请输入您要查询的百科知识：

　

词条 Notebook for Anna Magdalena Bach
释义

  1. History

     The 1722 notebook: French Suites and miscellany  The 1725 notebook 

  2. Compositions

     Recitative and Aria from Cantata Ich habe genug, BWV 82  Four-part chorale "Dir, dir, Jehova, will ich singen", BWV 299  Songs and arias, BWV 508–518  Aria "Bist du bei mir", BWV 508  Aria "Gedenke doch, mein Geist", BWV 509  Three settings of "Gib dich zufrieden", BWV 510–512  Sacred song "O Ewigkeit, du Donnerwort", BWV 513  Sacred song "Schaffs mit mir, Gott", BWV 514  Aria "So oft ich meine Tobackspfeife", BWV 515–515a  Aria "Warum betrübst du dich", BWV 516  Sacred song "Wie wohl ist mir, o Freund der Seelen", BWV 517  "Aria di G[i]ovannini", BWV 518  For organ  Fantasia in C major, BWV 573  Chorale prelude Wer nur den lieben Gott lässt walten, BWV 691  Chorale setting Jesus, meine Zuversicht, BWV 728  For keyboard  Five French Suites, BWV 812–816  Third and sixth partita from Clavier-Übung I, BWV 827 and 830  Minuet in G major, BWV 841  First prelude of The Well-Tempered Clavier, BWV 846/1  Aria of the Goldberg Variations, BWV 988/1  Air with variations, BWV 991  Minuet in F major, BWV Anh. 113  Two Minuets by Christian Petzold, BWV Anh. 114–115  Four Minuets and three Polonaises, BWV Anh. 116–121  Two Marches and two Polonaises by Carl Philipp Emanuel Bach, BWV Anh. 122–125  Three pieces, BWV Anh. 126–128  Solo per il cembalo by Carl Philipp Emanuel Bach, BWV Anh. 129  Polonaise in G major by Johann Adolph Hasse, BWV Anh. 130  Piece in F major by Johann Christian Bach, BWV Anh. 131  Minuet in D minor, BWV Anh. 132  "Rondeau" by François Couperin, BWV Anh. 183  "Menuet fait par Mons. Böhm" 

  3. See also

  4. References

  5. Sources

  6. External links

{{italic title}}

The title Notebook for Anna Magdalena Bach ({{lang-de|Notenbüchlein für Anna Magdalena Bach}}) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces for voice (songs, and arias) are included.

The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family.

History

The two notebooks are known by their title page dates of 1722 and 1725. The title "Anna Magdalena notebook" is commonly used to refer to the latter. The primary difference between the two collections is that the 1722 notebook contains works only by Johann Sebastian Bach (including most of the French Suites), while the 1725 notebook is a compilation of music by both Bach and other composers of the era.[1][2]

The 1722 notebook: French Suites and miscellany

This notebook contains 25 unbound sheets (including two blank pages), which is estimated to be approximately a third of the original size. It is not known what happened to the other pages. The back and the corners are decorated with brown leather; greenish paper is used for the cover. The title page is inscribed {{Lang|de|Clavier-Büchlein vor Anna Magdalena Bachin ANNO 1722}} in Anna Magdalena's hand. For a reason so far unknown to researchers, Johann Sebastian wrote the titles of three books by theologian August Pfeiffer (died 1698) in the lower right corner of the title page:

  • {{Lang|de|Ante Calvinismus}} is a shortened and misspelled title of {{Lang|de|Anti-Calvinismus, oder Unterredungen von der Reformierten Religion}} (Anti-Calvinism, or Conversations about the reformed religion).
  • "{{Lang|de|Christen Schule}} item" refers to Pfeiffer's {{Lang|de|Evangelische Christen Schule}} ("Evangelical Christian School").
  • AntiMelancholicus refers to {{Lang|de|Anti-melancholicus, oder Melancholey-Vertreiber}} (Anti-melancholy, or [something or someone] to drive out the melancholy]).

