“Olga Benário Prestes”的意思、由来-开放百科全书

Olga Benário Prestes (February 12, 1908 – April 23, 1942) was a German Brazilian communist militant gassed by Nazi Germany.

Biography

Olga was born in Munich as Olga Gutmann Benário, to a Jewish family.^[1] Her father, Leo Benário, was a Social Democrat lawyer, and her mother, Eugenie (Gutmann), was a member of Bavarian high-society. In 1923, aged fifteen, she joined the Communist Youth International and in 1928 helped organize her lover and comrade Otto Braun's escape from Moabit prison.^[2] She went to Czechoslovakia and from there, reunited with Braun, to Moscow, where Benário attended the Lenin-School of the Comintern and then worked as an instructor of the Communist Youth International, in the Soviet Union and in France and Great Britain, where she participated in coordinating anti-fascist activities. She parted from Otto Braun in 1931.

After her stay in Britain, where she was briefly arrested,^[3] Olga attended a course in the Zhukovsky Military Academy, something that led her to be charged in rightist histories with being an agent of Soviet military intelligence.^[4] Be that as it may, due to her military training, in 1934 she was given the task of helping the return to Brazil of Luís Carlos Prestes, to whom she was assigned as a bodyguard.^[5] In order to accomplish this mission, false papers were created stating that they were a Portuguese married couple. By the time they arrived at Rio de Janeiro in 1935, this cover had become a reality, as the couple had fallen in love. After a failed insurrection in November 1935, Benário and her husband went into hiding, and after barely escaping a police raid at Ipanema,^[6] they were both eventually arrested in January 1936, during the harsh anti-communist campaign declared after Getúlio Vargas had proclaimed martial law and was already plotting the 1937 coup that eventually led to the institution of the fascist-like Estado Novo régime.

Pregnant and separated from Prestes, Benário clung to her alias, only to have her real identity disclosed by Brazilian diplomats, working hand-in-hand with the Gestapo.^[7] Her lawyers attempted to avoid extradition by means of a habeas corpus at the Brazilian Supreme Federal Court based on her pregnancy, because extradition would have left a newborn Brazilian national in the power of a foreign government. As Brazilian law forbids the extradition of nationals,^[8] Olga's lawyers expected to win time until Olga gave birth on Brazilian soil to an ipso facto Brazilian citizen - irrespective of the child's paternity, which remained legally doubtful in the absence of evidence for Olga's and Prestes' marriage^[9] - something that would have rendered extradition quite unlikely.^[10] The plea, however, was speedily quashed, the rapporteur-justice alleging that habeas corpus was superseded by martial law^[11] and that Olga's deportation was justified as "an alien noxious to public order".^[12]

After the Brazilian supreme court's decision, and despite an international campaign, Olga was forcibly returned to Germany in September 1936. The captain of the German liner that took her cancelled scheduled stops in non-German European ports, foiling communist attempts at rescuing her.^[13] On arrival, she was put in prison in Berlin, where on November 27 she gave birth to a daughter, Anita Leocádia. At the age of fourteen months, the child was released into the care of her paternal grandmother, Leocádia Prestes.^[14]

After the birth of her child, Olga was sent to Lichtenburg concentration camp in 1938, transferred to Ravensbrück concentration camp in 1939, and finally to Bernburg Euthanasia Centre in 1942, where she was gassed alongside hundreds of other female political prisoners.^[14]

Aftermath

As Vargas joined the United Nations and Brazil entered World War II against the Axis, Luís Carlos Prestes, the father of Anita Leocádia and former partner of Olga Benário, eventually struck a political partnership with him in order to avoid Vargas' immediate ousting in 1945, which was demanded both by his more rightist domestic opponents and by Adolf Berle as US ambassador.^[15] This move was in line with Popular Front Communist policies of the time:^[16] Prestes argued that, by declaring himself against Vargas' immediate resignation, he wanted to avoid a "redemptory coup" as well as to take a stand against "the decrepit remains of reaction".^[17]

