| 词条 | Paper Moon (film) |
| 释义 |
| name = Paper Moon | image = Paper-moon small.jpg | caption = Theatrical release poster | director = Peter Bogdanovich | producer = {{ubl|Frank Marshall|Peter Bogdanovich}} | screenplay = Alvin Sargent | based on = {{Based on|Addie Pray|Joe David Brown}} | starring = {{ubl|Ryan O'Neal|Madeline Kahn|John Hillerman|Tatum O'Neal}} | cinematography = László Kovács | editing = Verna Fields | studio = The Directors Company | distributor = Paramount Pictures | released = {{Film date|1973|4|9|Hollywood|1973|5|9|United States}} | runtime = 102 minutes | country = United States | language = English | budget = $2.5 million[1] | gross = $30.9 million[2] }} Paper Moon is a 1973 American comedy-drama film directed by Peter Bogdanovich and released by Paramount Pictures. Screenwriter Alvin Sargent adapted the script from the novel Addie Pray by Joe David Brown. The film, shot in black-and-white, is set in Kansas and Missouri during the Great Depression. It stars the real-life father and daughter pairing of Ryan and Tatum O'Neal as protagonists Moze and Addie. Tatum O'Neal received overwhelmingly high praise for her performance as Addie, earning her the Academy Award for Best Supporting Actress, making her the youngest competitive winner in the history of the Academy Awards. PlotCon man Moses Pray meets nine-year-old Addie Loggins at Addie's mother's graveside service, where the neighbors suspect he is Addie's father. He denies this, but agrees to deliver the orphaned Addie to her aunt's home in St. Joseph, Missouri. At a local grain mill, Moses convinces the brother of the man who accidentally killed Addie's mother to give him two hundred dollars for the newly orphaned Addie. Addie overhears this conversation and, after Moses spends nearly half the money fixing his used Model A convertible, later demands the money, whereupon Moses agrees to travel with Addie until he has raised two hundred dollars to give to her. Thereafter Moses visits recently widowed women, pretending to have recently sold an expensive, personalized Bible to the deceased husband, and the widows pay him for the bibles inscribed with their names. Addie joins the scam, pretending she is his daughter, and exhibits a talent for confidence tricks, cheating a cotton candy vendor out of a large sum of money. As time passes, Moses and Addie become a formidable team. One night, Addie and "Moze" (as Addie addresses him) stop at a local carnival, where Moze becomes enthralled with an "exotic dancer" named Miss Trixie Delight, and leaves Addie at a photo booth to have her photograph taken alone (of herself sitting on a crescent moon, to suggest the film's title). Much to Addie's chagrin, Moze invites "Miss Trixie"—and her downtrodden African American maid Imogene to join him and Addie. Addie soon becomes friends with Imogene and becomes jealous of Trixie. When Addie subsequently discovers that Moze has spent their money on a brand-new car to impress Miss Trixie, she and Imogene devise a plan. They convince a clerk at the hotel the group are staying at to pay a visit to Trixie, and Addie sends Moze up to Trixie's room where he discovers the clerk and Trixie having sex, whereupon Moze leaves Miss Trixie and Imogene behind, while Addie leaves Imogene enough money to pay for her own passage home. At a hotel in Kansas Moze finds a bootlegger's store of whiskey, steals some of it, and sells it back to the bootlegger. Unfortunately the bootlegger's brother is the sheriff, who quickly arrests Moze and Addie. Addie hides their money, steals back the key to their car, and the pair escape. To elude pursuit, they trade their new car for a decrepit Model T farm truck after Moze beats a hillbilly in a "wrasslin' match". The sheriff finds them in Missouri and, unable to arrest Moze, he and his cohorts beat and rob him. Humiliated, Moze drops Addie at her aunt's house in St Joseph but Addie, disappointed, rejoins him on the road. When he refuses her company she reminds him that he still owes her two hundred dollars and reveals that his truck has rolled away without him. They catch the truck, whereupon they leave together. Cast{{div col|colwidth=20em}}