The notebook contains the following works, most in Johann Sebastian's hand:

  • Five keyboard suites. The first three are fragments of the pieces that are now known as the first three French Suites, BWV 812–814. The next two are complete suites, French Suites Nos. 4 and 5, BWV 815–816. The minuets of suites 2 and 3 are separated from the rest of their respective suites and were most probably added at a later date by Anna Magdalena Bach (they are almost certainly in her hand), some time before 1725.
  • Fantasia pro organo, unfinished, BWV 573. A short organ piece, 12 complete bars and the beginning notes of the 13th bar.
  • Air with variations in C minor, unfinished, BWV 991. The first 10 bars feature coherent two-part writing, but the remaining 35 bars only have one voice written out.
  • "Jesus, meine Zuversicht", chorale prelude, BWV 728. A brief (9 bars) piece in three voices, features two sections with repeats for each.
  • Minuet in G major, BWV 841 (not to be confused with Petzold's Minuet in G Major in the 1725 notebook). A short dance with simplistic two-part writing and two sections with repeats for each.

The 1725 notebook

The 1725 notebook is larger than the 1722 one, and more richly decorated. Light green paper is used for the front cover, Anna Magdalena's initials and the year number "1725" are printed in gold. All pages feature gilt edging. Most of the entries in the 1725 notebook were made by Anna Magdalena herself, with others written in the hand of Johann Sebastian, some by sons Johann Christian and Carl Philipp Emanuel, and a few by family friends such as Johann Gottfried Bernhard and Johann Gottfried Heinrich.

Although the 1725 notebook does contain work composed by Johann Sebastian Bach, it also includes works by many other composers. The authorship of several pieces is identified in the notebook itself, while that of others was established by researchers. The composers of still others, including several popular songs of the time, remain unknown.

Here is a complete list of the pieces included, in order of appearance in the notebook:

  1. Keyboard partita in A minor, BWV 827. This is the third partita from Bach's set of Partitas for keyboard BWV 825–830, which was published in 1731 as the first volume of {{Lang|de|Clavier-Übung}}.
  2. Keyboard partita in E minor, BWV 830. This is the sixth partita from Bach's set of Partitas for keyboard BWV 825–830.
  3. Minuet in F major, BWV Anh. 113.
  4. Minuet in G major, BWV Anh. 114. Usually attributed to Christian Petzold.&91;3&93;&91;4&93;&91;5&93;
  5. Minuet in G minor, BWV Anh. 115. Usually attributed to Christian Petzold.
  6. Rondeau in B-flat major, BWV Anh. 183. This piece is by François Couperin and is best known under the original title: Les Bergeries (6e Ordre).
  7. Minuet in G major, BWV Anh. 116
  8. {{Interlanguage link multi|Polonaise in F major, BWV Anh. 117a|commons|3=File:Johann Sebastian Bach - BWV Anh. 117a - Polonaise in F major.pdf}}
    Polonaise in F major, BWV Anh. 117b
  9. Minuet in B-flat major, BWV Anh. 118
  10. Polonaise in G minor, BWV Anh. 119
  11. Chorale prelude "Wer nur den lieben Gott läßt walten", BWV 691
  12. Chorale setting "Gib dich zufrieden und sei stille" in F major, BWV 510
  13. Chorale setting "Gib dich zufrieden und sei stille" in G minor, BWV 511
    Chorale setting "Gib dich zufrieden und sei stille" in E minor, BWV 512
  14. Minuet in A minor, BWV Anh. 120
  15. Minuet in C minor, BWV Anh. 121
  16. March in D major, BWV Anh. 122. Usually attributed to Carl Philipp Emanuel Bach.
  17. Polonaise in G minor, BWV Anh. 123. Usually attributed to Carl Philipp Emanuel Bach.
  18. March in G major, BWV Anh. 124. Usually attributed to Carl Philipp Emanuel Bach.
  19. Polonaise in G minor, BWV Anh. 125. Usually attributed to Carl Philipp Emanuel Bach.
  20. Aria "So oft ich meine Tobackspfeife" in D minor, BWV 515
    Aria "So oft ich meine Tobackspfeife" in G minor, BWV 515a
  21. Menuet fait par Mons. Böhm, by Georg Böhm. Not included in the BWV catalogue.
  22. Musette in D major, BWV Anh. 126
  23. March in E-flat major, BWV Anh. 127
  24. (Polonaise) in D minor, BWV Anh. 128
  25. Aria "Bist du bei mir", BWV 508. This composition is probably the most well-known of the arias of the 1725 notebook. Its melody is by Gottfried Heinrich Stölzel.&91;6&93;
  26. Keyboard aria in G major, BWV 988/1. Another well-known piece, this is the aria of the Goldberg Variations, BWV 988. Christoph Wolff has suggested that this Aria was entered into the two blank pages of this book by Anna Magdalena later, in 1740.
  27. Solo per il cembalo in E-flat major, BWV Anh. 129. A harpsichord piece by Carl Philipp Emanuel Bach.
  28. Polonaise in G major, BWV Anh. 130. Possibly composed by Johann Adolph Hasse.
  29. Prelude in C major, BWV 846/1. This is the first prelude from The Well-Tempered Clavier, Book 1, with bars 16–20 omitted, most likely in order to make the piece fit in two pages.
  30. Keyboard suite in D minor, BWV 812. This is the first French Suite.
  31. Keyboard suite in C minor, BWV 813. This is an incomplete version of the second French Suite.
  32. Movement in F major, BWV Anh. 131. The handwriting looks like that of a child, and apparently the piece is an attempt to create a bass line for a given melody.
  33. Aria "Warum betrübst du dich", BWV 516
  34. Recitative "Ich habe genug" and aria "Schlummert ein, ihr matten Augen" (solo), BWV 82/2,3
  35. Chorale setting "Schaff's mit mir, Gott", BWV 514
  36. Minuet in D minor, BWV Anh. 132
  37. Aria "Willst du dein Herz mir schenken" (subtitled "Aria di Giovannini"), BWV 518
  38. Aria "Schlummert ein, ihr matten Augen", unfinished, BWV 82/3
  39. Chorale setting "Dir, dir Jehova, will ich singen" (version for choir), BWV 299
    Chorale setting "Dir, dir Jehova, will ich singen" (solo), BWV 299
  40. Song "Wie wohl ist mir, o Freund der Seelen", BWV 517
  41. Aria "Gedenke doch, mein Geist, zurücke", BWV 509
  42. Chorale "O Ewigkeit, du Donnerwort", BWV 513

