1. Background

2. Academic work

3. Books
     Monographic books    Book chapters  

4. Playable academic works

5. Commercial titles released as game designer

6. Other game industry credits

7. External links

8. Footnotes

Gualeni is an Associate Professor at the Institute of Digital Games of the University of Malta, where he pursues academic research in the fields of philosophy of technology, game design, virtual worlds research, and existentialism.^[5][6][7]

Since 2015, he is a Visiting Professor in Game design at the Laguna College of Art and Design^[8] of Laguna Beach, California.

Background

Born in Lovere, Italy, in 1978, Gualeni graduated in 2004 in architecture at the Politecnico di Milano. His final thesis was developed in Mexico supported by ITESM (Tec de Monterrey, Campus Ciudad de Mexico). He spent a year of his undergraduate career at the QUT in Brisbane, Australia.^[9]

Gualeni was awarded his Master of Arts in 2008 at the Utrecht School of the Arts. In his thesis, he proposed a hermeneutic model for digital aesthetics inspired by Martin Heidegger's existential phenomenology.

He obtained his Ph.D. in Philosophy (postphenomenology, philosophy of technology) at the Erasmus University Rotterdam in 2014. His dissertation, titled Augmented Ontologies, focuses on virtual worlds in their role as mediators: as interactive, artificial environments where philosophical ideas, world-views, and thought-experiments can be experienced, manipulated, and communicated experientially.^[10]

Academic work

Gualeni's work takes place in the intersection between continental philosophy and the design of virtual worlds.^[11] Given the practical and interdisciplinary focus of his research - and depending on the topics and the resources at hand - his output takes the form of academic texts and/or of interactive digital experiences.^[12] In his articles and essays, he presents computers as instruments to prefigure and design ourselves and our worlds, and as gateways to experience alternative possibilities of being.^[13][14]

In 2015, Gualeni released the book Virtual Worlds as Philosophical Tools: How to Philosophize with a Digital Hammer with Palgrave Macmillan. Inspired by postphenomenology and by Martin Heidegger's philosophy of technology, the book attempts to answer questions such as: will experiencing worlds that are not 'actual' change our ways of structuring thought? Can virtual worlds open up new possibilities to philosophize? What does it mean to 'be' in virtual worlds?^[15] His contributions to the edited volumes Experience Machines: Philosophy in Virtual Worlds^[16] and Towards a Philosophy of Digital Media^[17] focus on the experiential and existential effects and possibilities disclosed by virtual technologies.

One of the central themes of Gualeni's work revolves around the fact that the history of philosophy has, until recently, merely been the history of written thought. He argues that we are, however, witnessing a technological shift in how philosophy is pursued, valued, and communicated. In that respect, Gualeni advances the claim that digital media can constitute a critical alternative and a complement to our almost-exclusively linguistic approach to developing and communicating thought.^[5][18] He considers virtual worlds to be philosophically viable and advantageous in contexts like thought experiments (where we can objectively test and evaluate possible courses of action and corresponding consequences) or in the case of philosophical enquiries concerning non-actual state of affairs and/or non-human phenomenologies.^[18][15]

Books

Monographic books

Gualeni, S. (2015). Virtual Worlds as Philosophical Tools: How to Philosophize with a Digital Hammer. Basinstoke (UK): Palgrave Macmillan.^[19]

Book chapters

Gualeni, S. (2018) “A Philosophy of ‘DOING’ in the digital”. In Romele, A. and Terrone, E. (eds.), Towards a Philosophy of Digital Media. 225-255. Basingstoke (UK): Palgrave Macmillan, Cham.^[20]

Gualeni, S. (2017). “VIRTUAL WELTSCHMERZ - things to keep in mind while building experience machines and other tragic technologies”. In Silcox, M. (ed.), Experience Machines: The Philosophy of Virtual Worlds. 113-136. London (UK): Rowman and Littlefield International.^[21]

Gualeni, S. (2015). “Playing with Puzzling Philosophical Problems”. In Zagalo, N. and Branco, P. (eds.). Creativity in the Digital Age. Springer Series on Cultural Computing. XIV. 59-74. London (UK): Springer-Verlag.^[22]

Playable academic works

Stefano is a philosopher who designs videogames and a game designer who is passionate about philosophy.^[23] Although his academic work largely takes the form of texts, he designs virtual experiences that have the specific objective of disclosing thought experiments and ideas in ways that are interactive and negotiable (and perhaps even playful).^[24][25] The following are examples of his ‘playable philosophy’ projects:

• "HERE" (2018): a mock-JRPG playfully invites to reflect on how many types of 'here' co-exist in a virtual world
• Something Something Soup Something (2017): a short first-person adventure videogame about analytical definitions and family resemblances
• NECESSARY EVIL (2013): a self-reflexive game about the centrality of player-experience in videogame design

Commercial titles released as game designer

• Gua-Le-Ni; or, The Horrendous Parade (2011) (iPad)
• Prezzemolo in una Giornata da Incubo (2007) (DVD TV game)
• A Rake's Progress (2006) (PC)
• Midway Classics 2 (2006) (GBA)
• Midway Classics 1 (2006) (GBA)
• Dangerous Heaven (2005) (DVD TV game)
• Prezzemolo in una Giornata da Incubo (2003) (PC)
• Tony Tough and the Night of Roasted Moths (1997) (PC)
• Mikro Mortal Tennis (1996) (Amiga)

Other game industry credits

• Stefano is listed in the 'extra credits' of the 2013 Independent Games Festival (IGF) 'Student Showcase finalist' videogame ATUM for having acted as project supervisor and game design consultant.^[26][27]
• Stefano designed Necessary Evil, a small, critical videogame developed together with Dino Dini, Marcello Gòmez Maureira and Jimena Sànchez Sarquiz. The game was presented at the 2013 Digital Games Research Association conference in Atlanta as an example of the self-reflexive and critical potential of the videoludic medium.^[28]
• Stefano is listed in the credits of the 2012 action-adventure videogame The Unfinished Swan (PlayStation 3, developed by Giant Sparrow) for having tested early versions of the game and having provided design-related feedback.^[29]
• Gualeni appears in the credits of Playlogic Entertainment's 2009 hack-and-slash videogame Fairytale Fights (for PlayStation 3 and Xbox 360) for having helped with quality assurance recruiting and training.^[30]
• Stefano is thanked in the credits of the videogame EXP for having helped with the structuring of the game concept and having acted as project supervisor.^[31] EXP received honorable mention in the 2011 Independent Games Festival Student Showcase.^[32]
• Stefano is in the 'special thanks' section of the credits of the videogame Chewy! for having provided game design guidance.^[33] Chewy! was honored with the 'Best Design' award ($25,000) at the 2011 Independent Propeller Awards at the South by Southwest (SXSW) festival in Austin, Texas.^[34]

External links

• Stefano's personal website
• [https://www.um.edu.mt/profile/stefanogualeni Prof. Stefano Gualeni's profile at the University of Malta]
• The website of the Institute of Digital Games at the University of Malta
• A selection of Gualeni's articles and publications
• A website pursuing an understanding of 'GAme Design as a TRasformative Practice'
• Website for the free, philosophical videogame NECESSARY EVIL
• Something Something Soup Something: playable philosophy

Footnotes

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