ProductionDirectorThe film project was originally associated with John Huston and was to star Paul Newman and his daughter, Nell Potts. However, when Huston left the project, the Newmans became dissociated from the film as well.[3] Peter Bogdanovich had just completed What's Up, Doc? and was looking for another project when his ex-wife and frequent collaborator Polly Platt recommended filming Joe David Brown's script for the novel Addie Pray. Bogdanovich, a fan of period films, and having two young daughters of his own, found himself drawn to the story, and selected it as his next film.[4] CastingAt the suggestion of Polly Platt, Bogdanovich approached eight-year-old Tatum O'Neal to audition for the role although she had no acting experience. Bogdanovich had recently worked with Tatum's father Ryan O'Neal on What's Up, Doc?, and decided to cast them as the leads.[4] ScreenplayVarious changes were made in adapting the book to film. Addie's age was reduced from twelve to nine to accommodate young Tatum, several events from the book were combined for pacing issues, and the last third of the novel, when Moses and Addie graduate to the big leagues as con artists after going into partnership with a fake millionaire, was dropped. The location was also changed from the rural south of the novel – primarily Alabama – to midwestern Kansas and Missouri.[4] Filming locationsThe film was shot in the small towns of Hays, Kansas; McCracken, Kansas; Wilson, Kansas; and St. Joseph, Missouri. Various shooting locations include the Midland Hotel at Wilson, Kansas; the railway depot at Gorham, Kansas; storefronts and buildings on Main Street in White Cloud, Kansas; Hays, Kansas; sites on both sides of the Missouri River; Rulo Bridge; and Saint Joseph, Missouri. PropsThe car Moses is driving when he agrees to take Addie home is a 1930 Ford Model A convertible; the car Moses buys to impress Miss Trixie is a 1936 Ford V8 De Luxe convertible.[4] The whiskey being sold by the bootlegger shown toward the end of the film is Three Feathers blended whiskey, a label introduced by Oldtyme Distilling Corp. in 1882 and still produced up to the 1980s.[5] The fruit-flavored soda drunk by Addie is from Nehi Soda, by a company founded as Chero-Cola in 1910, in 1925 renamed Nehi Corporation, which became Royal Crown Company, then Dr Pepper/Seven Up, then Dr Pepper Snapple Group. TitlePeter Bogdanovich also decided to change the name of the film from Addie Pray. While selecting music for the film, he heard the song It's Only a Paper Moon (by Billy Rose, Yip Harburg, and Harold Arlen). Seeking advice from his close friend and mentor Orson Welles, Bogdanovich listed Paper Moon as a possible alternative. Welles responded – "That title is so good, you shouldn't even make the picture, you should just release the title!"[4] Bogdanovich added the scene in which Addie has her picture taken in a paper moon solely so the studio would allow him to use the title.[6] Cinematography and editingDirector of photography László Kovács used a red filter on the camera on Orson Welles' advice. Bogdanovich also used deep focus cinematography and extended takes in the film.[7] ReceptionThe movie earned an estimated $13 million in North American theater rentals in 1973 (equivalent to ${{inflation|US|13|1973}} million in {{inflation/year|US}}).[8] ReviewsIt currently holds a 92% approval rating from critics, based on 36 reviews, at Rotten Tomatoes; it's consensus reads, "Expertly balancing tones, Paper Moon is a deft blend of film nostalgia and finely tuned performances – especially from Tatum O'Neal, who won an Oscar for her debut." Vincent Canby of The New York Times praised "two first-class performances" from Ryan and Tatum O'Neal but found the film "oddly depressing" and unable to "make up its mind whether it wants to be an instant antique or a comment on one."[9] Roger Ebert gave the film his top four-star rating and commented that "a genre movie about a con man and a little girl is teamed up with the real poverty and desperation of Kansas and Missouri, circa 1936. You wouldn’t think the two approaches would fit together, somehow, but, they do, and the movie comes off as more honest and affecting than if Bogdanovich had simply paid tribute to older styles."[10] Gene Siskel gave the film three-and-a-half stars out of four and wrote that Tatum O'Neal "is more than cute. Her role is something special in the well-established tradition of children on film."[11] Arthur D. Murphy in Variety called Tatum O'Neal "outstanding" and added, "Alvin Sargent's screenplay is a major contributor to the overall excellent results."