| 词条 | Atul Prasad Sen | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 释义 |
| name = Atul Prasad Sen | image = Barrister_Atul_Prasad_Sen,_Lucknow.jpg | imagesize = 200px | caption = Atul Prasad Sen | birth_date = {{birth date|1871|10|20|df=y}} | birth_place = Dhaka, Bengal, British India | death_date = {{death date and age|1934|8|26|1871|10|20|df=y}} | death_place = Lucknow, United Provinces, India | nationality = Indian | occupation = Advocate, poet, educationist, lawyer | period = Bengal Renaissance | years_active = 1900–1934 }}Atul Prasad Sen {{lang-bn|অতুল প্রসাদ সেন }} (20 October 1871 – 26 August 1934) was a Bengali composer, lyricist and singer, and also a lawyer, philanthropist, social worker, educationist and littérateur.[1] Early lifeAtul Prasad Sen was born as the eldest child of Ram Prasad Sen and Hemanta Shashi, in a Vaidya-Brahmin family from the village Magor in South Bikrampur, Faridpur District, presently located in Bangladesh.[2][1] Atul was born in his maternal uncle's house in Dhaka, following the custom at that time.[2] His maternal grandfather Kali Narayan Gupta initiated Atul Prasad into music and devotional songs. Atul Prasad's mother later married Brahmo Samaj reformer Durga Mohan Das[2] in June 1890.[1] Initially Atul Prasad could not accept this marriage.[2] In due course of time his relationship became very congenial with Durga Mohan and Hemanta Shashi. Sarala Devi recounted in her diary জীবনের ঝরাপাতা (fallen leaves of life) that Durga Mohan, after the death of his wife Brahmoamoyee, in spite of his busy outward life, took great care of his children. It was his elder daughter Abala, whose eager and consistent effort towards the wellbeing of her aging father convinced Durga Mohan to marry Hemanta Shashi. Durga Mohan extended every possible care to his step children too, and treated them as his own children.[3] EducationAfter passing the Entrance examination in 1890, Atul Prasad was admitted to Presidency College in Kolkata, and in the same year in the month of November took a voyage to England to study law.[1]{{efn|Gandhiji went to London in 1988 and passed the London Mariculation in 1890. He was called to the Bar in 1891.[4] Atul Prasad took the voyage to London during November 1890[1] It is not known whether Gandhiji and Atul Prasad ever met while staying at London.}} In London he befriended Sri Aurobindo Ghosh, Chittaranjan Das, Sarojini Naidu and Dwijendralal Ray.[1] Profession - Phase One, CalcuttaAfter becoming a Barrister, he returned to Bengal in 1894 and joined with Satyendra Prasanno Sinha, (Lord Sinha), as a Bar-at-Law. Successively he opened up law practice in Kolkata in a rented apartment in 82, Circular Road.[1] When his step-father Durgamohan died on 19 December 1897,[1] he opened practice in Rangpur court.[5] The High Court at Calcutta, which used to be known as the High Court of Judicature at Fort William in Bengal, was established and formally opened on 1 July 1862. Atul Prasad was called to the Bar in Calcutta High Court in 1895.[6] He was a member of the Bar Library Club of Calcutta High Court. It was mentioned in The High Court of Calcutta - 125th Anniversary Souvenir 1862-1987:{{quote|The ecstatic resonance of Atul Prasad Sen's (1896) lyrics is heard in every Bengali home. Again, the poet of 'The Song of the Ocean' (Sagara-Sangeet) in his Vaishnavite melody surrendered himself completely to the Almighty.[7]}} The High Court at Calcutta - 150 Years: An Overview remembered Atul Prasad in this fashion:[8] {{quote|Atul Prasad Sen (1896), a member of the Club, was a poet, lyricist, composer and a lawyer all moulded in one, whose songs and poems inspired many a young heart in pre-independence days and are cherished even today. }} MarriageAtul Prasad married his cousin sister Hem Kusum, daughter of Krishna Govinda Gupta, ICS and Prasanna Tara Gupta. The marriage was disapproved by their family members. The couple wedded at Gretna Old Parish Church, Gretna Green, Scotland, under the Scottish Law in the year 1900.[9] However, Atul Prasad had a troubled married life. The emotional sufferings he experienced in his life found their ways into his lyrics; and this has made many of his songs full of pathos.[10] His twin sons, born in 1901, were Dilip Kumar and Nilip Kumar. Nilip died after six month of his birth.[1] Profession - Phase Two, LucknowAfter his marriage Atul Prasad started practicing law at Old Baily, London and continued for a very short duration. Then with the help of Bipin Bihari Basu and upon advised by his friend Mumtaj Hussain, an advocate in Lucknow, he came back to India in 1902. He chose the province of Oudh as his field of activity and moved to Lucknow.[1] Activities in Lucknow
