| 词条 | The Jerusalem File |
| 释义 |
| name = The Jerusalem File | image = The Jerusalem File.jpg | image_size = | caption = | director = John Flynn | producer = Ram Ben Efraim | writer = Troy Kennedy Martin | narrator = | starring = Bruce Davison Nicol Williamson | music = John Scott | cinematography = Raoul Coutard | editing = Norman Wanstall | distributor = Metro-Goldwyn-Mayer | released = {{Film date|1972}} | runtime = 96 min | country = United States | language = English | budget = | gross = | website = | amg_id = }}The Jerusalem File is a 1972 film directed by John Flynn. It stars Bruce Davison, Nicol Williamson, Daria Halprin, and Donald Pleasence.[1] PlotThe film follows a young American named David, who comes to Israel to study and finds an Arab friend who legally lives there. Before long he finds himself involved with others and finds not all in Israel is as it appears. The action takes place before the 1967 Six Day War. Cast
ProductionDirector John Flynn later recalled the original script was bad but Troy Kennedy Martin rewrote it and Flynn loved the result. The movie was shot in Israel. Flynn: I stayed at the American Colony Hotel in east Jerusalem, further refining the script while waiting for the production money to come in. All the foreign journalists congregated in the bar of that hotel. So I’d be sitting there in that cavern, as they called it, with all these gentlemen of the press, getting the inside dope on what was really happening in Israel... I never saw Ian Hendry sober, but he somehow managed to function. He’d start with a couple of shots in the morning, but it didn’t seem to affect him. He’d say his lines clearly. Hendry was a perfectly functioning alcoholic when I worked with him. Nicol Williamson (who played an archaeologist) was a wild man too. Very heavy drinker. Late one night, Nicol got quite loaded and threatened to throw Bob Dylan off a hotel balcony![2] ReceptionThe Jerusalem File was met with mixed reception from critics. A. H. Weiler of The New York Times concluded his review stating, "The politics, the disparate motivations and the implicit drama of youth defeated by a world they don't want are only vaguely projected and are secondary to the chase and shoot-em-up action of The Jerusalem File."[1]Flynn said the film "didn’t do well at the box office and has all but disappeared."[2] See also
References1. ^1 {{cite web | last = Weiler | first = A. H. | authorlink = | coauthors = | title = 'The Jerusalem File' Arrives | work = The New York Times | publisher = | date = February 3, 1972 | url = https://movies.nytimes.com/movie/review?res=990DE6DB103DEF34BC4B53DFB4668389669EDE | format = | doi = | accessdate = 14 December 2011}} 2. ^1 Harvey Chartand, "Interview with John Flynn", Shock Cinema 2005 accessed 16 February 2015 External links
7 : 1972 films|American films|Films set in 1967|Films set in Jerusalem|Israeli–Palestinian conflict films|Metro-Goldwyn-Mayer films|Films scored by John Scott (composer) |
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