Compositions

{{expand section|date=September 2016}}

The Notebooks contain instrumental as well as vocal music.

Recitative and Aria from Cantata Ich habe genug, BWV 82

{{see also|Ich habe genug, BWV 82}}

The recitative "Ich habe genug" and the aria "Schlummert ein, ihr matten Augen", the second and third movements of the second version of Cantata Ich habe genug, BWV 82, appear in the 1725 Notebook.[7]

Four-part chorale "Dir, dir, Jehova, will ich singen", BWV 299

{{see also|List of chorale harmonisations by Johann Sebastian Bach#In the 1725 Notebook for Anna Magdalena Bach}}

The four-part chorale "Dir, dir, Jehova, will ich singen", BWV 299, also appears in a two-part setting in Schemellis Musicalisches Gesang-Buch (BWV 452).[8]

Songs and arias, BWV 508–518

{{see also|List of songs and arias by Johann Sebastian Bach#Songs and arias from the second Notebook for Anna Magdalena Bach (BWV 508–518)}}

The second Notebook contains a number of songs and arias set for voice and continuo.

Aria "Bist du bei mir", BWV 508

{{Listen
| filename =Hmv-db2291-32-4808-2wx767.ogg
| title ="Bist du bei mir"
| description =Performed by soprano Elisabeth Schumann, 1934}}{{see also|Bist du bei mir}}

"Bist du bei mir", BWV 508, is an arrangement of an aria of the opera Diomedes by Gottfried Heinrich Stölzel.[9][10][11]

Aria "Gedenke doch, mein Geist", BWV 509

"Gedenke doch, mein Geist, zurücke", BWV 509 is an aria contained in the second notebook.[12]

Three settings of "Gib dich zufrieden", BWV 510–512

The sacred songs BWV 510–512 are three settings of "Gib dich zufrieden und sei stille" for voice and continuo.[13]

Sacred song "O Ewigkeit, du Donnerwort", BWV 513

The sacred song "O Ewigkeit, du Donnerwort", BWV 513, No. 42 in the second Notebook, is a setting of the chorale melody with the same name, for voice and continuo:[14]

BWV 397 is the four-part realisation of this song.