In 1922 the first conference of Bengali literary personages outside Bengal (Prabasi Banga-Sahitya Sammelan, presently known as Nikhil Bharat Banga Sahitya Sammelan) was organised at Benaras with patronage from distinguished 'Bengalis living outside Bengal' (Prabasis) like Atul Prasad Sen, Radha Kamal Mukherjee, Kedar Nath Bandyopadhyay and Mahendra Chandra Roy, which was presided over by Rabindranath Tagore. Atul Prasad initiated and edited Uttara, the Bengali magazine of the organisation, to keep alive the Bengali culture among the Bengali Diaspora.[23] Later, he presided over its Kanpur and Gorakhpur conventions. He was also editor of Allahabad Law Journal and Awadh Weekly Notes.[11]
Since 1903 Atul Prasad served the Bengali Club of Lucknow, which was founded by Atul Krishna Singh, as the President. In 1929, he initiated the idea of merging of the Bengali Club and the Young Men's Association of Lucknow, and thus emerged a new organisation to be known as Bengali Club and Young Men's Association.[12] A photograph of Atul Prasad is uploaded in the website of the Club.[13]
Atul Prasad played an active role in national politics between 1905 and 1921.[14] He was a close associate of Gopal Krishna Gokhale. In 1905, when Gokhale was elected president of the Indian National Congress and was at the height of his political power, he founded the Servants of India Society to specifically further one of the causes dearest to his heart: the expansion of Indian education. Atul Prasad was sympathetic to nationalistic movement and extended his support and generosity to Congress Party and Servants of India Society founded by Gopal Krishna Gokhale. He joined Indian National Congress and represented Oudh in several annual conventions. He acted as Vice Chairman of Lucknow Municipal Corporation. In 1917 he joined in the Liberal Party.[9]
He actively took part in conversion of Lucknow Canning College founded by Raja Dakshina Ranjan Mukhopadhyay to Lucknow University and acted as a member of the first Executive Committee. He extended aid to many educational institutions.[15] Atul Prasad Sen Memorial Girls' College, Lucknow, established in 1902 under the name Mahalaki Pathshala, humbly bears the name of its principal patron.[16] From Mahakali Pathshala, the name was changed to Harimati Balika Vidyalaya. In 1933 it received temporary recognition for High School and intermediate from U.P Board. It was at this time it acquired the name Jubilee-girls School. In 1944, the school received permanent recognition for High school. It advanced to an Inter college in 1947, and to a Degree College in 1955.[17]
Atul Prasad built his residence in Kesharbag area at Lucknow, which was located next to the labour court complex.[18] The cost of the building was around thirty three thousand Indian Rupee. The building was demolished and does not exist now. It is so unfortunate that such a nice specimen of colonial architecture, the famous residence of Atul Prasad Sen which witnessed visit of so many distinguished personalities of pre-Independent India, is no more. A photograph of the house is available in the website of Sri Ramakrishna Math & Ramakrishna Mission Sevashrama, Lucknow.[19] The A P Sen Road, running in front of the residence, was named after him during his lifetime. This road still runs in Charbag area of Lucknow.[20] Contribution in MusicClassical SongsAtul Prasad used fast-paced Hindustani tunes like Kheyal, Thumri and Dadra skilfully, and was able to add an element of spontaneity on occasions when the tune has transcended the lyrics.[21] Atul Prasad is credited with introducing the Thumri style in Bengali music.[15] He also pioneered introduction of Ghazals in Bengali.[21] Atul Prasad's acquaintances with maestros in Urdu and Persian Ghazal inspired him to experiment this particular style to be brought into Bengali music. He created around six or seven Ghazals in Bengali and pioneered a stream of Bengali music which was later enriched profusely by contribution of Kazi Nazrul Islam.[21] Atul Prasad's introduction of the raga to the Bangla songs had a significant impact on Bengali music, and influenced the songs of Kazi Nazrul Islam and other raga-based modern songs. The songs created by him are known as অতুলপ্রসাদের গান (Atul Prasad's song).[21] Atul Prasad's Song (অতুলপ্রসাদের গান)Atul Prasad wrote 212 poems and except a few most of the poems were used as song.[9] Unfortunately none of the songs were dated. Only three among these 212 poems were titled (অর্ঘ্য, সাগরবক্ষে জ্যোৎস্নাসুন্দরী, প্রত্যাবর্তন). Atul Prasad himself, in his book গীতিগুঞ্জ (Geetigunja), arranged his songs into five broad categories: দেবতা (Devotional), প্রকৃতি (Nature), স্বদেশ (Patriotic), মানব (Humanity) and বিবিধ (others). He did not explicitly categorized any of his songs into the category of love. However, many of his songs, having multi-layered association of deep emotional sentiments, bloom into expression of love and lug deep shadow of sadness, which was his constant companion.[9]
Atul Prasad created unique love songs, driven by passion of his own life and estranged relationship with his wife. The deep emotional turmoil in his mind had been reflected in his love songs [9].
