“Villa Cavrois”的意思、由来-开放百科全书

Villa Cavrois in Croix is a large modernist mansion built in 1932 by French architect Robert Mallet-Stevens for Paul Cavrois, an industrialist from Roubaix active in the textile industry.

context of order and genesis of the project

Paul Cavrois (1890-1965) is a textile industrialist from north of France who owns modern factories for spinning, weaving and dyeing cotton and wool. In the early 1920s he buys a site located on the hill of Beaumont, in Croix, not far from his factories situated in Roubaix, in order to build a mansion able to receive his family of 7 children and the servants.^[1]

Originally the architect and town-planning Jacques Greber was charged for the project who suggested a house in the regionalist style, in vogue at that period. Finally Paul Cavrois turned to Robert Mallet-Stevens after he met him in 1925 at the International Exposition of Modern Industrial and Decorative Arts in Paris.The owners gave the architect free rein to carry on the project who, for the first time in his career could manage the entire work, down to the least details. The villa is conceived by the architecte as a total artwork and it represents the outcome of his technical and aesthetic reflections. The villa was inaugurated on 5 July 1932, for the wedding of Geneviève Cavrois, the eldest daughter of the couple Cavrois, after 3 years of work.^[2] At the completion of the work the villa astonished for his bravery and modernity and its style was a total break from that of other neighbouring houses in the suburb of Croix, even those of the same era. Clear guidelines governed the design of the building, which was commissioned in 1929: "air, light, work, sports, hygiene, comfort and efficiency".

Decline and acquisition by the state

During the second world war the Cavrois family leave the North region to take refuge in their manor in Normandy. The villa is occupied by German troops who turn it into a barracks able to receive 200 soldiers.^[3] The Cavrois came back to their house after the war, in 1947 and Paul Cavrois asked to Pierre Barbe to modify the villa in order to create two apartments for house the families of their sons Paul and Francis. In this way two independents habitations was created in the west wing of the building while Paul et Lucie continued to live in the east section of the villa. The Cavrois resided in the villa until the death of Lucie Cavrois in 1985. In the same year the sons sold the furniture of the villa in an auction. In 1987 the villa was sold to a real estate company who wanted to destroy it and divide the land into plots.^[4] The villa was abandoned and quickly looted, ransacked and occupied by squatters.

In 1990, all of the city and the park were classified as a Monument historique by the decision of the Conseil d'État.

That same year saw the birth of an association to protect and preserve the house. Since its inception the association has lobbied the competent authorities on the fate of the villa.[1]

The French State, through its Ministry of Culture purchased the building in 2001 and in 2004, restoration work commenced on the exterior (closed and covered terraces, windows ...) and the reinstatement of domestic volumes.

By order of December 18, 2008, the Ministry of Culture entrusted villa Cavrois to Centre des monuments nationaux (CMN), with the purpose to restore it and open it to the public.

CMN conducted the restoration of the interior spaces and decors (floors, wall coverings, paintwork, furniture), in order to recreate the art of living in the 20th century. CMN has also restored the park (replantation of trees, restoration of the water mirror and the original alleys) and the illumination of the park and the villa.

A modern concept

The Villa Cavrois is a masterpiece of modern architecture and a unique example in the North of France. The villa is 60 meters long, it has 3800 m² including 1840 m² habitables and 830 m² of terraces and a garden of 17600 m² (originally 5 ha). The Villa Cavrois is a testimony to the modernist vision of the 1920s as it was conceived by designers such as Le Corbusier, Pierre Chareau and the Bauhaus school. Luminosity, hygiene and comfort are the keywords that underlie such buildings. Villa Cavrois illustrates this concept with simplicity and elegance.

The large modern mansion was organized to offer the best possible lifestyle to the nine members of the family and to facilitate the daily work of the household staff. Mallet-Stevens' work was not limited to the design of the building. He also designed the interior decoration and the gardens which surround the house.The choice of materials (concrete ceiling, metal, steel, glass, green Swedish marble in the main dining room, yellow Sienna marble in the fireplace alcove of the hall-salon, parquets of oak, iroko, zebrawood, Cuban mahogany) and the furniture of the rooms echoed the hierarchy of space: everything was conceived and adapted for use in place. Simplicity and functionality of the furniture prevail in all parts. The luxury of this house does not lie in carved detailing or gilding, it unfolds in the richness of the materials used, such as unadorned marble, metal and wood.