Sacred song "Schaffs mit mir, Gott", BWV 514

"Schaffs mit mir, Gott", BWV 514, is a sacred song for voice and continuo.[15]

Aria "So oft ich meine Tobackspfeife", BWV 515–515a

{{Listen
| image =
| header =
| filename =J.S.Bach-So oft ich meine Tobackspfeife.ogg
| title =So oft ich meine Tobackspfeife, BWV 515
| alt =J.S.Bach. So oft ich meine Tobackspfeife, BWV 515, with Ukrainian words by M. Strikha.
| description =Ukrainian words by M. Strikha
}}

The aria "So oft ich meine Tobackspfeife" appears in two versions, BWV 515 and 515a, the second a fourth higher than the first.[16]

Aria "Warum betrübst du dich", BWV 516

The aria "Warum betrübst du dich", BWV 516, is a setting for voice and continuo.[17]

Sacred song "Wie wohl ist mir, o Freund der Seelen", BWV 517

"Wie wohl ist mir, o Freund der Seelen", BWV 517, is a sacred song for voice and continuo.[18]

"Aria di G[i]ovannini", BWV 518

The authenticity of "Willst du dein Herz mir schenken", BWV 518, also known as "Aria di G[i]ovannini", is doubted.[19]

For organ

The first Notebook contains two compositions for organ. The chorale prelude Wer nur den lieben Gott lässt walten is No. 11 in the second Notebook.

Fantasia in C major, BWV 573

The Fantasia in C major for organ, BWV 573, is a fragment contained in the 1722 Notebook.[20]

Chorale prelude Wer nur den lieben Gott lässt walten, BWV 691

{{see also|Kirnberger Collection}}

The chorale prelude "Wer nur den lieben Gott lässt walten", BWV 691, also appears in the Kirnberger Collection.[21]

Chorale setting Jesus, meine Zuversicht, BWV 728

The chorale setting Jesus, meine Zuversicht, BWV 728, is ranged among Bach's chorale preludes for organ.[22]

For keyboard

The keyboard pieces are the largest group of compositions in both Notebooks.

Five French Suites, BWV 812–816

{{see also|French Suites (Bach)}}

The first Notebook contains early versions of the first five French Suites, BWV 812–816. the first and the second French Suite also appear in the second Notebook.[23]

Third and sixth partita from Clavier-Übung I, BWV 827 and 830

{{see also|Clavier-Übung I}}

The second Notebook starts with the third Partita, BWV 827, from Clavier-Übung I, followed by the sixth Partita, BWV 830, from that opus.[24]

Minuet in G major, BWV 841

The Minuet in G major, BWV 841, is also contained in the Klavierbüchlein für Wilhelm Friedemann Bach.[25]

First prelude of The Well-Tempered Clavier, BWV 846/1

{{see also|Prelude and Fugue in C major, BWV 846}}

The prelude of Prelude and Fugue in C major, BWV 846, from The Well-Tempered Clavier appears in a short version in the second Notebook.[26]

Aria of the Goldberg Variations, BWV 988/1

{{see also|Goldberg Variations}}

No. 26 in the second Notebook is the aria with which the Goldberg Variations start:[2][27]

Air with variations, BWV 991

{{Listen
| image =
| header =Minuets No. 3–5 and 7
| filename =Minuet-in-F-major-BWV-Anh113.ogg
| title =Minuet in F Major, BWV Anh. 113
| alt =Minuet in F Major, BWV Anh. 113, played on a Digital piano
| description =attribution to J. S. Bach doubtful
| filename2 =Minuet-G-Major-BWV-Anh-114.ogv
| title2 =Minuet in G major, BWV Anh. 114
| alt2 =Minuet in G major, BWV Anh. 114, played on a Digital piano
| description2 =composed by Christian Petzold
| filename3 =Minuet-G-minor-BWV-Anh-115.ogg
| title3 =Minuet in G minor, BWV Anh. 115
| alt3 =Minuet in G minor, BWV Anh. 115, played on a Digital piano
| description3 =composed by Christian Petzold
| filename4 =Minuet-G-Major-BWV-Anh116.ogg
| title4 =Minuet in G major, BWV Anh. 116
| alt4 =Minuet in G major, BWV Anh. 116, played on a Digital piano
| description4 =attribution to J. S. Bach doubtful
}}