Atul Prasad was a follower of Bahmo faith, which was initiated in Calcutta in 1828 by Raja Ram Mohan Roy and Dwarkanath Tagore as reformation of the prevailing Brahmanism of the time. Atul Prasad created many songs devoted to Brahmo faith. Also, some of his compositions are dedidated to faith of Vaishnavism (worshiper of Lord Vishnu or Sri Krishna - হরি), Shaivism (worshiper of Lord Shiva - শিব) and Shaktism, where the metaphysical reality is considered feminine (Mother Kali or Mother Universal - শক্তি).[9] He employed variety of folk tunes in his compositions apart from using Classical Ragas. কীর্তন (Kirtan), বাউল (Baul), ভাটিয়ালি (Vatially) and রামপ্রসাদী (Ramprasadi) tunes were prominent among them.[9] {{quote|পরানে তোমারে ডাকিনি হে হরি (কীর্তন)}}{{quote|যদি দুঃখের লাগিয়া গড়েছ আমায়, সুখ আমি নাহি চাই (কীর্তন)}}
Atul Prasad helped to awaken nationalism in colonial India by creating various patriotic songs. During his first voyage to England in 1890, Atul Prasad passed through Italy and, being inspired by the tune of the Gondola rowers' song in Venice,[22] he composed his patriotic song, উঠ গো ভারত-লক্ষ্মী..:[9]
The movement against the partition of Bengal during 1905-11 inspired creation of patriotic songs which helped in propagation of Swadeshi movement ideologies. Rabindranath Tagore, Atulprasad Sen, Dwijendralal Roy, Rajanikanta Sen, Mukunda Das, Kamini Kumar Bhattacharya, Aswini Kumar Datta, Manmohan Chakravarty, Satish Chandra Banerjee and many others composed various patriotic songs in support of the movement.[21][24] In 1916 All India Congress Convention was held in Lucknow, and Atul Prasad actively participated in the program contributing a song that stressed upon harmony between Hindu and Muslims: দেখ মা এবার দুয়ার খুলে গলে গলে এনু মা তোর হিন্দু মুসলমান দুই ছেলে (Look, O Mother, we have come hand in hand, two of your children, Hindu and Musalman). Hindusthan Record Company produced a record in the 1930s with the song "উঠ গো ভারত-লক্ষ্মী" on one side, and on the other side it was "হও ধরমেতে ধীর" :
Ideology of Unity in Diversity and Indian Pluralism was conceived and urged by Atul Prasad in this song.[25] Atul Prasad was an ardent believer and fearless preacher of Indian reawakening. He wrote:
The following song, venerating the Bengali language, played an equally significant inspirational role in the struggle for independence of India in 1947 as well as in the struggle for liberation of Bangladesh during 1971. {{quote|মোদের গরব, মোদের আশা, আ- মরি বাংলা ভাষা; (মাগো) তোমার কোলে, তোমার বোলে, কতই শান্তি ভালোবাসা।(Our pride Our hope, O thy our Bengali language) }}
Atul Prasad pioneered in creation of Ghazals in Bengali.[9] {{quote|ভাঙা দেউলে মোর কে আইলে আলো হাতে? (Who has come to my derelict house with a lamp in hand? / Ghazal)}}Classical based songs of Atul Prasad were reflections of his extensive exposure and profound expertise in Indian Classical Music. Some examples of such compositions are: {{quote|কি আর চাহিব বলো (What more shall I ask for?/ Raga Bhairabi/Tappa Kheyal)}}{{quote|ওগো নিঠুর দরদী (O the merciless/ Raga Mixed Ashabari-Dadra/tap Thumri)}}{{quote|যাবো না যাবো না ঘরে (I won't go home/ Thumri)}}{{quote|বন্ধু ধরো ধরো মালা (O my friend, take the garland/ Raga Kalingda)}}{{quote|তবু তোমায় ডাকি বারে বারে (Yet I call you/ Raga Sindhu Kafi)}}
Sahana Devi,{{efn|Atul Prasad was her father's sister's son. Her mother Tarala Devi was the elder sister of Deshbandhu Chittaranjan Das}} Autl Prasad's cousin, edited and published 70 songs, along with her staff notations, in কাকলি (Kakali) in two volumes.{{efn|Atul Prasad himself wrote the preface of the book[26][27][28][29][30]}} in 1922 Sahana Devi and Harendranath Chattopadhyay recorded Atul Prasad's song in Gramophone Company's record. In 1932 three recording companies having Indian ownership were born in Calcutta, one of which was Hindusthan Music Products Ltd, founded by Chandi Charan Saha.[31] Chandi Charan approached Rabindranath Tagore for contributing his voice in the first record under the banner of Hinduasthan Records. In July 1932, Rabindranath Tagore sang, তবু মনে রেখো in the house no. 6/1, Akrur Datta Lane near Subodh Mallick Square. The second record consisted of two songs sung by Atul Prasad Sen, being the only instance the poet recorded his voice.[32] Atul Prasad sang: {{quote|"মিছে তুই ভাবিস মন! তুই গান গেয়ে যা, গান গেয়ে যা আজীবন!"[33][34] and }}{{quote|"জানি জানি তোমারে গো রঙ্গরাণী, শূন্য করি লইবে মম চিত্তখানি"[35][36] }}The third one with two songs was sung by Renuka Dasgupta (née Sengupta), one of which was পাগলা মনটারে তুই বাঁধ, a song written by Atulprasad. {{quote|যদি তোর হৃদযমুনা (Jadi tor hridjamuna) ~ Harendranath Chattopadhyay (1937) HMV}}{{quote|সে ডাকে আমারে (Se dake amare) ~ Pahari Sanyal (1970). Film Aranyer Din Ratri directed by Satyajit Ray.}}Since the day of creation to the present day, the songs of Atul Prasad remain very popular and close to the heart of Bengal. His songs are being used in Bengali films even today. Many eminent singers have sung and recorded his songs, and the trend is continuing.Atul Prasad's songs in Bengali films
