1. History
    Founding in 1912  Golden Age  Pink films  Sushi Typhoon 

2. Ownership

3. Cultural references

4. See also

5. References
    Bibliography 

6. External links

Shareholders are Nippon Television Holdings (35%) and SKY Perfect JSAT Corporation (28.4%).^[2]

History

Founding in 1912

Nikkatsu was founded on September 10, 1912, when several production companies and theater chains, Yoshizawa Shōten, Yokota Shōkai, Fukuhōdō and M. Pathe, consolidated under the name Nippon Katsudō Shashin.^[3] The company enjoyed its share of success.{{Clarify|reason=vague|date=April 2015}} It employed such notable film directors as Shozo Makino and his son Masahiro Makino.

During World War II, the government ordered the ten film companies that had formed by 1941 to consolidate into two. Daiei founder Masaichi Nagata, a former Nikkatsu employee, counter-proposed that three companies be formed and the suggestion was approved. Nikkatsu, set to merge with the two weakest companies, Shinkō Kinema and Daito, were verbally displeased. The committee formed to establish the value of each company retaliated by purposefully undervaluing Nikkatsu, which led to Shinkō becoming the dominant head of production. The reformed Nikkatsu continued to prosper as an exhibition company but ceased all film production.

The postwar film industry expanded rapidly and, in 1951, Nikkatsu president Kyusaku Hori began construction of a new production studio.^[4] A graduate of Tokyo Keizai University, Hori had joined the company in 1951 after quitting his initial employment as the manager of Sanno Hotel (now rebuilt as Sanno Park Tower).

Golden Age

Under Hori, Nikkatsu is considered to have had its "Golden Age".{{cn|date=August 2018}} The company began making movies again in 1954.{{cn|date=August 2018}} Many assistant directors from other studios, including Shōhei Imamura and Seijun Suzuki from Shochiku, moved to Nikkatsu with the promise of advancement to full director status within one or two years.{{cn|date=August 2018}} Suzuki made dozens of films for Nikkatsu from 1956 onwards, developing an increasingly inventive visual style, but was controversially fired following the release of his 40th, Branded to Kill (1967),^[5] which Hori deemed "incomprehensible".{{cn|date=August 2018}}

The company made a few samurai films and historical dramas but by 1960 had decided to devote its resources to the production of urban youth dramas, comedy, action and gangster films.{{cn|date=August 2018}} From the late 1950s to until the start of the 1970s, they were renowned for their "borderless action" (mukokuseki akushun) movies,^[6] designed for the youth market, whose directors included Suzuki, Toshio Masuda, and Takashi Nomura.^[1] The studio also employed such stars as Yujiro Ishihara, Akira Kobayashi, Joe Shishido, Tetsuya Watari, Ruriko Asaoka, Chieko Matsubara and, later, Meiko Kaji and Tatsuya Fuji.{{cn|date=August 2018}} Director Shōhei Imamura began his career there and between 1958 and 1966 made for them such notable films as Pigs and Battleships (1961), The Insect Woman (1963) and The Pornographers (1966).{{cn|date=August 2018}}

Strangely during the height of the popularity of Japan's daikaiju (giant monster) genre, Nikkatsu only produced one Godzilla-type monster movie, Daikyoju Gappa (Giant Beast Gappa), released internationally as The Triphibian Monster and Monster From a Prehistoric Planet{{sfn|Galbraith IV|1994|p=314}}, a film generally regarded as a remake of/homage to the British film Gorgo (1961).^[7]

Pink films

By 1971 the increased popularity of television had taken a heavy toll on the film industry and in order to remain profitable Nikkatsu turned to the production of Roman Porno (from the French word 'roman' for 'novel' and the English word 'porno') and pinku eiga or pink films, which focus on sex, violence, S&M and romance. Hori resigned over the change in focus, and many stars and directors left the company. A few, including the film directors Yasuharu Hasebe, Keiichi Ozawa, Shōgorō Nishimura, and Koreyoshi Kurahara, stayed. It also witnessed the emergence of such new directors as Tatsumi Kumashiro, Masaru Konuma and Chūsei Sone.

Between 1974 and 1986, Nikkatsu promoted a number of their leading Roman Porno actresses of the popular BDSM niche under the epithet {{nihongo|"SM Queen"|SMの女王|SM no joō}}. They include Naomi Tani (1974–1979), Junko Mabuki (1980–1981), Izumi Shima (1982–1983), Nami Matsukawa (1983), Miki Takakura (1983–1985), and Ran Masaki (1985-1986).

The advent of home video brought an end to active production at Nikkatsu. Bed Partner (1988) was the last release in the venerable 17-year Roman Porno series. Nikkatsu declared bankruptcy in 1993.^[8]

Sushi Typhoon

In 2005, the company was sold to Index Holdings and in 2010, a revived Nikkatsu studio announced new production of The Sushi Typhoon movie series in partnership with a U.S. distributor.^[9] The Sushi Typhoon arm of Nikkatsu creates low-budget horror, science fiction, and fantasy films aimed at an international audience. By 2011, the company had produced seven feature films.^[10]

Ownership

• 1912 Nippon Katsudō Shashin K.K. was established by the merger of four film companies: Yoshizawa Shōten, Yokota Shōkai, Fukuhōdō and M. Pathe.
• 1993 applied for Corporate Reorganization Act.
• 1996 acquired by a Japanese leisure company Namco.
• 2005 sold to Index Holdings,^[11] a Japanese holding company which has interests in media contents industries.

Cultural references

In 2011, the French director Yves Montmayeur produced a documentary about the Pink Film period at Nikkatsu called Pinku Eiga: Inside the Pleasure Dome Of Japanese Erotic Cinema. ^[12]

See also

• List of Nikkatsu Roman Porno films
• Toho
• Tsuburaya Productions
• Daiei Film
• Toei Company
• Shochiku
• Shintoho
• Kadokawa Pictures

References

Bibliography

• {{cite book | author=Chris D. | title=Outlaw Masters of Japanese Film | publisher=I.B. Tauris | year=2005 | isbn=1-84511-086-2 }}; p. 228-9

External links

• Official website {{ja icon}}
• Corporate Overview {{en icon}}

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