The Air with variations in C minor, BWV 991, is a fragment contained in the first Notebook.[28]

Minuet in F major, BWV Anh. 113

The Minuet in F major, BWV Anh. 113, is No. 3 in the second Notebook. Its attribution to J. S. Bach is considered doubtful, and for that reason it is included in Anhang (Anh.) II of the Bach-Werke-Verzeichnis.[29][30]

Two Minuets by Christian Petzold, BWV Anh. 114–115

{{see also|Minuet in G major, BWV Anh. 114}}

Start of Minuet in G major, BWV Anh. 114:[31]

The two Minuets in G major and G minor, Nos. 4–5 in the second Notebook, BWV Anh. 114 and 115, were composed by Christian Petzold. Because their former attribution to Bach is spurious they appear in Anh. III of the Bach-Werke-Verzeichnis.[32]

Four Minuets and three Polonaises, BWV Anh. 116–121

{{Synthlisten
| pos =
| header = Polonaise, No. 8a
| filename = Johann Sebastian Bach - BWV Anh. 117a - Polonaise in F major.mid
| title = Polonaise in F major, BWV Anh. 117a
| description = attribution to J. S. Bach
}}

Seven pieces with a doubtful attribution to J. S. Bach:[29]

  • Anh. II 116 – No. 7: Minuet in G major[33]
  • Anh. II 117a and 117b – No. 8a and b: two Polonaises in F major[34]
  • Anh. II 118 – No. 9: Minuet in B♭ major[35]
  • Anh. II 119 – No. 10: Polonaise in G minor[36]
  • Anh. II 120 – No. 14: Minuet in A minor[37]
  • Anh. II 121 – No. 15: Minuet in C minor[38]

Two Marches and two Polonaises by Carl Philipp Emanuel Bach, BWV Anh. 122–125

{{Listen
| image =
| header =Musette, No. 22
| filename =Musette-D-Major-BWV-Anh126.ogg
| title =Musette in D Major, BWV Anh. 126
| alt =Musette in D Major, BWV Anh. 126, played on a Digital piano
| description =attribution to J. S. Bach doubtful
}}{{see also|List of compositions by Carl Philipp Emanuel Bach#Solo keyboard}}

Nos. 16–19 (BWV Anh. 122–125) are considered to be early compositions by Carl Philipp Emanuel Bach:[32]

  • Anh. III 122 – No. 16: March in D major (H 1/1)[39]
  • Anh. III 123 – No. 17: Polonaise in G minor (H 1/2)[40]
  • Anh. III 124 – No. 18: March in G major (H 1/3)[41]
  • Anh. III 125 – No. 19: Polonaise in G minor (H 1/4)[42]

Three pieces, BWV Anh. 126–128

A musette and two other pieces with a doubtful attribution to J. S. Bach:[29]

  • Anh. II 126 – No. 22: Musette in D major[43]
  • Anh. II 127 – No. 23: March in E♭ major[44]
  • Anh. II 128 – No. 24: (Polonaise) in D minor[45]

Solo per il cembalo by Carl Philipp Emanuel Bach, BWV Anh. 129

{{see also|Carl Philipp Emanuel Bach#Keyboard sonatas}}

Opening bars of Solo per il cembalo, BWV Anh. 129, by Carl Philipp Emanuel Bach, piece No. 27 from the 1725 Notebook:[46]

Anh. III 129 – No. 27: Solo per il cembalo in E-flat major by C. P. E. Bach (early version of the keyboard sonata Wq 65.7 / H 16).[32]

Polonaise in G major by Johann Adolph Hasse, BWV Anh. 130

Anh. III 130 – No. 28: Polonaise in G major by Johann Adolph Hasse, i.e. "Polonoise secondo", originally in F major, from his keyboard sonata in F major.[32][47]

Piece in F major by Johann Christian Bach, BWV Anh. 131

Untitled movement in F major, {{nobreak|BWV Anh. 131}}, piece No. 32 from the 1725 Notebook:[32]