Friends, relatives and acquaintances
A deep friendship grew between Rabindranth and Atulprasad. Rabindranath Tagore initiated Khamkheyali Sabha along with Gaganendranath Tagore at Jorasako, and its meeting on February 5, 1897 was attended by Atul Prasad Sen and Chittaranjan Das, among other dignitaries.[37] In July 1897 Atul Prasad hosted the meeting of the Khamkheyali Sabha in his house at Wellesley Mansion, Kolkata. Rabindranath Tagore's first visit to Lucknow was on invitation from Atul Prasad in 1914.[38] Tagore was accompanied by Andrews (Charles Freer Andrews, popularly known as Deenabondhu Andrews) and Atul Prasad joined with them at Tagore's cottage at Ramgarh, which the Poet bought on May 10, 1914. In June, 1914 Tagore came to Lucknow from Ramgarh, and enjoyed the hospitality of Atul Prasad, and returned to Calcutta on 14 June 1914.[39] Atul Prasad mentioned this event in his memoirs and recapitulated: {{quote|He invited me to stay with him at Ramgarh for some days. I came hurriedly from Lucknau to Ramgarh. One day there was heavy rain which contiued late in the night. We had an assembly of rainy season on that day. From afternoon till at ten o'clock at night, the poet (Rabindranath) recited poems written by him one after another and sung many songs of rainy season. I couldn't forget that day. At about eight in the night our dinner was made ready. The daughter and daughter-in-law of the poet was waiting at the door, but neither the poet nor any of us could take notice of them. In that sitting Rabindranath requested me, "Atul, will you please sing a Hindi song of your locality?". I sang, "Maharaja keoriya kholo, rasaki bund pare". It was a timely song, and everybody liked it. The poet accompanied me in the song. Even the song touched Andrews who was ignorant of the song. He accompanied me loudly with his strange pronunciation and wrong tuned voice.}}Tagore's journey to Japan and other countries of the far east was due on May 3, 1916. Many relatives, friends, well-wishers, organisations and followers arranged for farewell ceremonies. Atul Prasad arranged one such farewell gathering in his house in Calcutta on April 27, 1916.[40] Kalidas Nag wrote:{{quote|Gathering was held in the house of Atul Babu situated at Wellesly mansion - the poet, Gagan Babu, Abani Babu, Dinu Babu and others were present. The gathering was fine - with fountain of songs. On 28th farewell was arranged in Mayo Hospital organized by Dr. Dwijendranath Moitra. Dinu Babu and the poet sung traditional songs and patriotic songs. It was wonderful. }} Tagore's second visit to Lucknow was during March 5 to 10, 1923,[41] when he addressed the Convocation of Lucknow University. Tagore was basically travelling across India on a lecture tour to raise money for Visva-Varati. Atul Prasad arranged a musical durbar in his honour and invited famous Indian classical singers of Lucknow at his residence. Tagore, while proceeding further to Bombay en route to Ahmedabad by train, composed a song, appreciating the event, তোমার শেষের গানের রেশ নিয়ে কানে চলে এসেছি ওগো কেউ কি তা জানে.[42]
Sukumar Ray was a great friend of Atul Prasad.[43] During his college life he initiated the Nonsense Club whose magazine was named as '৩২II ভাজা' (সাড়ে বত্রিশ ভাজা). He visited England during 1911-13 England on the Guruprasanna Ghosh Scholarship to study photography and printing technology, and at that time he became very close to Atul Prasad Sen and many others. After returning from England Sukumar formed Manday Club, a literary gathering of contemporary Bengali writers, which had such noted personalities as Satyendranath Dutta, Suniti Kumar Chaterjee, Atul Prasad Sen, Kalidas Nag, Prasanta Chandra Mahalanobis, Dr. Dwijendranath Maitra and Prabhat Kumar Mukhopadhyay as members. Sukumar married Suprabha Das, granddaughter of Kali Narayan Gupta on December 13, 1919, and a family relation thus was developed between them.
