1. Plot

2. Cast

3. Production
    Conception  Casting and filming  Post-production 

4. Release
    Critical response  Home media 

5. Discovery of lost print

6. Notes

7. References

8. Works cited

9. External links

• Lorenzo Marinelli
• Doris Wishman

• 70 minutes{{sfn|Martin|1995|p=885}}
• 79 minutes {{small|(original version)}}

A Night to Dismember is a 1983{{sfn|Thrower|2007|p=43}} American slasher horror film, produced and directed by Doris Wishman. The film stars pornographic actress Samantha Fox as a psychotic young woman, recently released from a psychiatric institution, who is driven to kill by an ancestral curse. It was the first and only foray into the horror genre for Wishman, who mainly directed and produced sexploitation films.

Inspired by the success of slasher films such as Halloween (1978), Wishman signed on to direct and produce the film, derived from a screenplay by Judith J. Kushner. Principal photography took place in New York in 1979, with the bulk of filming taking place at the homes of Wishman and her friends. The film had a troubled production history: Wishman alleged that multiple reels were destroyed in the photo processing lab, resulting in her having to re-film sequences to graft onto the existing footage, as well as adding in stock material in order to make the film into a releasable final product. The film was completed after four years of post-production, and subsequently released on VHS by MPI Media Group in 1989. In 2001, it was released on DVD by Elite Entertainment.

In August 2018, a video master of the original cut of the film{{en dash}}previously thought lost{{en dash}}was discovered in the possession of the film's cinematographer, C. Davis Smith, and uploaded on YouTube. This cut of the film features actress Diana Cummings in the lead role, as well as an entirely different plot; Cummings had been replaced by Fox after the purported destruction of Wishman's film reels.

Plot

The Kent family of Woodmire Lake is thought to be subject to an ancestral curse that causes each of them to be murdered or commit familicide. Bonnie Kent is among the first, found hacked to death with an axe by her sister Susan; after committing the murder, Susan slips in the bathroom and falls on the blade, killing herself. Later, Broderick Kent's wife Lola is found murdered in her bathtub; he initially denies involvement, but soon confesses to the murder before hanging himself. Broderick's niece, Vicki Kent, had been sent to an asylum in the years prior for murdering two neighborhood boys in August 1981.

Six years later, Vicki is released from the asylum, apparently cured of her homicidal tendencies. Her release is against the behest of her brother, Billy, and sister, Mary, both of whom want her recommitted. Upon returning home, Vicki's parents, Adam and Blanche, struggle to help her assimilate. Vicki attempts to rekindle a romance with her ex-boyfriend, Frankie, and is soon plagued by hallucinations. At his home, Frankie and his new girlfriend are killed in the midst of a sexual tryst, the killer decapitating him and burning his head in the fireplace.

With her home life turbulent, Vicki attempts to visit her uncle Sebastian and Aunt Ann; her great aunt Bea is also staying at the home. They turn her away, however, deeming her and her siblings all insane and unsafe to be around. The next morning, when they attempt to leave their house, Sebastian is murdered with a hatchet before Ann is run over with a car. Bea is pursued inside the house and decapitated, and the killer wraps her head in a cloth before storing it in a cupboard. Later while ruminating at the lake, Vicki is chased by a zombie-like male figure who emerges from the water, only later to find it was Billy attempting to scare her.

Later, Vicki attempts to seduce Tim O'Malley, the detective investigating the murders of Sebastian, Ann, and Bea, by performing a striptease. She then hallucinates a sexual encounter between the two. Billy again attempts to torment Vicki, stalking her in a Halloween mask in the hopes of driving her back into madness. That night, the house is awoken when Mary has a dream about her entire family taking turns stabbing her to death. The home's electricity is then cut, after which Adam is stabbed to death with an ice pick and Blanche brutally murdered in bed.