Legacy

Jorge Amado, in his 1942 biographical novel "Vida de Luis Carlos Prestes", compared Olga Benario with Ana Ribeiro da Silva, the Brazilian wife of Garibaldi - and remarked that "in the person of Olga, Europe repaid the debt to Latin America" (i.e., in her case it was a European woman revolutionary who married a Latin American revolutionary leader).{{Citation needed|reason=Unsourced|date=November 2018}}

In the postwar German Democratic Republic, Olga was presented as the model of the female revolutionary, and the writer Anna Seghers wrote a biographical sketch about her for International Women's Day in 1951.^[18]

Olga Benário was the subject of an opera Entre la Piel y el Alma by G. P. Cribari, which premiered in Glasgow at the Royal Scottish Academy of Music and Drama on May 22, 1992.{{Citation needed|reason=Unsourced|date=November 2018}}

In the GDR Ruth Werner published a successful biographical novel for young readers about Olga Benario in 1961.^[19]

In 2004, a popular Brazilian film based on Benário's life, Olga, directed by telenovela director Jayme Monjardim, which offered a thoroughly depoliticized account of Olga's life, centered on her love affair with Prestes, was released, to the disappointment of German critics, who called it "kitsch advertising".^[20]

Also in 2004 she was the subject of a German documentary (with reconstructed scenes) directed by the former assistant to Rainer Werner Fassbinder, Galip Iyitanir, Olga Benário - Ein Leben für die Revolution.^[21]

In 2006, the opera Olga, by Jorge Antunes, premiered on October 14 at the Theatro Municipal in São Paulo, Brazil.{{Citation needed|reason=Unsourced|date=November 2018}}

In 2009 Olga Benario was one of three female protagonists in Swiss writer Robert Cohen's vast novel about the anti-fascist exile Exil der frechen Frauen.^[22]

In January 2013, the English translation of the play Olga's Room by German playwright Dea Loher, was presented by the Speaking in Tongues Theatre Company at the Arcola Theatre in London.^[23]

In 2013 {{ill|Robert Cohen (Germanist)|de}} edited the exchange of letters from prisons and concentration camps between Olga Benario and Luiz Carlos Prestes.^[24]

In 2016 Robert Cohen published an edited version of the only recently accessible large dossier of documents of the Gestapo on Olga Benario.^[25]