Dilip Kumar Roy (22 January 1897 – 6 January 1980) was a Bengali Indian musician, musicologist, novelist, poet, essayist, and was an ardent follower of Sri Aurobindo. He was the son of Dwijendralal Ray. in 1922 while young Dilip Kumar was on a tour studying Indian classical music from various great masters, he came to Lucknow, and here in the house of Atul Prasad Sen he met Ronald Nixon, a professor at Lucknow University, who introduced Dilip to ideologies of Sri Aurobindo.[44] Dilip Kumar became a close collaborator of Atul Prasad, and immensely contributed, along with pursuing in versatile field of activities, in popularising Atul Prasad's songs.[45] (Note on date of event: 1922)
Pahari Sanyal, whose real name was Nagendranath, came to Lucknow to join Marris College as a student of Hindustani Classical Music. Young Nagendranath was immediately drawn very close to Atul Prasad because of his unbound passion to classical music and became a regular visitor to his house. He witnessed and took active part in many of Atul Prasad's notable creations. Later, he was known, apart from being an outstanding luminary in the world of Bengali cinema, as one of the best exponents of Atul Prasad's song. He recorded several songs of Atul Prasad later. (Note on date of event: 1926-28. Marris College of Music, Lucknow, later known as Bhatkhande Music Institute University was established by Sri Vishnu Narayan Bhatkhande in 1926. Pahari Sanyal's visit to Atul Prasad's house may be dated around 1926-28.)
Kumar Prasad Mukherjee[46] quoted from his father Dhurjati Prasad Mukerji's memoir মনে এলো (Mone Elo): {{quote|I heard Abdul Karim when he was at the peak of his powers. It was a few days after the death of Deshbandhu C. R. Das. What an extraordinary gathering that was – Rabindranath Tagore, Mahatma Gandhi, Atul Prasad Sen and Sharat Chandra Chatterjee, the novelist, all were there in Dilip Kumar Roy’s house … Tagore’s appreciation was “saccha“, true. He would close his eyes and be lost to the world. Atul Prasad got so carried away on occasions that he had to be controlled." (Note on date of event: 1925-26 - after demise of Chittaranjan Das on 16 June 1925.)}}
Sachin Deb Burman mentioned in his memoirs:[47] {{quote|Shamlal Babu was a famous and very popular harmonium player and Thumri singer, and from him I learnt Thumri. He introduced me to noted singer Girija Kishore Chakravarty and Durjati Prasad Mukhopadhyay of Lucknow. Later, Dhurjati Babu introduced me to learned Atul Prasad Sen. Atul Prasad was very pleased to hear my songs. During that time I got acquainted with film director Sudhirendra Sanyal and subsequently joined New Theatres. Even when I started working as an independent composer, Atul Prasad wrote songs for me, and used to appreciate my songs with all his heart.}}
Satyajit Ray had a lasting impression of Atul Prasad, his maternal uncle, on him. He remembered Atul Prasad "indulging in a great display of Urdu manners".[48] In his memoir,[49] he wrote: {{quote|I have a few memories of a visit to Lucknow, where we stayed first with my mother's cousin, Atul Prasad Sen, and then with his sister, whom I called Chhutki Mashi. There was always music in Atul Mama's house, for he was a lyricist and composer. Often he would get my mother to learn his songs, then write the words down for her in her black notebook. Ravi Shankar's guru, Alauddin Khan, used to stay in Atul Mama's house at that time. I heard him play the piano occasionally. One day, the well-known singer of those times, Sri Krishan Ratanjankar, visited us and sang his famous song, Bhavani dayani, set in Bharavi. Atul Mama wrote a new song, Shuno, shey dakey aamarey (Listen, he's calling out to me), based on Bhavani dayani.}}
Siddhartha Ghosh in his book ছবি তোলা: বাঙালির ফোটোগ্রাফি-চর্চা (Taking Pictures: The Practice of Photography by Bengalis) published an interview with Mira Choudhury, a noted photographer of early twentieth century. Meera was born in 1905 and all through her childhood she met her father’s (Dwijendralal Maitra, a well-known doctor) famous friends: the composer Atulprasad Sen, Sukumar Ray, and many others who visited the family at their quarters at Mayo Hospital, where her father was employed.[50]
