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词条 Neo-romanticism
释义

  1. Late 19th century and early 20th century

  2. Late 20th century

  3. Britain

      1880–1910   1930–1955 

  4. Western Europe

  5. Eastern Europe

  6. India

  7. USA

  8. Japan

  9. In popular culture

  10. See also

     Modern manifestations 

  11. References

  12. Further reading

  13. External links

{{distinguish|New Romantic}}{{Refimprove|article|date=May 2013}}

The term neo-romanticism is used to cover a variety of movements in philosophy, literature, music, painting, and architecture, as well as social movements, that exist after and incorporate elements from the era of Romanticism. It has been used with reference to late-19th-century composers such as Richard Wagner particularly by Carl Dahlhaus who describes his music as "a late flowering of romanticism in a positivist age". He regards it as synonymous with "the age of Wagner", from about 1850 until 1890—the start of the era of modernism, whose leading early representatives were Richard Strauss and Gustav Mahler {{harv|Dahlhaus|1979|loc=98–99, 102, 105}}. It has been applied to writers, painters, and composers who rejected, abandoned, or opposed realism, naturalism, or avant-garde modernism at various points in time from about 1840 down to the present.

Late 19th century and early 20th century

Neo-romanticism as well as Romanticism is considered in opposition to naturalism—indeed, so far as music is concerned, naturalism is regarded as alien and even hostile {{harv|Dahlhaus|1979|loc=100}}. In the period following German unification in 1871, naturalism rejected Romantic literature as a misleading, idealistic distortion of reality. Naturalism in turn came to be regarded as incapable of filling the "void" of modern existence. Critics such as Hermann Bahr, Heinrich Mann, and Eugen Diederichs came to oppose naturalism and materialism under the banner of "neo-romanticism", demanding a cultural reorientation responding to "the soul’s longing for a meaning and content in life" that might replace the fragmentations of modern knowledge with a holistic world view {{harv|Kohlenbach|2009|loc=261}}.

Late 20th century

"Neo-romanticism" was proposed as an alternative label for the group of German composers identified with the short-lived Neue Einfachheit movement in the late 1970s and early 1980s. Along with other phrases such as "new tonality", this term has been criticised for lack of precision because of the diversity among these composers, whose leading member is Wolfgang Rihm {{harv|Hentschel|2006|loc=111}}.

Britain

{{Refimprove section|date=May 2013}}{{prose|section|date=May 2013}}

1880–1910

See:

  • Lewis Carroll
  • John Ruskin
  • Edward Elgar
  • Gerard Manley Hopkins
  • Vaughan Williams
  • The Aesthetic movement and the Arts & Crafts Movement
  • Symbolism (arts)
  • W.B. Yeats
  • Rudyard Kipling
  • A.E. Housman
  • Neo-gothic architecture
  • Some modes of pictorialism in photography.

1930–1955

In British art history, the term "neo-romanticism" is applied to a loosely affiliated school of landscape painting that emerged around 1930 and continued until the early 1950s. It was first labeled in March 1942 by the critic Raymond Mortimer in the New Statesman. These painters looked back to 19th-century artists such as William Blake and Samuel Palmer, but were also influenced by French cubist and post-cubist artists such as Pablo Picasso, André Masson, and Pavel Tchelitchew ({{harvnb|Clark and Clarke|2001}}; {{harvnb|Hopkins|2001}}). This movement was motivated in part as a response to the threat of invasion during World War II. Artists particularly associated with the initiation of this movement included Paul Nash, John Piper, Henry Moore, Ivon Hitchens, and especially Graham Sutherland. A younger generation included John Minton, Michael Ayrton, John Craxton, Keith Vaughan, Robert Colquhoun, and Robert MacBryde {{harv|Button|1996}}.

Western Europe

{{prose|section|date=May 2013}}

The aesthetic philosophy of Arthur Schopenhauer and Friedrich Nietzsche has contributed greatly to neo-romantic thinking.

  • Knut Hamsun (Norway)
  • Sigurdur Nordal (Iceland)
  • Anton Bruckner (Austria)
  • Wandervogel (Germany)

Eastern Europe

{{prose|section|date=May 2013}}
  • Alexander Kazbegi (Georgia)
  • Uladzimir Karatkevich (Belarus)
  • Johannes Semper (Estonia)
  • Marie Under (Estonia)
  • Odysseus Elytis (Greece)
  • Young Poland Movement (Poland)
  • Antoni Lange (Poland)
  • Stanisław Przybyszewski (Poland/Germany)
  • Tadeusz Miciński (Poland)
  • Karol Szymanowski (Poland)
  • Eugene Berman (Russia)
  • Pavel Tchelitchew (Russia)
  • Dragotin Kette (Slovenia)

India

{{prose|section|date=May 2013}}
  • The Chhayavaad movement in Indian literature

USA

{{prose|section|date=May 2013}}
  • Justine Kurland's photography
  • Donna Tartt, in particular her popular debut novel The Secret History

Japan

Beginning in the mid-1930s and continuing through World War II, a Japanese neo-romantic literary movement was led by the writer Yasuda Yojūrō {{harv|Torrance|2010|loc=66}}.

