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词条 Alastair Miles
释义

  1. Biography

      Education    Awards  

  2. Career

      Operatic roles    Concert performance    Recording  

  3. References

  4. External links

{{Infobox person
| name = Alastair Miles
| image =
| caption = Alastair Miles portrait by Russell Duncan
| occupation = opera singer, bass
| birth_place = Harrow, England
| birth_date = {{birth date and age|1961|07|11|df=y}}
| education = Guildhall School of Music
Royal Academy of Music
| awards = Decca-Kathleen Ferrier Award (1986)
John Christie Award (1987)
}}Alastair Miles (born 11 July 1961, Harrow, England) is a British operatic and concert bass who has had an international career since the late 1980s.[1]

Biography

Education

Alastair Miles was educated at the John Lyon School, Harrow, and subsequently at St Marylebone Grammar School. He began flute lessons at the age of fourteen with the composer Albert Alan Owen, a pupil of Nadia Boulanger, who inspired him to think about a career in music. Miles studied flute at the Guildhall School of Music under Trevor Wye, Peter Lloyd and Edward Beckett. He became an orchestral player and taught at Stowe School and Chetham's School of Music before embarking on his vocal career. From 1982 to 1985 he sang as a Lay Clerk in the choir of St. Albans Cathedral under the direction of Stephen Darlington. Having studied with bass-baritone Richard Standen whilst at the Guildhall, he was prompted by English National Opera baritone Geoffrey Chard, a near-neighbour of his parents, to have lessons with Bruce Boyce. It was while he was with Boyce that he decided on a career in opera, and in 1986 won a place at the National Opera Studio.

Awards

Alastair Miles won the 1986 Decca-Kathleen Ferrier Award at Wigmore Hall and the 1987 John Christie Award{{dead link|date=June 2017 |bot=InternetArchiveBot |fix-attempted=yes }} at the Glyndebourne Festival. His recording of Mendelssohn's Elijah, in which he sang the title role, won Gramophone magazine's Best Choral Award for 1993.

Career

Alastair Miles is well known for bel canto roles and is considered an ideal Verdi bass.[2] He has been called 'the finest bass of his generation'.[3]

Operatic roles

Alastair Miles has sung at the Metropolitan Opera (Sparafucile in

Rigoletto, Giorgio in I Puritani and Raimondo in Lucia di Lammermoor);

Paris – Bastille (Raimondo); Vienna (Prefetto in Linda di Chamonix, Giorgio in I Puritani,

Cardinal Brogni in La Juive, Silva in Ernani, Zaccaria in Nabucco,

Walter in Luisa Miller, Philippe II in Don Carlos, Padre Guardiano in

La Forza del Destino and Nick Shadow in The Rake’s Progress"); Bayerische Staatsoper (Giorgio, Raimondo, title

role in Handel’s Saul, Zoroastro in Orlando); San Francisco Opera (Giorgio,

Raimondo and Basilio in Il Barbiere di Siviglia); Amsterdam (Figaro in

Le Nozze di Figaro, Raimondo), Madrid (Philip II in Don Carlo, Raimondo

and Muley-Hassem in Emilio Arrieta’s La Conquista di Granata); Seville

(Mephistopheles in Gounod’s Faust); Palermo (Walter in Luisa Miller);

Pesaro (Le Gouverneur in Rossini’s Le Compte Ory) and La Scala, Milan (Melisso in Alcina and Lord Sidney in Il Viaggio a Rheims).

He regularly appears with all the UK opera companies. Roles for Welsh National Opera

include Colline (La Bohème), Silva, Zaccaria, Mephistopheles (Gounod and

Berlioz), Fiesco (Simon Boccanegra), Talbot (Maria Stuarda)[4] and Enrico (Anna Bolena).[5] For Glyndebourne Festival Opera: Pogner (Die Meistersinger),[6] Speaker (Die

Zauberflöte), Fiesco. For Opera North: Philip II, Zaccaria and Leporello.[7] For English National Opera:

Colline, Harasta (The Cunning Little Vixen), Zaccaria, Silva, title role

in Boito’s Mefistofeles, Ford in Vaughan Williams’ Sir John in Love and Alfonso d'Este ("Lucrezia Borgia").