Bimal Mukherjee was only 23 years of age when he started touring the world in 1926 in his bi-cycle. He returned in 1937 and published his memoir দু'চাকায় দুনিয়া (Duchakay Duniya),[51] where he mentioned that in 1928 he met Atul Prasad in England: {{quote|I met the famous poet, musician and barrister Atul Prasad Sen. He asked me whether I can sing. He was sorry to hear that I can not. I frequented his house occasionally with my friend Ranjit Kumar Sen (Tulu), and enjoyed his songs. His great character fascinated me. He was amiable, intelligent and having good taste. He used to sing Thumri with all his emotions... In one such visit I heard Dilip Kumar Roy also singing along with Atul Prasad in his Cromwell Road house.}} DeathAtul Prasad died at Lucknow on August 26, 1934 at an age of sixty three years. He was buried at the Brahmo Temple of Kaoradi (কাওরাদি ব্রহ্ম মন্দির), Sripur subdivision of Gazipur District, Dhaka division, established by Sir Krishna Govinda Gupta in his estate in 1893.[9] Considering his failing health, on May 3, 1930, much before his demise, Atul Prasad signed off his will, which was revealed after his death.{{Citation needed|date= March 2018}} Apart from monthly stipends for his wife and son, he provided financial assistance to Hemanta Seva Sadan of Ramakrishna Sevashram, Sadharan Bahmo Samaj of Kolkata, Nabo Bidhan Brahmo Samaj of Dhaka, Panchapalli Gururam High School of Faridpur, Lucknow Bengali Club and Young Men's Association, Lucknow Bengali Girls' School, Muslim Orphanage in Mumtaj Park of Lucknow, Several orphanages of Hindu and Arya Samaj and various other charity organisations. All the property he dedicated towards charity included his residence at Charbag, Lucknow; all land property; all furnitures and collection of books, motor car, cash certificates; shares; life insurance and all royalty from his creations and compositions.[9][52] Rabindranath Tagore wrote a poem on September 4, 1934 in memory of Atul Prasad.[9] The poem was included in Geetigunja, in its 1957 edition. Legacy
Bibliography
ReferencesNotes{{notelist}}Citations1. ^1 2 3 4 5 6 7 8 {{cite book|first=Kalyan Kumar|last=Basu|title=আমারে এ আঁধারে (Amare e aandhare)|publisher= Abhyudoy Prakash Mandir, 6 Bankim Chatujje Street, Kolkata 12|year= 1969}} {{Bengal Renaissance}}{{Authority control}}{{DEFAULTSORT:Sen, Atulprasad}}2. ^{{cite book|first1=Sukhendu,|last1=Roy|first2=Malavika, |last2=Karlekar|first3=Bharati,|last3=Roy|title=The Many Worlds of Sarala Devi - A Diary; The Tagores and Sartorial Style - A Photo Essay |publisher= Women Unlimited|year= 2009|isbn= 978-8-188-96550-2}} 3. ^{{cite book|first=Sarala,|last=Devi Choudhurani|editor-first=Sikata|editor-last=Banerjee|title=The Scattered Leaves of My Life: An Indian Nationalist Remembers |publisher= Routledge|year= 2017|isbn= 978-1-138-29571-1}} 4. ^{{cite book |year=1965 |editor-first=J.M. |editor-last= Upadhyay |title= Mahatma Gandhi as a Student|publisher= The Director Publications Division Ministry of Information & Broadcasting, Government of India}} 5. ^{{cite book|title=Historical Dictionary of the Bengalis|editor-first= Kunal, et. al.|editor-last=Chakrabarty|publisher=Scarecrow Press|year=2013|isbn=978-0-8108-8024-5}} 6. ^{{cite book|first=|last=|title=The Calcutta Review 1934|publisher= University of Calcutta|year= 1934}} 7. ^{{cite book |year=1987 |editor1-first=Hon'ble Justice Anandamoy |editor1-last=Bhattacharya |editor2-first= Hon'ble Justice Shyamal Kumar |editor2-last=Sen|editor3-first=Hon'ble Justice A.K. |editor3-last=Nayak|title=The High Court of Calcutta - 125 Anniversary Souvenir 1862 - 1987|publisher=The High Court of Calcutta}} 8. ^{{cite book|title=The High Court at Calcutta - 150 Years: An Overview|editor-first=Chittatosh, et.al.