词条 | Nishiki-e |
释义 |
Previously, most prints had been in black-and-white, coloured by hand, or coloured with the addition of one or two colour ink blocks. A nishiki-e print is created by carving a separate woodblock for every colour, and using them in a stepwise fashion. An engraver by the name of Kinroku is credited with the technical innovations that allowed so many blocks of separate colours to fit together perfectly on the page, in order to create a single complete image. This style and technique is also known as {{nihongo|Edo-e|江戸絵|edo-e}}, referring to Edo, the name for Tokyo before it became the capital. Nishiki-e in Meiji eraIn the Meiji period, various nishiki-e illustrated new fashions, imported goods, events, the railroad, and other new topics. "Newspaper nishiki-e" (新聞錦絵, shinbun nishiki-e) were very popular among the public during this period. Print designers created nishiki-e on topics picked up from the newspapers such as Tōkyō Nichinichi Shinbun or Yūbin Hōchi Shinbun.[2] Woodblock prints soared in popularity during the first Sino-Japanese War (1894-1895), with 3,000 prints produced during this 9-month period.[3] These prints generally glorified the Japanese army while denigrating the Chinese. And the bright colours in the prints, exciting scenes, and inexpensive nature made them a good alternative to the black and white photographs of the time. References1. ^{{cite web |publisher= Victoria and Albert Museum |url= http://www.vam.ac.uk/content/articles/u/ukiyo-e-pictures-of-the-floating-world/ |title= 'Parading Courtesan with Attendants' |work=Asia |accessdate= 2007-10-14}} 2. ^News nishikie 3. ^{{cite book|last=Keene|first=Donald|title=Impressions of the Front|year=1983|publisher=Philadelphia Museum of Art|location=Philadelphia}}
External links{{Commonscat|Nishiki-e}}
2 : Relief printing|Ukiyo-e genres |
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