[12] Charles Champlin of the Los Angeles Times wrote that Tatum O'Neal was "just plain marvelous and Paper Moon is a tough, funny, beautifully calculated diversion."[13] Gary Arnold of The Washington Post wrote that the film "may prove a keen disappointment if you go with high expectations. At its best the film is only mildly amusing, and I'm not sure I could come up with a few undeniable highlights if pressed on the point."[14] Tom Milne of The Monthly Film Bulletin called the film "very easy to take, especially as Alvin Sargent's dialogue has a nice edge of wit. The trouble is that the film covers all the ground it is going to cover in the scene in the restaurant near the beginning when we, with Ryan O'Neal, first realise that the sweetly awful child is going to be more than a match for him as far as wits are concerned."[15]AwardsTatum O'Neal won the 1973 Academy Award for Best Supporting Actress for her role as Addie, making her, at age 10, the youngest competitive winner in the history of the Academy Awards. Co-star Madeline Kahn was nominated for the same award. The film itself was nominated for Best Sound (Richard Portman, Les Fresholtz)[16] and Best Adapted Screenplay (Alvin Sargent). Tatum O'Neal was also nominated for a Golden Globe Award for Best Actress – Motion Picture Musical or Comedy, and Ryan O'Neal was nominated for a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. Other mediaIn September 1974, a television series called Paper Moon, based on the film, premiered on the ABC television network, with Jodie Foster cast as Addie and Christopher Connelly (who had appeared as O'Neal's brother in the earlier ABC series, Peyton Place) playing Moses. It was not a ratings success and the series was canceled in January 1975. See also
References1. ^Photos in 5 Minutes: 39 Bogdanovich, Clifford, Terry. Chicago Tribune (1963-Current file) [Chicago, Ill] 07 Jan 1973: i39. 2. ^{{Cite web | title=Paper Moon, Box Office Information | publisher=The Numbers | url=http://www.the-numbers.com/movies/1973/0PMON.php | accessdate=2012-01-17}} 3. ^Jeff Stafford, Paper Moon, Turner Classic Movies article, October 2006 4. ^The Internet Movie Car Database: Entry for Paper Moon 5. ^Time magazine Liquor: The Schenley Reserves Monday, September 29, 1952. 6. ^ WTF Podcast Episode 632, August 27, 2015 7. ^1 2 3 4 {{cite video | people = Bogdonavitch, Peter | title = Paper Moon (Special Features) | medium = DVD | publisher = Paramount Pictures | location = 1973 }} 8. ^"Big Rental Films of 1973", Variety, 9 January 1974 p 19 9. ^Canby, Vincent (May 17, 1973). "Bogdanovich's 'Paper Moon' at Coronet". The New York Times. 53. 10. ^{{cite web |url=https://www.rogerebert.com/reviews/paper-moon-1973 |title=Paper Moon |last=Ebert |first=Roger |date=June 15, 1973 |website=RogerEbert.com |accessdate=December 17, 2018 }} 11. ^Siskel, Gene (June 15, 1973). "He's just mad about Addie". Chicago Tribune. Section 2, p. 1. 12. ^Murphy, Arthur D. (April 18, 1973). "Paper Moon". Variety. 22. 13. ^Champlin, Charles (June 13, 1973). "'Paper Moon'—Real Star". Los Angeles Times. Part IV, p. 21. 14. ^Arnold, Gary (June 15, 1973). "A Hollow 'Paper Moon'". The Washington Post. B1. 15. ^{{cite journal |last=Milne |first=Tom |date=January 1974 |title=Paper Moon |journal=The Monthly Film Bulletin |volume=41 |issue=480 |page=13 }} 16. ^{{Cite web|url=http://www.oscars.org/oscars/ceremonies/1974 |title=The 46th Academy Awards (1974) Nominees and Winners |accessdate=2011-10-02|work=oscars.org}} External links{{wikiquote}}
27 : 1973 films|1970s comedy-drama films|1970s crime drama films|1970s criminal comedy films|1970s road movies|American Broadcasting Company network shows|American black-and-white films|American comedy-drama films|American criminal comedy films|American road movies|American films|English-language films|Films about con artists|Films about orphans|Films adapted into television programs|Films based on American novels|Films directed by Peter Bogdanovich|Films featuring a Best Supporting Actress Academy Award-winning performance|Films produced by Frank Marshall|Films set in the 1930s|Films set in Kansas|Films set in Missouri|Films shot in Kansas|Films shot in Missouri|Great Depression films|Paramount Pictures films|Screenplays by Alvin Sargent |
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