For the Royal Opera House, Covent Garden: Colline, Lord Sidney (Rossini’s Il Viaggio a

Rheims), Sparafucile, Rodolfo (La Sonnambula), Elmiro (Rossini’s

Otello), Banquo (Macbeth), Brogni (La Juive), Poliferno (Niobe, Regina di Tebe) and Dom Juam de Sylva in

Donizetti’s Dom Sebastien.

Concert performance

Alastair Miles has appeared with many conductors

and orchestras including Giulini, Harnoncourt, Mazur,[8] Muti, Chung, Rattle, Runnicles, Masur, Gergiev,

Gardiner, Norrington, Davis and Dohnanyi. Recent projects have included

performances of La Damnation de Faust, The Dream of Gerontius and

Handel’s Messiah with Davis and the LSO, Schumann’s Faustszenen with

Harnoncourt and the Royal Concertgebouw Orchestra, and Beethoven’s Ninth

Symphony with the San Francisco Symphony Orchestra under Tilson-Thomas.

Recording

His discography numbers more than 80 recordings including Verdi's Don Carlos,[9] the songs of Richard Strauss,[10] and the solo CD Great Operatic Arias for Chandos. He works with Opera Rara to bring neglected nineteenth century Italian and French Opera to a wider public. On that label he has recorded Ambroise Thomas’ opera comique, La Cour de Célimène.

References

1. ^{{cite journal|last=Davies|first=Margaret|title=People: Alastair Miles Interviewed by Margaret Davies|journal=Opera|date=January 2000|volume=51|issue=1|pages=23–35|url=http://www.opera.co.uk/}}
2. ^{{cite web|last=Stevenson|first=Joseph|title=Alastair Miles biography|url=http://www.allmusic.com/artist/alastair-miles-mn0002183709|work=AllMusic}}
3. ^{{cite web|last=Jeal|first=Erica|title=Review, Prom 3, 2001|url=http://www.resmusica.com/2009/01/14/un-prophete-aux-champs-elysees/|work=The Guardian}}
4. ^{{cite news|last=Loomis|first=George|title=Three Tudor Queens|url=https://www.nytimes.com/2013/09/18/arts/music/3-tudor-queens-each-with-her-own-unhappy-ending.html|work=New York Times|accessdate=September 13, 2013}}
5. ^{{cite web|last=Clark|first=Andrew|title=Anna Bolena|url=http://www.ft.com/cms/s/2/3ccf0b7c-192d-11e3-80ec-00144feab7de.html|work=Financial Times|accessdate=October 21, 2013|url-access=subscription}}
6. ^{{cite web|last=Tanner|first=Michael|title=Masterpiece|url=http://www.spectator.co.uk/arts/opera/6975063/master-piece/|work=The Spectator|accessdate=May 28, 2011}}
7. ^{{cite news|last=Arblaster|first=Anthony|title=Don Giovanni|url=https://www.independent.co.uk/arts-entertainment/classical/reviews/don-giovanni-mozart-opera-north-grand-theatre-leeds-8218874.html|work=The Independent|accessdate=|location=London|date=October 19, 2012}}
8. ^{{cite web|last=Mabille|first=Olivier|title=Un Prophète aux Champs-Elysées|url=http://www.resmusica.com/2009/01/14/un-prophete-aux-champs-elysees/|work=Res Musica|accessdate=January 14, 2009}}
9. ^{{cite web|last=Clements|first=Andrew|title=Review, Verdi Don Carlos (Chandos),|url=https://www.theguardian.com/music/2010/jan/15/verdi-opera-north-don-carlos|work=The Guardian|accessdate=January 15, 2010}}
10. ^{{cite web|last=Shirley|first=Hugo|title=Review: Richard Strauss: The Complete Songs Vol. 4|url=http://www.musicalcriticism.com/recordings/cd-strauss-songs-4-0109.shtml|work=Musical Criticism|accessdate=February 1, 2009}}

External links

  • Alastair Miles entry in Worldcat
  • Welsh National Opera's 2013 Anna Bolena - reviews
  • Opera North's Don Giovanni awarded Best Opera of 2012
  • Opera Britannia review of Don Giovanni (2012)
  • Alastair Miles at Debrett's
  • {{Official website|http://www.alastairmiles.com/|Alastair Miles official website}}
{{Authority control}}{{DEFAULTSORT:Miles, Alastair}}

3 : 1961 births|Living people|British opera singers

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