234:|| {{audio|Skank- double, mid, and half times.mid|Play}}The first use of the ska stroke has been attributed to guitarists including Ernest Ranglin.[8] See also
Sources1. ^1 Snyder, Jerry (1999). Jerry Snyder's Guitar School, p.28. {{ISBN|0-7390-0260-0}}. 2. ^Snyder (1999), p.29. 3. ^Bassford, Andy (2004). "Reggae: Jamaican Grooves", How to Play Rhythm Guitar, p.72. Hal Leonard. Johnston, Richard; ed. {{ISBN|0-87930-811-7}}. 4. ^1 2 Peretz, Jeff (2003). Zen and the Art of Guitar: A Path to Guitar Mastery, p.37. Alfred Music. {{ISBN|9780739028179}}. 5. ^1 2 (2013). Smithsonian Music: The Definitive Visual History, p.349. {{ISBN|9781465421265}}. 6. ^Hombach, Jean-Pierre (2010). Bob Marley the Father of Music, p.14. {{ISBN|9781471620454}}. 7. ^Hombach (2010), p.21. 8. ^DiMartino, Dave (2016). Music in the 20th Century, p.528. Routledge. {{ISBN|9781317464297}}. External links
3 : Guitar performance techniques|Ska|Reggae |
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