|editor-last=Chief Justice Mookerjee|publisher=The Indian Law Institute|year=2012}} 9. ^1 2 3 4 5 6 7 8 9 10 11 12 {{cite book|first=Shovan|last=Som|title=Atul Prasad Sen'er Shreshtha Kabita|publisher=Bharbi|year=2002|page=142}} 10. ^{{cite web|url=http://www.anandabazar.com/supplementary/rabibashoriyo/%E0%A6%95-%E0%A6%9A-%E0%A6%9B-1.18116|title=কেচ্ছা - Anandabazar|first=সুস্নাত|last=চৌধুরী|publisher=}} 11. ^{{cite web|url=http://biographyhindi.com/atulprasad-sen-biography-in-hindi/|title=Atulprasad Sen Biography in Hindi - बंगाली कवि अतुल प्रसाद सेन की जीवनी|date=5 May 2017|publisher=}} 12. ^1 {{cite book|first=Nadeem|last=Hasnain|title=The Other Lucknow - An Ethnographic Portrait of a City of Undying Memories and Nostalgia|publisher=Vani Prakashan|year=2016|isbn=978-93-5229-420-6|page=249}} 13. ^{{cite web|url=http://www.bengaliclublucknow.com/Past%20Officials.html|title=LIST OF PRESIDENTS AND GENERAL SECRETARIES|website=Bengaliclublucknow.com|accessdate=2017-08-25}} 14. ^{{cite book|editor-first=Mohan|editor-last=Lal|title=Encyclopaedia of Indian Literature|publisher=Sahitya Academy, New Delhi|year=1992|isbn= 978-8-126-01194-0}} 15. ^1 2 3 4 {{cite book |last=Sayeed |first=Khan Md |year=2012 |chapter=Sen, Atulprasad |chapter-url=http://en.banglapedia.org/index.php?title=Sen,_Atulprasad |editor1-last=Islam |editor1-first=Sirajul |editor1-link=Sirajul Islam |editor2-last=Jamal |editor2-first=Ahmed A. |title=Banglapedia: National Encyclopedia of Bangladesh |edition=Second |publisher=Asiatic Society of Bangladesh}} 16. ^{{cite web|url=http://www.apsencollegeonline.org/pdf/Prospectus.pdf|title=Prospectus, A P Sen College, Lucknow|website=apsencollegeonline.org|accessdate=2017-08-25}} 17. ^{{cite web|url=http://www.apsencollege.org/index.php|title=A P Sen College, Lucknow|website=apsencollegeonline.org|accessdate=2017-08-25}} 18. ^{{cite web|url=https://www.anandabazar.com/supplementary/patrika/some-unknown-stories-about-bengali-composer-lyricist-and-singer-atul-prasad-sen-1.761233|title=অক্লান্তকণ্ঠ এক সংগীত-সন্ন্যাসী তিনি|date=14 February 2018|publisher=Ananda Bazar Patrika}} 19. ^{{cite web|url=http://www.apsencollegeonline.org/pdf/Prospectus.pdf|title=Prospectus, A P Sen College, Lucknow|website=apsencollegeonline.org|accessdate=2017-08-25}} 20. ^{{cite web|url=http://www.ramakrishnalucknow.org/images/content_images/apsen.jpg|title=Ramakrishna Math & Mission, Lucknow|website=Ramakrishnalucknow.org|accessdate=2017-08-25}} 21. ^1 2 3 4 {{cite book|first=Alison|last=Arnold|title=The Garland Encyclopedia of World Music|publisher=Taylor & Francis|year=2000|isbn=0-8240-4946-2|page=851}} 22. ^{{cite book|first=Sugata|last=Bose|title=The Nation as Mother - and other versions of Nationhood|publisher=Penguin Random House|year=2017|isbn=978-067-0090-112}} 23. ^1 2 Translated by Sudipto Chakraborty (August 2017, Ranchi, India) 24. ^{{cite book|first=Srilata|last=Chatterjee|title=Congress Politics in Bengal 1919 - 1939|publisher=Anthem South Asian Studies|year=2002|isbn=978-184-3310-631}} 25. ^{{cite book|first=Partha Sarathi|last=Gupta|title=Power, Politics and the People - studies in British Imperialism and Indian Nationalism|publisher=Permanent Black, New Delhi|year=2001|isbn=81-7824-019-X|page=434}} 26. ^{{cite web|url=http://www.dspace.wbpublibnet.gov.in:8080/xmlui/handle/10689/15539|title=Kakali|website=dspace.wbpublibnet.gov.in|accessdate=2017-08-25}} 27. ^{{cite web|url=http://dspace.wbpublibnet.gov.in:8080/xmlui/bitstream/handle/10689/15539/Title%20Page.pdf?sequence=2|title=Kakaki_title_page|website=dspace.wbpublibnet.gov.in|accessdate=2017-08-25}} 28. ^{{cite web|url=http://dspace.wbpublibnet.gov.in:8080/xmlui/bitstream/handle/10689/15539/Chapter%201_1-36p.pdf?sequence=3|title=Kakaki page 1-36|website=dspace.wbpublibnet.gov.in|accessdate=2017-08-25}} 29. ^{{cite web|url=http://dspace.wbpublibnet.gov.in:8080/xmlui/bitstream/handle/10689/15539/Chapter%202_37-86p.pdf?sequence=4|title=Kakaki page 37-86|website=dspace.wbpublibnet.gov.in|accessdate=2017-08-25}} 30. ^{{cite web|url=http://dspace.wbpublibnet.gov.in:8080/xmlui/bitstream/handle/10689/15539/Content%20Page.pdf?sequence=5|title=Kakaki Content|website=dspace.wbpublibnet.gov.in|accessdate=2017-08-25}} 31. ^{{cite book|first=John A, Robinson R B and Mittal Amita|last=Pearce II|title=Strategic Management, formulation, implementation and control|publisher=Tata McGraw Hill, New Delhi|year=2012|isbn=978-1-25-900164-2|page=654}} 32. ^{{cite web|url=https://www.telegraphindia.com/1090503/jsp/calcutta/story_10901140.jsp|title=The Telegraph - Calcutta (Kolkata) - Metro - Lonely shepherd|website=Telegraphindia.com|accessdate=2017-08-25}} 33. ^Viewable on YouTube: {{YouTube|PSB1vaJ_M4A|"মিছে তুই ভাবিস মন!"