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词条 Apostles from Àger
释义

  1. Description

  2. References

     Sources 

  3. External links

{{more footnotes|date=June 2018}}{{Infobox Artwork
| image_file= Barcelona MNAC P1290613.JPG
| image_size= 300px
| title= Apostles from Àger
| artist= Cercle of Pedret
| year= c. 1100
| height_metric=280
| width_metric=144
| height_imperial=
| width_imperial=
| metric_unit=cm
| imperial_unit=in
| city=Barcelona
| museum=Museu Nacional d'Art de Catalunya
}}

The Apostles from Àger is a painting exhibited at the National Art Museum of Catalonia in Barcelona.[1]

Description

The church of Sant Pere in Àger, founded by Arnau Mir of Tost, who conquered the valley of Àger from the Saracens, was the see of a regular canonry exempt from ordinary jurisdictions (in other words, it did not depend on the Bishop of Urgell), with enormous estates from the donations by the founder and his descendants. In keeping with its importance, the church, now in ruins, was very monumental.

Of the paintings that once decorated it, only scattered fragments remain of the main and southern apses, of which the most outstanding and complete is that of the two apostles, Thaddeus and James, from the first arcosolium in the central apse. The

two monumental apostles of Àger are presented in a face-on, hieratic position, with scrolls or volumes in their hands, which they are holding in alternating positions, at the same time as the colour of their nimbuses and their clothing also differs.

The beardless one on the left is Thaddeus and the one on the right, with a beard, is James, as the inscriptions indicate. The pictorial style belongs to the Lombardicinfluenced Pedret Circle and shows a close relationship with that in the paintings

in the cathedral of Saint-Lizier in Couserans (in situ, France).

As in Saint-Lizier, in each of the niches in the apse of Sant Pere in Àger there must have been a pair of apostles. All together they must have made up the Apostolic College, whose representation was fully meaningful in Augustinian chapter houses like that of Àger, who, in keeping with the Gregorian reform, wanted to strengthen the independence of the Church as an institution in the face of secular power.

References

1. ^Guia del Museu Nacional d'Art de Catalunya.p. 37 MNAC, 2004. {{ISBN|84-8043-136-9}}

Sources

  • {{cite book |last1=Castiñeiras |first1=Manuel |authorlink1= |last2=Camps |first2=Jordi |authorlink2= |title=Romanesque art in the MNAC collections|url=https://books.google.com/books?id=vE_qAAAAMAAJ|accessdate=3 September 2012|year=2008|publisher=MNAC|isbn=978-84-8043-196-5}}
  • {{cite book|title=Museu Nacional D'Art de Catalunya|url=https://books.google.com/books?id=bCxcQwAACAAJ|accessdate=3 September 2012|date=1 March 2009|publisher=MNAC|isbn=978-84-8043-200-9}}
  • {{cite book|last1=Carbonell |first1=Eduard |last2=Pagès |first2=Montserrat |last3=Camps |first3=Jordi |last4=Marot |first4=Teresa |title=Romanesque Art Guide: Museu Nacional D'Art de Catalunya|url=https://books.google.com/books?id=PLkSSQAACAAJ|accessdate=3 September 2012|year=1998|publisher=Museu Nacional d'Art de Catalunya}}
  • {{cite book |last1=Carbonell |first1=Eduard |last2=Sureda i Pons |first2=Joan |title=The Medieval Treasures of the Museu Nacional D'Art de Catalunya|url=https://books.google.com/books?id=YAdEcgAACAAJ|accessdate=3 September 2012|year=1997|publisher=Lunwerg}}

External links

{{Commons category|Apostles from Àger}}
  • The artwork at Museum's website
{{MNAC}}{{DEFAULTSORT:Apostles from Ager}}

3 : Catalan paintings|Paintings of the Museu Nacional d'Art de Catalunya|1100s works

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