In popular culture

{{main|New Romantic}}

See also

  • Romantic music
  • Guild socialism
  • Utopian socialism
  • Wandervogel
  • Robert Baden-Powell

Modern manifestations

  • Fantasy art
  • Goth subculture
  • Regionalism (art)
  • Neopagan
  • Neofolk
  • Neoromanticism (music)
  • New Romantic

References

  • {{wikicite|ref={{harvid|Button|1996}}|reference=Button, Virginia. 1996. "Neo-Romanticism". Dictionary of Art, 34 volumes, edited by Jane Turner. New York: Grove’s Dictionaries. {{ISBN|9781884446009}}.}}
  • {{wikicite|ref={{harvid|Clarke and Clarke|2001}}|reference=Clarke, Michael, and Deborah Clarke. 2001. "Neo-Romanticism". The Concise Oxford Dictionary of Art Terms. Oxford and New York: Oxford University Press.}}
  • {{wikicite|ref={{harvid|Dahlhaus|1979}}|reference=Dahlhaus, Carl. 1979. "Neo-Romanticism". 19th-Century Music 3, no. 2 (November): 97–105.}}
  • {{wikicite|ref={{harvid|Hentschel|2006}}|reference=Hentschel, Frank. 2006. "Wie neu war die 'Neue Einfachheit'?" Acta Musicologica 78, no. 1:111–31.}}
  • {{wikicite|ref={{harvid|Hopkins|2001}}|reference=Hopkins, Justine. 2001. "Neo-Romanticism". The Oxford Companion to Western Art, edited by Hugh Brigstocke. Oxford and New York: Oxford University Press. {{ISBN|978-0-19-866203-7}}.}}
  • {{wikicite|ref={{harvid|Kohlenbach|2009}}|reference=Kohlenbach, Margarete. 2009. “Transformations of German Romanticism 1830–2000”. In The Cambridge Companion to German Romanticism, edited by Nicholas Saul, 257–80. Cambridge Companions to Literature. Cambridge and New York: Cambridge University Press. {{ISBN|9780521848916}}.}}
  • {{wikicite|ref={{harvid|Torrance|2010}}|reference=Torrance, Richard. 2010. "The People’s Library: The Spirit of Prose Literature Versus Fascism". In The Culture of Japanese Fascism, edited by Alan Tansman, 56–79. Asia-Pacific: Culture, Politics, and Society. Duke University Press. {{ISBN|9780822390701}}.}}

Further reading

British:
  • {{wikicite|ref={{harvid|Ackroyd|2002}}|reference=Ackroyd, Peter. 2002. The Origins of the English Imagination.{{Full|date=June 2013}}}}
  • {{wikicite|ref={{harvid|Arnold|2003}}|reference=Arnold, Graham. 2003. The Ruralists: A Celebration.{{Full|date=June 2013}}}}
  • {{wikicite|ref={{harvid|Michael|1997}}|reference=Michael Bracewell. 1997. England Is Mine.{{Full|date=June 2013}}}}
  • {{wikicite|ref={{harvid|Cannon-Brookes|1983}}|reference=Cannon-Brookes, P. 1983. The British Neo-Romantics.{{Full|date=June 2013}}}}
  • {{wikicite|ref={{harvid|Corbett and Russell|2002}}|reference=Corbett, Holt, and Russell (eds.). 2002. The Geographies of Englishness: Landscape and the National Past, 1880-1940.{{Full|date=June 2013}}}}
  • {{wikicite|ref={{harvid|Martin|1992}}|reference=Martin, Christopher. 1992. The Ruralists (An Art & Design Profile, No. 23).{{Full|date=June 2013}}}}
  • {{wikicite|ref={{harvid|Martin|2008}}|reference=Martin, Simon. 2008. Poets in the Landscape: The Romantic Spirit in British Art.{{Full|date=June 2013}}}}
  • {{wikicite|ref={{harvid|Johnsona nd Landow|1980}}|reference=Johnson and Landow (Eds).{{Full|date=June 2013}} 1980. Fantastic Illustration and Design in Great Britain, 1850–1930. Cambridge: The MIT Press.}}
  • {{wikicite|ref={{harvid|Mellor|1987}}|reference=Mellor, David. 1987. Paradise Lost: The Neo-Romantic Imagination in Britain, 1935–1955.{{Full|date=June 2013}}}}
  • {{wikicite|ref={{harvid|Picot|1997}}|reference=Picot, Edward. 1997. Outcasts from Eden: Ideas of Landscape in British Poetry Since 1945.{{Full|date=June 2013}}}}
  • {{wikicite|ref={{harvid|Sillars|1991}}|reference=Sillars, S. 1991. British Romantic Art and The Second World War.{{Full|date=June 2013}}}}
  • {{wikicite|ref={{harvid|Trentmann|1994}}|reference=Trentmann, F. 1994. Civilisation and its Discontents: English Neo-Romanticism and the Transformation of Anti-Modernism in Twentieth-Century Western Culture. London: Birkbeck College.}}
  • {{wikicite|ref={{harvid|Woodcock|2000}}|reference=Woodcock, Peter. 2000. This Enchanted Isle: The Neo-Romantic Vision from William Blake to the New Visionaries.{{Full|date=June 2013}}}}
  • {{wikicite|ref={{harvid|Yorke|1988}}|reference=Yorke, Malcolm. 1988. The Spirit of the Place: Nine Neo-Romantic Artists and Their Times. London: Constable & Company Limited. Paperback reprint, London and New York: Tauris Parke Paperbacks, 2001. {{ISBN|1-86064-604-2}}.}}
Indian
  • {{wikicite|ref={{harvid|Brajendranath|1903}}|reference=Brajendranath Seal. 1903. "The Neo-Romantic Movement in Literature". In New Essays in Criticism{{Full|date=September 2014}}}}.

External links

  • EBNR: An Encyclopedia of British Neoromanticism
{{DEFAULTSORT:Neo-Romanticism}}

4 : Neo-romanticism|Art movements|Literary movements|Modern art

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