}}; (accessed 30 August 2017) 34. ^Side 1 of the EP 1124-0005 by Hindusthan Records, 1932 35. ^Viewable on YouTube: {{YouTube|yk-tBY__0dE|"জানি জানি তোমারে"}}; (accessed 30 August 2017) 36. ^Side 2 of the EP 1124-0005 by Hindusthan Records, 1932 37. ^{{cite web|url=http://rabindratirtha-wbhidcoltd.co.in/Rabisarani/event/VZlSXRFWwJlYHZEWOdVMXJ1aKVVVB1TP|title=Rabisarani|website=Rabindratirtha-wbhidcoltd.co.in}} 38. ^{{cite web|url=http://sesquicentinnial.blogspot.in/2011/12/rabindranath-at-lucknau-with-atul.html|title=Rabindranath at Lucknau with Atul Prasad|website=Sesquicentinnial.blogspot.in|accessdate=2017-08-25}} 39. ^{{cite web|url=http://rabindratirtha-wbhidcoltd.co.in/Rabisarani/event/VZlSXRVVONlYHpkdT1WNXJ1aKVVVB1TP|title=Rabisarani|website=Rabindratirtha-wbhidcoltd.co.in|accessdate=2017-08-25}} 40. ^{{cite web|url=http://sesquicentinnial.blogspot.in/2012/02/rabindranath-in-japan-contd-1-1916.html?m=0|title=Rabindranath in Japan (contd-1) - 1916|website=Sesquicentinnial.blogspot.in|accessdate=2017-08-25}} 41. ^{{cite book|first=|last=|title=Rabindranath Tagore - A Centenary Volume 1861-1961|publisher=Sahitya Academy, New Delhi|year=1961}} 42. ^{{cite book|first=Reba|last=Som|title=Rabindranath Tagore - the singer and his song|publisher=Penguin India|year=2009|isbn=978-06-700-8248-3}} 43. ^{{cite web|url=http://poetsukumar.blogspot.in/|title=Sukumar Ray|website=poetsukumar.blogspot.in|accessdate=2017-08-25}} 44. ^{{cite book|editor-first1=Sujata|editor-last1=Nahar|editor-first2=Michel|editor-last2=Danino|editor-first3=Shankar|editor-last3=Bandyopadhyay|title=Sri Aurobindo to Dilip: (Letters) – In 4 volumes – Volume 1 1929-1933|publisher=Hari Krishna Mandir Trust, Pune & Mira Aditi| year=2003|isbn=81-85137-91-9|page=24}} 45. ^{{cite web|url=http://www.harikrishnamandirindiraniloy.com/dadaji_music.htm|title=Sri Dilip Kumar Roy - A landmark in the evolution of Bengali music|first=Hari Krishna Mandir|last=Trust|website=Harikrishnamandirindiraniloy.com|accessdate=2017-08-25}} 46. ^{{cite book|first=Kumar Prasad|last=Mukherjee|title=The Lost World of Hindusthani Classical Music|publisher=Penguin India|year=2006|page=232|isbn=978-01-4306-199-1}} 47. ^{{cite web|url=http://www.sdburman.net/reflections|title=S D Burman's memoirs|website=sdburman.net|accessdate=2017-08-25}} 48. ^{{cite book|first=Andrew|last=Robinson|title=Satyajit Ray - The Inner Eye|publisher=University of California Press|year=1989|isbn=0-520-06946-3}} 49. ^{{cite book|first=Bijoya|last=Ray|title=Childhood Days - A Memoir by Satyajit Ray (translated from Bengali)|publisher=Penguin India|year=1998|isbn=978-01-4025-079-4}} 50. ^{{cite book|first=Siddhartha|last=Ghosh|title= Bangalir Photography-Chorcha (Taking Pictures: The Practice of Photography by Bengalis)|publisher=Ananda Publishers, Kolkata|year=1988|isbn=81-7066-100-5}} 51. ^{{cite book|first=Bimal|last=Mukherjee|title=Duchakay Duniya - A bi-cycle expedition around the world|publisher= Swarnakkhar Prakashani, Kolkata|year= 1986}} 52. ^{{cite web|url=http://www.kaoraidup.gazipur.gov.bd/site/tourist_spot/d94757e7-2014-11e7-8f57-286ed488c766/-কবি-অতুল-প্রসাদ-সেনের-সমাধি|title=কবি অতুল প্রসাদ সেনের সমাধি|accessdate=2017-08-25}} 53. ^1 {{cite web|url=http://www.lbsnaa.gov.in/pages/display/416-academy-song|title=Academy Song|website=lbsnaa.gov.in|accessdate=2017-08-30}} 54. ^{{cite web|url=http://www.anandabazar.com/supplementary/patrika/special-write-up-by-nila-majumdar-on-atul-prasad-sen-in-patrika-1.291449|title=আমিও একাকী তুমিও একাকী|website=Anandabazar.com|accessdate=2017-08-25}} 21 : Bengali male poets|Bengal Renaissance|Bengali writers|Bengali musicians|Poets from Uttar Pradesh|Indian independence activists from Bengal|1871 births|1934 deaths|Brahmos|University of Calcutta alumni|People from Bikrampur|Writers from Lucknow|19th-century Indian lawyers|20th-century Indian lawyers|Musicians from Lucknow|19th-century Indian poets|20th-century Indian poets|19th-century Indian composers|20th-century Indian composers|Indian barristers|20th-century male writers |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。