The Villa Cavrois provided for its occupants a large number of amenities especially rare for the time, even in luxury houses. Use of the latest modern technology, especially electricity meant each room was provided with electric lighting, a radio loudspeaker, an electric clock and telephones enabled people to communicate between rooms or with the outside world. The villa was equipped with a modern boiler room and a wine cellar. The water system provided hot and cold water, as well as softened water for cooking and drinking. Lighting was the object of special care.The lighting, both direct and indirect, is very delicate and elegant. In collaboration with the lighting engineer André Salomon, Mallet-Stevens conceived an indirect lighting which fit in the architecture and he has provided most of the rooms of the villa of a lighting device system which direct the light towards the ceiling^[5] to obtain an unchanging light closer at the natural one.^[6] Hygiene was very important in the conception of the Villa Cavrois, as it is shown by the clinical aspect of the kitchen (metal and white paint) and also by the presence of a swimming pool of 27 metres long and 4 metres depth at the diving boards.

Visit of the Villa Cavrois

The entrance of the estate is situated in the north-west corner of the terrain, displaced in relation to the main facade of the building. A round driveway enabled the cars to reach the garage, located in the caretaker's lodge, without having to manoeuvre.^[7] The villa introduce itself as yellow brick shell and it is the only realisation of Mallet-Stevens to have a similar frame. The French firm Bonzel produced twenty-six moulds of different form in order to make bricks capables to cover the diverse areas of the villa. The source of inspiration of this brick is the town hall of Hilversum, in the Netherlands, realized by the architect Willem Marinus Dudock.^[8] If the aesthetic canon of the villa is resolutely modern (large glass windows, flat-roofs, total absence of decoration, purity of lines), its plan is in line with the French tradition of the 17th- and 18-century châteaux: two symmetrical wings ( the parents' wing and the children and household staff wing) evolve around the central corp of the villa, constituted by the vestibule and the hall salon.^[9] The plan of the villa is designed to facilitate the displacements and to organise the domestic life in a rational way. In the ground floor, the vestibule is a vast room used to distribute the spaces. The black door that opens to the hall-salon is framed by a pair of light boxes which look like those that Mallet-Stevens designed for the set of Marcel L'Herbier's movie Le Vertige. The hall-salon is a big double-height cubic room with a large glass window overlooking the park. The floor is covered with parquet and the walls are painted green. On the east side is situated the fireplace alcove wrapped in yellow Sienna marble and set up with leather banquettes. Thanks to a sliding door situated on the west side one can reach the parents' dining room, which is characterised by the walls and the floor in green Swedish marble and the black lacquered pear wood furniture. Adjoining to the parents' dining room, the children's dining room is furnished with a table and six chairs in zebrawood (originals). This room has an independent access to the garden thanks to the exterior corkscrew stairs. from the two dining rooms one can gain access to the pantry and the kitchen. This spaces demonstrate the importance of hygiene in the conception of a modern house by Robert Mallet-Stevens as it is shown by the presence of a metal furniture, easy to clean, the black-and-white chequerboard floor and the walls covered with white tiles bringing additional luminosity. Still in the ground-floor, in the east wing, Paul Cavrois' study, furnished with varnished natural pear wood, give access to the smoking-room, a little circular room calling to mind a cabin of a liner that is provided with a cigar and alcohol cabinet in natural Cuban mahogany and leather bench seats. The east end of the ground-floor is occupied by the two young men's rooms, one with an intense and living polychromy of the walls, a tribute to the Dutch artistic movement De Stijl, and the other one with the walls painted in different shades of yellow and the furniture in black-and-white ceruse oak wood.

One can reach the first floor by the monumental staircase, built into the belvedere tower, with white marble steps and black marble risers. the west wing is reserved to the children and the governess's rooms while the east wing house the parental suite. In the children's wing, the boys' room has not be restored to show the condition of the villa before the restoration work. In the parents' wing, the master bedroom presents itself with a furniture in palm wood and the walls painted beige, which give it elegance et refinement. The boudoir of Lucie Cavrois looks more casual as a result of the blond tone of the furnitures in sycamore, the walls painted in light blue and the navy blue moquette. The master bathroom is a dual-aspect room of around 60 m². This space is constituted of a part reserved to the dressing, with a black-and-white polka-dot moquette, and a part consecrated to the ablutions (bathtub and shower cabin equipped with water jets) with the floor in white Carrara marble. In this room are presented a barometer and a built-in scale. The second floor, isolated from the rest of the villa, is constituted by the playroom and the study rooms. The playroom is a huge space with walls in red oilcloth above and aluminium below.From the playroom one can access to the terrace which could turn into a summer dining-room thanks to the dumbwaiter connected with the kitchen. In the basement, the laundry-room is equipped with a mangle, an ironing machine and a drying closet. In this space is displayed the original garden's furnitures. Behind the laundry-room is situated the boiler-room which accommodates two fuel boilers, one for the heating and the other one for the hot water. The fuel storage tanks are hosted in a separate space in front of the boiler-room. The wine cellar has been converted in a resource center with a large choice of materials presents in the villa and a set original evidences of the villa.

context of order and genesis of the project

Decline and acquisition by the state

A modern concept

Visit of the Villa Cavrois

See also

References

Literature

External links