Billy finds his parents' bodies and flees the house, only to be clobbered to death with a rock by Mary, who, convinced her family had tried to kill her, murdered him out of fear. Back in the house, she hears a voice beckoning her, and traces it to a hat box, in which she has a vision of Vicki's severed head. Realizing she is in fact responsible for the murders, Mary retreats to the basement where she continues to hear disembodied voices calling her name. She flees outside into the woods, where the voices continue to taunt her.

O'Malley arrives at the house and finds the numerous bodies, along with Vicki, who stands confused and holding a hatchet. He chases her through the house and the two engage in a physical fight. She strikes him several times with the hatchet, but he manages to overpower her and strangle her to death. In voiceover narration, O'Malley recounts his discovery of diaries from each of the family members, which reveal that Mary committed all the murders Vicki had been accused of. Meanwhile, Mary departs Woodmire Lake in a taxi, and murders the cab driver with a hatchet.

Cast

• Samantha Fox as Vicki Kent
• Diane Cummins as Mary Kent
• Saul Meth as Adam Kent
• Miriam Meth as Blanche Kent
• William Szarka as Billy Kent {{small|(as Bill Szarka)}}
  • Louis Birdi as Masked Billy {{small|(uncredited)}}{{sfn|Wishman|Davis|2001|loc=event occurs at 37:05}}
• Chris Smith as Sam Kent
• Dee Cummins as Vicki Todd
• Larry Hunter as Larry Todd {{small|(as Norman Main)}}
• Mary Lomay as Ann Todd
• Rita Rogers as Aunt Bea Todd
• Nina Stengel as Nina
• Frankie Sabat as Frankie
• Alexandria Cass as Nancy {{small|(as Alexandria)}}
• William Longo, Jr. as Detective Tim O'Malley
• Robert DeRosa as Marty
• Heather Sabat as Sandy
• John Szarka as John
• Levi Richards as Broderick Kent {{small|(uncredited)}}
• Cindy Boudreau as Lola Kent {{small|(uncredited)}}

Production

Conception

The screenplay for A Night to Dismember was written by Judith J. Kushner, and the film conceived by Wishman in the wake of the success of slasher films such as Halloween.{{sfn|McKendry|2010|p=62}} In order to secure financing, Wishman made a trailer for the film using stock footage and snippets shot specifically for advertising.{{sfn|Wishman|Smith|2001|loc=event occurs at 2:03}} A financer from Chicago agreed to fund the production based on Wishman's trailer, giving her what she described as "a hefty deposit to finish the film."{{sfn|Wishman|Smith|2001|loc=event occurs at 2:11}}

Casting and filming

Filming took place in New York in 1979,{{sfn|Albright|2012|p=263}} with many of the locations being the private residences of Wishman and her friends and family.{{sfn|Wishman|Smith|2001|loc=events occur at 4:05, 6:52, 9:27}} Portions of exterior filming (such as the forest scenes, and the sequence in which the two boys are murdered in the graveyard) in Westchester County.{{sfn|Wishman|Smith|2001|loc=event occurs at 4:05}} Additional exterior footage was shot outside Wishman's apartment in Queens along the Brooklyn–Queens Expressway,{{sfn|Wishman|Smith|2001|loc=event occurs at 6:52}} while rooms in Wishman's apartment were used to film several interior scenes.{{sfn|Wishman|Smith|2001|loc=event occurs at 9:27}} The final scene in which Mary's character is picked up by a taxi was shot in a rural area on Long Island.{{sfn|Wishman|Smith|2001|loc=event occurs at 1:04:30}} According to Wishman, she paid the taxi driver $25 to shoot footage of the car's advertisement that read "Get it done! America."{{sfn|Wishman|Smith|2001|loc=event occurs at 1:05:55}}