{{Listen
| image =
| header =Minuet, No. 36
| filename =Bach-Minuet-F-Major.ogg
| title =Minuet in D Minor, BWV Anh. 132
| alt =Minuet in D Minor, BWV Anh. 132, played on a Digital piano
| description =attribution to J. S. Bach doubtful
}}

Anh. III 131 – No. 32: [March] in F major attributed to Johann Christian Bach (W A22), formerly also attributed to Gottfried Heinrich Bach[48]

Minuet in D minor, BWV Anh. 132

Anh. II 132 – No. 36: Minuet in D minor[29][49]

"Rondeau" by François Couperin, BWV Anh. 183

{{see also|List of compositions by François Couperin#For harpsichord}}

Anh. III 183 – No. 6: Rondeau in B-flat major by François Couperin, "Les Bergeries, Rondeau", sixth piece of the Sixième ordre, published in Paris in 1717 (Second Livre de pièces de Clavecin)[32][50][51]

"Menuet fait par Mons. Böhm"

No. 21 of the second Notebook, "Menuet fait par Mons. Böhm" (Minuet by Mr. Böhm), in G major, was never assigned a number in the BWV catalogue. It is however included in both the Bach-Gesellschaft Ausgabe (BGA) and the New Bach Edition (Neue Bach-Ausgabe, NBA) of the Notebooks. There is some doubt which composer by the name Böhm may have been intended, Georg Böhm being the best known among them.[2][52][53][54]

See also

  • {{Lang|de|Klavierbüchlein für Wilhelm Friedemann Bach}}
  • List of songs and arias by Johann Sebastian Bach from the 1725 Notebook for Anna Magdalena (BWV 508–518)
  • The 1725 Notebook for Anna Magdalena compositions in the appendix of the BWV catalogue
  • Anna Magdalena, a 1998 Hong Kong film titled after the Notebook; Minuet in G is featured extensively throughout the movie.

References

1. ^1. Klavierbüchlein der A. M. Bach, 1722, D-B Mus. ms. Bach P 224 at Bach Digital website
2. ^1 2 2. Notenbüchlein der A. M. Bach, 1725, D-B Mus. ms. Bach P 225 at Bach Digital website
3. ^{{GroveOnline|title=Bach. III. 7. Johann Sebastian Bach. Works|author=Wolff, Christoph|author-link=Christoph Wolff|access-date=21 December 2006}}
4. ^Williams, Peter F.. 2007. J.S. Bach: A Life in Music, p. 158. Cambridge University Press.
5. ^Schulenberg, David. 2006. The Keyboard Music of J.S. Bach, p. 522 and elsewhere.
6. ^Andreas Glöckner in: ''Bach-Jahrbuch 2002, pp. 172–174.
7. ^Bach Digital Work {{BDW|0104}}
8. ^Bach Digital Work {{BDW|0369}}
9. ^Bach Digital Work {{BDW|0579}}
10. ^[https://opac.rism.info/search?id=469080810 Diomedes (Excerpts): "Bist du bei mir geh ich mit Freuden"]
11. ^Diomedes (Stölzel, Gottfried Heinrich) at IMSLP website
12. ^Bach Digital Work {{BDW|0580}}
13. ^Bach Digital Work {{BDW|0581}}, {{BDW|0582}} and {{BDW|0583}}
14. ^Bach Digital Work {{BDW|0584}}
15. ^Bach Digital Work {{BDW|0585}}
16. ^Bach Digital Work {{BDW|0586}} and {{BDW|0587}}
17. ^Bach Digital Work {{BDW|0588}}
18. ^Bach Digital Work {{BDW|0589}}
19. ^Bach Digital Work {{BDW|0590}}
20. ^Bach Digital Work {{BDW|0653}}
21. ^Bach Digital Work {{BDW|0808}}
22. ^Bach Digital Work {{BDW|0851}}
23. ^Bach Digital Work {{BDW|0945}}, {{BDW|0946}}, {{BDW|0948}}, {{BDW|0950}} and {{BDW|0952}}
24. ^Bach Digital Work {{BDW|0964}} and {{BDW|0968}}
25. ^Bach Digital Work {{BDW|0980}}
26. ^Bach Digital Work {{BDW|0986}}
27. ^Bach Digital Work {{BDW|1166}}
28. ^Bach Digital Work {{BDW|1169}}
29. ^1 2 3 Bach-Werke-Verzeichnis (1998), [https://www.bachmidi.info/kbwv-a2.html#p0465 p. 465]
30. ^Bach Digital Work {{BDW|1423}}
31. ^Bach Digital Work {{BDW|1424}} and {{BDW|1425}}
32. ^1 2 3 4 5 Bach-Werke-Verzeichnis (1998), [https://www.bachmidi.info/kbwv-a3.html#p0469 p. 469]
33. ^Bach Digital Work {{BDW|1426}}
34. ^Bach Digital Work {{BDW|1427}} and {{BDW|1428}}
35. ^Bach Digital Work {{BDW|1429}}
36. ^Bach Digital Work {{BDW|1430}}
37. ^Bach Digital Work {{BDW|1431}}
38. ^Bach Digital Work {{BDW|1432}}
39. ^Bach Digital Work {{BDW|1433}}
40. ^Bach Digital Work {{BDW|1434}}
41. ^Bach Digital Work {{BDW|1435}}
42. ^Bach Digital Work {{BDW|1436}}
43. ^Bach Digital Work {{BDW|1437}}
44. ^Bach Digital Work {{BDW|1438}}
45. ^Bach Digital Work {{BDW|1439}}
46. ^Bach Digital Work {{BDW|1440}}
47. ^Bach Digital Work {{BDW|1441}}
48. ^Bach Digital Work {{BDW|1442}}
49. ^Bach Digital Work {{BDW|1443}}
50. ^Bach Digital Work {{BDW|1494}}
51. ^François Couperin. Second Livre de pièces de Clavecin. Paris: Foucault (1717), pp. 8–9
52. ^Waldersee (1894), p. XI and 35
53. ^Von Dadelsen (1957)
54. ^Heinemann (1983), "Comments" p. 55

