| 词条 | Verna Arvey |
| 释义 |
Verna Arvey (February 16, 1910 – November 22, 1987) was an American librettist, pianist and writer who is best known for her musical collaborations with her husband William Grant Still, a musician and composer. Early life and educationVerna Arvey was born in Los Angeles, the daughter of Bessie (Tark) and David Arvey. Her parents were Russian Jewish immigrants.[1] She attended local schools and the Manual Arts High School. She had started playing piano as a child. After graduating, Arvey enjoyed a brief career as a concert pianist, including performances as a soloist with Raymond Paige's CBS Network orchestra and the Los Angeles Philharmonic Orchestra. Avery met William Grant Still in 1930, when Still travelled to Los Angeles to revive his friendship with the composer Harold Bruce Forsythe. Forsythe likely asked her to read some of his piano music.[2] Still tried twice to get her to perform his pieces, first Africa, then Four Negro Dances. The two became more acquainted, but as Forsythe and Arvey had been friends for many years (since they had both gone to Manual Arts High School), some jealousy ensued.[2] Marriage and familyArvey married Still in 1939. She was of Russian Jewish heritage and Still was African American, but their interracial union (unusual for a high-profile couple of the era) did not appear to damage their careers. The couple had two children. They were married until Still’s death in 1978.[3] Arvey's granddaughter is journalist Celeste Headlee. Musical careerArvey’s first collaboration with Still came in 1939 when Langston Hughes, the original librettist for his opera Troubled Island, left the country before the project was completed. Arvey wrote the lyrics for three arias. She became the librettist for his subsequent operatic work, most notably A Bayou Legend, A Southern Interlude, Costaso and Mota. [4] As a writer on music, Arvey published articles for The New York Times and several music industry publications, including Etude, Musical Courier, Opera, Concert and Symphony, Musical America, Chesterian (London), American Dancer, Ritmo (Madrid), Musical Digest and American Mercury. WorksShe also wrote books, including the following:
References1. ^"William Grant Still and Verna Arvey Papers", University of Arkansas. 2. ^1 {{cite book|title=William Grant Still: A Study in Contradictions|last=Smith|first=Catherine Parsons|publisher=University of California Press|isbn=978-0-520-21543-6|date=2000}} 3. ^1 {{cite web|url=http://www.troubledisland.com/vernaarvey/|title=Verna Avery|publisher=William Grant Still Music & The Master-Player Library|accessdate=2008-05-13}} 4. ^{{cite web|url=http://scriptorium.lib.duke.edu/sgo/exhibit/captions/caption9a.html|title=William Grant Still Exhibition|publisher=Duke University|date=1995|accessdate=2008-05-13}} External links
18 : 1910 births|1987 deaths|American lyricists|Journalists from California|Jewish American writers|Jewish American musicians|American opera librettists|Writers from Los Angeles|American writers about music|Musicians from Los Angeles|Women librettists|20th-century American women writers|20th-century American dramatists and playwrights|Women writers about music|20th-century American musicians|Songwriters from California|American women non-fiction writers|20th-century American non-fiction writers |
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