Some of the cast members were friends or family of Wishman; Miriam Meth, who portrayed Vicki's mother, was Wishman's cousin, who later worked as a makeup artist on Days of Our Lives.{{sfn|Wishman|Smith|2001|loc=event occurs at 6:59}} Miriam's house was used as a filming location as well, with her own character's death sequence being filmed in her garage.{{sfn|Wishman|Smith|2001|loc=event occurs at 47:21}} According to Wishman, pornographic actress Samantha Fox was cast as Vicki after sending a headshot and "writing really nice things" in a letter addressed to Wishman.{{sfn|Wishman|Smith|2001|loc=event occurs at 8:00}} Louis Birdi, an editor who had worked with Wishman on previous film projects, appears as a stand-in for Billy during the sequences in which the character wears a Halloween mask.{{sfn|Wishman|Davis|2001|loc=event occurs at 37:05}}

The special effects were provided by Les Lorrain, visual effects by John A. Bezich; cinematographer Smith's son, Chris, also helped contribute special effects.{{sfn|Wishman|Smith|2001|loc=event occurs at 24:16}}

Post-production

According to Wishman, several reels of the film were destroyed while in the possession of Movielab, a photo processing studio Wishman had hired to process the film.{{sfn|Wishman|Smith|2001|loc=Event occurs at 4:22}} By some accounts, the reels were destroyed in a fire,{{sfn|Albright|2012|p=263}} while Wishman claimed that a "disgruntled employee" destroyed them when the company went bankrupt.{{sfn|Wishman|Smith|2001|loc=event occurs at 2:27}} Wishman estimated that the incident left her with "less than half-a negative" of film.{{sfn|Wishman|Smith|2001|loc=event occurs at 3:10}} "I had about sixty percent of the original film, and the rest were outtakes," she recalled. "It was very difficult to concoct another story that made any sense."{{sfn|Wishman|Smith|2001|loc=event occurs at 4:40}} As a result, Wishman was forced to piece the film together with outtakes and footage from other projects.{{sfn|McKendry|2010|p=62}}{{sfn|Albright|2012|p=263}} She spent eight months entirely rewriting the screenplay,{{sfn|Wishman|Smith|2001|loc=event occurs at 3:28}} followed by four years of editing the film into a releasable final product.{{sfn|McKendry|2010|p=62}}

Release

Critical response

Buzz McClain of AllMovie called the film "insultingly bad, infuriating (sic) terrible, and, worse, it's somehow managed to achieve cult status over the years."^[1] Author Brian Albright noted that the film is an "incomprehensible, yet compelling, post-modern mish-mash of gore and nudity."{{sfn|Albright|2012|p=263}} Michael Weldon in The Psychotronic Video Guide (1996) noted the film as "a disastrous meeting of Wishman and H.G. Lewis" accentuated by "gore, lots of it."{{sfn|Weldon|1996|p=402}} Paper magazine, in a 1998 review, referred to the film as "a baffling utterly fascinating mess."^[2]

Todd Martin from HorrorNews.net panned the film, calling it "pointless", also stating that the film "doesn’t have anything going for it whatsoever".^[3] DVD Talk awarded the film two out of five stars, writing, "if there is such a thing as BAD bloodletting this is certainly it."^[4] Mick Martin of Video Movie Guide wrote: "A must for bad-movie buffs, this insanely disjointed slasher movie features almost no dialogue, actors whose clothes and hairstyles change in mid-scene, and a tacked-on narration desperately trying to make sense of it all."{{sfn|Martin|1995|p=885}} Noel Murray of The A.V. Club wrote of the film: "Between the artful nature scenes, the ugly interiors, and the kitchen-sink soundtrack, A Night To Dismember could almost be an avant-garde Guy Maddin homage to wincingly awful cinema. Instead, it's likely sheer coincidence that A Night To Dismember has become its own entity, a convoluted exercise in viewer endurance that perfectly evokes its title."^[5]

Home media

The film was advertised in Variety in 1983,{{sfn|Weldon|1996|p=402}} and released in the United States directly to video^[2] on June 14, 1989 by MPI Media Group.^[6]{{sfn|Kane|2000|p=509}} The following year, the VHS was suspended from production along with several other MPI-owned titles, such as Faces of Death, Horror Hospital, and Twitch of the Death Nerve, due to rights issues.^[7]