Sources

Manuscripts:

  • 1. Klavierbüchlein der A. M. Bach, 1722: D-B Mus. ms. Bach P 224 at Bach Digital website
  • 2. Notenbüchlein der A. M. Bach, 1725: D-B Mus. ms. Bach P 225 at Bach Digital website

Score editions with critical commentary:

  • Paul Waldersee, editor. Bach-Gesellschaft Ausgabe, Vol. 432 [plate B.W. XLIII(2)]: Joh. Seb. Bach's Musikstücke in den Notenbüchern der Anna Magdalena Bach (Joh. Seb. Bach's music pieces in the notebooks of Anna Magdalena Bach). Leipzig: Breitkopf & Härtel (1894)
  • Georg von Dadelsen, editor. New Bach Edition, Series V: Keyboard and Lute Works, Vol. 4: The Klavierbüchlein für Anna Magdalena Bach from 1722 and 1725. Bärenreiter: [https://www.baerenreiter.com/en/shop/product/details/BA5008_01/ Score] (1957, 21963, 31978, 42014) and [https://www.baerenreiter.com/en/shop/product/details/BA5008_41/ Critical Commentary] (1957)
  • Ernst-Günter Heinemann, editor. J.S. Bach: Notebook for Anna Magdalena Bach (Urtext edition). G. Henle Verlag, 1983. Includes Preface and Critical commentary

External links

{{commons category|Notebook for Anna Magdalena Bach}}
  • {{IMSLP2|work=Notebook for Anna Magdalena Bach (Bach, Johann Sebastian)|cname=Notebook for Anna Magdalena Bach}}
{{Compositions for Organ, Keyboard and Lute by Johann Sebastian Bach}}{{Short vocal works by Johann Sebastian Bach}}{{C. P. E. Bach}}{{Authority control}}{{DEFAULTSORT:Notebook For Anna Magdalena Bach}}

9 : Music anthologies|Compositions by Johann Sebastian Bach|Compositions by Carl Philipp Emanuel Bach|Compositions for keyboard|German manuscripts|1722 works|1725 works|Articles containing video clips|Polonaises
随便看

　

开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。

　

Copyright © 2023 OENC.NET All Rights Reserved
京ICP备2021023879号 更新时间：2024/9/29 16:24:48