| 词条 | Afferentur regi | ||
| 释义 |
| name = Afferentur regi | composer = Anton Bruckner | image = Afferentur (Skizze).jpg | image_upright = 1.2 | caption = Draft of Afferentur regi, page 1 | key = F major | catalogue = WAB 1 | type = Motet | form = Offertory | text = | language = Latin | performed = {{Timeline-event|date={{Start date|1861|12|31|df=y}}|location=St. Florian Abbey}} | dedication = Johann Baptist Burgstaller (1885) | vocal = {{abbr|SATB|soprano, alto, tenor and bass}} choir | instrumental = 3 trombones ad lib. | published = {{Timeline-event|date={{Start date|1922}}|location=Vienna}} }}Afferentur regi (Led to the king), WAB 1, is a motet, which Anton Bruckner composed on 7 November 1861 on the text of the Offertorium of the {{lang|la|Missa pro Virgine et Martyre}}.[1] HistoryAfferentur regi is the second of the two "great motets" during a "fruitful though brief" period of Bruckner's compositional career following Sechter's tuition, the other motet being the Ave Maria WAB 6.[2] Afferentur regi was premiered in St. Florian Abbey on the feast day of Saint Lucy, 13 December 1861.[3]An early draft for choir alone was found in a monastic archive at Kremsmünster Abbey. The original manuscript is not extant, but several transcriptions were found in the archive of St. Florian Abbey.[1] Many years later, in 1885, Bruckner dedicated the work as an Offertorium als Graduale (offertory as gradual) to Johann Baptist Burgstaller, choir director of the New Cathedral in Linz.[1] The work was edited in 1922 as an addendum to band 11–12 of Musica Divina, Vienna.[1] It is put in Band XXI/21 of the {{lang|de|Gesamtausgabe}}.[4] TextThe text is derived from {{Sourcetext|source=Bible|version=King James|book=Psalms|chapter=45|verse=15|range=-16}}, which is Psalm 44 in the Vulgata.
SettingThe 38-bars piece scored in F major for mixed choir and three trombones ad libitum is a polyphonic offertory. The piece is in ternary form, with an opening motive drawn from a pre-existing Latin plainchant.[3] In the first part (bars 1-7), "Afferentur regi" is sung in canon by the alto and tenor voices, and with inverted motif by the bass and soprano voices. A similar pattern is repeated in bars 8-15 on "proximae ejus". The middle section (bars 15-24), which begins with "et exultatione" by the bass, similarly as "usque in aeternum" in bars 299-309 of Bruckner's later Te Deum,[6] is stylistically similar to faux bourdon, a technique employed primarily in medieval and Renaissance music.[3] It is followed by a general pause. The third part (bars 25-38) on "adducentur in templum" begins as the first part and ends on a pedal point on the tonic.[6] Keith W. Kinder suggests that its use of counterpoint may be a reflection of Bruckner's sense of liberation from the "prohibition on free composition" imposed by his former composition teacher, Simon Sechter.[3] Dermot Gault notes that in this work Bruckner "wears his learning lightly" in the contrapuntal writing.[7] Brucker quotet from the Afferentur regi in the movement Qui cum Patre et Filio, part of the Credo of the Mass in D minor. Selected discographyBruckner's Afferentur regi was recorded at first in 1965 by Giulio Bertola with the Coro Polifonico Italiano a cappella (LP: Angelicum LPA 5989) A selection of the about 30 recordings:
References1. ^1 2 3 {{cite book|author=van Zwol, Cornelis|title=Anton Bruckner – Leven en Werken|publisher=Thot|year=2012|pages=704–705|isbn=90-686-8590-2}} 2. ^{{cite book|last1=Howie|first1=Crawford|last2=Hawkshaw|first2=Paul|last3=Jackson|first3=Timothy (eds)|title=Perspectives on Anton Bruckner|date=2000|publisher=Ashgate Publishing|isbn=978-0-7546-0110-4|page=3}} 3. ^1 2 3 {{cite book|title=The Wind and Wind-Chorus Music of Anton Bruckner|pages=41–43|author=Kinder, Keith William|publisher=Greenwood Publishing Group|year=2000}} 4. ^Gesamtausgabe – Kleine Kirchenmusikwerke 5. ^Afferentur regi on ChoralWiki 6. ^1 M. Auer, pp. 64-65 7. ^{{cite book|last1=Gault|first1=Dermot|title=The New Bruckner|publisher=Ashgate|isbn=978-1-4094-9421-8|page=13}} 8. ^{{cite AV media|people=Bruckner, Anton (composer); Stenov, Michael (conductor)|date=2006-11-26|title=Motette "Afferentur regi" à 4 voces und 3 Posaunen|medium=Online video|publisher=YouTube|url=https://www.youtube.com/watch?v=fl08Duq8Sg0|accessdate=2014-12-29}} Sources
External links
2 : Motets by Anton Bruckner|1861 compositions |
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