Elite Entertainment released a special edition DVD of the film in 2001, which featured an audio commentary with Wishman and cinematographer C. Davis Smith.^[8]{{sfn|Thrower|2007|pages=485–486}} This version is currently out-of-print.{{citation needed|date=March 2019}}

Discovery of lost print

On August 9, 2018, Bloody Disgusting reported that the extended cut of the film, previously thought destroyed, had been posted on YouTube.^[9] The print was discovered when Ben Ruffett, the founder of the Hamilton Trash Cinema, inquired to cinematographer C. Davis Smith about acquiring a copy of the film to screen.^[10] Smith did not own the film's official VHS release, but did have a copy of the original extended cut on tape.^[10] This version features actress Diana Cummings in the lead role, and runs nine minutes longer than the previously-released version.{{efn|The "lost" cut of the film that surfaced in August 2018 on YouTube runs approximately 1 hour and 19 minutes.^[10]}} In letter correspondence, Smith noted:

I only know of three other existing copies of the film. One to a friend in Manhattan, one to another friend in Pennsylvania and the copy I have. Now you are among the elite to join the club. (There are no benefits!)(Unless it is possible nightmares!)

The story according to the Gospel of Doris is that a disgruntled employee of MovieLab, (the film processing company in which all the processing and printing work was accomplished) ruined much of the negative to the original version. “WHY” has never come to the forefront of our knowledge. (Or even IF !)...

Somehow the film was distributed in Europe in the original version. A lot of people are unaware of this...  My information could possibly be conjecture. But I have seen paperwork from the distributor of the film showing that at least one print was sold as European Rights.^[10]}}

Smith also divulged in the letter that he had been hired as a replacement cinematographer, and that Wishman recast Fox in the lead role as she needed revenue to "salvage" the remaining footage after the reels had purportedly been destroyed.^[10] He also alleged that Fox paid Wishman $2,000 to appear in the film.^[10]

Notes

References

Works cited

• {{cite book|last=Albright|first=Brian|year=2012|title=Regional Horror Films, 1958-1990: A State-by-State Guide with Interviews|ref=harv|isbn= 978-0-786-47227-7|publisher=McFarland|location=Jefferson, North Carolina}}
• {{cite book|last=Kane|first=Joe|year=2000|title=The Phantom of the Movies' Videoscope: The Ultimate Guide to the Latest, Greatest, and Weirdest Genre Videos|publisher=Three Rivers Press|location=New York|ref=harv|isbn=978-0-812-93149-5}}
• {{cite book|last=Martin|first=Mick|year=1995|title=Video Movie Guide 1996|location=New York|publisher=Ballantine Books|ref=harv|isbn=978-0-345-39783-6}}
• {{cite book|last=McKendry|first=Rebecca|editor1=Cline, John|editor2=Weiner, Robert G.|year=2010|chapter=Fondling Your Eyeballs: Watching Doris Wishman|title=From the Arthouse to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century|publisher=Scarecrow Press|location=Lanham, Maryland|ref=harv|isbn=978-0-810-87655-2|pages=57–74}}
• {{cite book|last=Thrower|first=Stephen|year=2007|title=Nightmare USA: The Untold Story of the Exploitation Independents|publisher=FAB Press|location=Godalming, Surrey|ref=harv|isbn=978-1-903-25469-1}}
• {{cite book|last=Weldon|first=Michael J.|year=1996|title=The Psychotronic Video Guide To Film|publisher=Macmillan|location=New York|ref=harv|isbn=978-0-312-13149-4}}
• {{cite book|last1=Wishman|first1=Doris|last2=Smith|first2=C. Davis|year=2001|publisher=Elite Entertainment|title=A Night to Dismember|format=DVD|medium=Audio commentary|ref=harv|asin=B00005OSJZ}}

External links

• {{Allmovie|id=104007|title=A Night to Dismember}}
• {{IMDb title|id=0126527|title=A Night to Dismember}}
• {{Rotten tomatoes|night_to_dismember|A Night to Dismember}}

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