See also

References

1. ^{{cite web|url=https://books.google.com/books?id=Erbl362xMvYC&pg=PA16&dq=Eugenie+Gutmann+Leo+Ben%C3%A1rio&hl=en#v=onepage&q&f=false|title=Olga|first=Fernando|last=Morais|date=1 December 2004|publisher=Grove Press|via=Google Books}}
2. ^Teresa A. Meade, A History of Modern Latin America: 1800 to the Present, Malden: Wiley-Blackwell, 2010, {{ISBN|978-1-4051-2050-0}} , page 186
3. ^Nigel West, MASK: MI5's penetration of the Communist Party of Great Britain. New York: Routledge, 2005, {{ISBN|0-415-35145-6}} ,page 23
4. ^For instance in the accusatory, anticommunist history of the 1935 uprising in Brazil by TV Globo journalist William Waack, Camaradas, São Paulo, Cia. das Letras, 1993, {{ISBN|85-7164-342-3}} , page 94 (a version which is repeated by Shawn C. Smallman, Fear & memory in the Brazilian army and society, 1889-1954, University of North Carolina Press, 2002 page 51); Waack admits, however, that according to existing archival evidence Olga's actual affiliation to Soviet intelligence is only a possibility, albeit a strong one: Camaradas, page 100
5. ^Katherine Morris, ed., Odyssey of exile: Jewish women flee the Nazis for Brazil. Detroit: Wayne State University Press, 1996, {{ISBN|0-8143-2563-7}}, page 126
6. ^Having as an unwitting witness the writer Pedro Nava, who wrote about the episode in his memoir Galo-das-trevas: as doze velas imperfeitas. São Paulo: Ateliê Editorial, 2003, {{ISBN|85-7480-160-7}} , 451
7. ^João Henrique Botteri Negrão, Selvagens e Incendiários: O Discurso Anticomunista do Governo Vargas. São Paulo: Humanitas/FAPESP, 2005, {{ISBN|85-98292-74-5}} ,page 163
8. ^Carmen Tiburcio, The human rights of aliens under international and comparative law. The Hague: Kluwer Law International, {{ISBN|90-411-1550-1}} ,pages 132/133
9. ^Vargas' propagandists at the time sustained that Prestes' mariage was a sham, a cover for the fact that Olga had been posted besides him as a liaison for the Soviet political police: Robert M. Levine, Father of the poor?: Vargas and his era. Cambridge University Press, 1998, {{ISBN|0-521-58528-7}} , page 43
10. ^Stanley E. Hilton, Brazil and the Soviet Challenge 1917-1947. Austin: University of Texas Press, 1991, {{ISBN|0-292-70781-9}} , pages 81/86.
11. ^Paulo Fernando Silveira, O morro das sete voltas: guerrilha na serra da Saudade. Curitiba: Juruá, 2008, {{ISBN|978-85-362-2058-1}} ,page 100
12. ^Emília Viotti da Costa, O Supremo Tribunal Federal e a construção da cidadania.São Paulo: UNESP, 2006, page 90
13. ^Nigel West, MASK, page 24.
14. ^¹{{cite web|last=Saidel|first= Rochelle G.|title=Olga Benário Prestes |work=Jewish Women: A Comprehensive Historical Encyclopedia (Jewish Women's Archive)|date= 1 March 2009|accessdate=January 21, 2018|url=https://jwa.org/encyclopedia/article/prestes-olga-benario}}
15. ^David Rock, ed., Latin America in the 1940's: War and Postwar Transitions. Berkeley: University of California Press, 1994, {{ISBN|0-520-08416-0}} , pages 152 and 157
16. ^According to the explanation offered by Prestes in a later broadcast interview: Paulo Markun, O melhor do Roda viva: Poder. São Paulo: Conex, 2005, {{ISBN|85-7594-054-6}} ,pages 52/53
17. ^David Rock,Latin America in the 1940s" ,152
18. ^Wiebke von Bernstorff, Fluchtorte: die mexikanischen und karibischen Erzählungen von Anna Seghers. Göttingen, Wallsten Verlag, 2006, page 55. However, for Seghers Olga was also a character that joined "ideal German qualities with the exotic Latin American aura - a dreamy synthesis between two worlds that charmed Seghers" (Friedrich Albrecht, Bemühungen: Arbeiten zum Werk von Anna Seghers 1965-2004. Bern: Peter Lang, 2005, {{ISBN|3-03910-619-8}}, page 430
19. ^Ruth Werner. Olga Benario. Die Geschichte eines tapferen Lebens. Berlin: Verlag neues Leben. 1961
20. ^{{cite web|title=Filme "Olga" decepciona crítica alemã (in Portuguese)|url=http://dw.de/p/95kS|publisher=Deutsche Welle|accessdate=7 October 2013}}
21. ^{{cite web|title=Olga Benario, Ein Leben für die Revolution|url=http://www.kino.de/kinofilm/olga-benario-ein-leben-fuer-die-revolution/61192.html|publisher=Kino|accessdate=7 October 2013}}
22. ^Robert Cohen. Exil der frechen Frauen. Berlin: Rotbuch Verlag. 2009
23. ^{{cite web|title=Speaking in Tongues Theatre Company presents Olga's Room|url=http://www.arcolatheatre.com/production/arcola/olgas-room|publisher=Arcola Theatre|accessdate=7 October 2013}}
24. ^Robert Cohen (ed.). Die Unbeugsamen. Olga Benario – Luiz Carlos Prestes: Briefwechsel aus Gefängnis und KZ. Göttingen: Wallstein Verlag 2013.
25. ^Robert Cohen. Der Vorgang Benario. Die Gestapo-Akte 1936-1942. Berlin: edition berolina 2016.

Biography

Aftermath

Legacy

See also

References

External links