词条 | Paul Manship | |||||||
释义 |
| bgcolour = #6495ED | name = Paul Manship | image = Archives of American Art - Paul Manship - 2900.jpg | imagesize = | caption = Paul Manship, Chairman of the New York City Council for Art Week, opens the meeting held Thursday evening, October 16, 1941, at the Architectural League | birth_name = | birth_date = {{birth date|mf=y|1885|12|24}} | birth_place = | death_date = {{death date and age|mf=y|1966|1|28|1885|12|24}} | death_place = | nationality = American | field = Sculpture | training = | movement = | works = | patrons = | influenced by = | influenced = | awards = }}Paul Howard Manship (December 24, 1885 – January 28, 1966) was an American sculptor. He consistently created mythological pieces in a classical style, and was a major force in the Art Deco movement. He is well known for his large public commissions, including the iconic Prometheus in Rockefeller Center.[1] He is also credited for designing the modern rendition of New York City's official seal.[2] Manship gained notice early in his career for rejecting the Beaux Arts movement and preferring linear compositions with a flowing simplicity. Additionally, he shared a summer home in Plainfield, New Hampshire, part of the Cornish Art Colony, with William Zorach for a number of years. Other members of the highly social colony were also contemporary artists.[3] Manship created his own artist retreat on Cape Ann, developing a 15-acre site in Gloucester, MA that had been two former granite quarries. A local nonprofit, the Manship Artists Residence and Studios has been formed to preserve this estate and establish an artist residency program at the site. LifeEarly life and educationPaul Howard Manship was born in St. Paul, Minnesota, on December 24, 1885, the son of Charles H. and Mary Etta (Friend) Manship. His father, born in Mississippi, was a clerk for the St. Paul gas company, and with his wife, who was born in Pennsylvania, were parents of seven children. Charles and Mary were married in St. Paul, on July 14, 1870, and raised their family in a home they owned at 304 Nelson (later Marshall) Avenue. Paul H. Manship began his art studies at the St. Paul School of Art in Minnesota. From there he moved to Philadelphia and continued his education at the Pennsylvania Academy of Fine Arts. Following that he migrated to New York City where he enrolled in the Art Students League of New York, studying anatomy with George Bridgman and modeling under Hermon Atkins MacNeil. From 1905 to 1907 he served as an assistant to sculptor Solon Borglum and spent the two years after that studying with Charles Grafly and assisting Isidore Konti. In 1909, at Konti's urging, he entered the competition for, and won, the Rome Prize and shortly thereafter decamped for Rome where he attended the American Academy from 1909 until 1912. While in Europe he became increasingly interested in Archaic art, his own work began to take on some archaic features, and he became more and more attracted to classical subjects. He also developed an interest in classical sculpture of India, and traces of that influence can be observed in his work (see "Dancer and Gazelles" in Gallery). Manship was one of the first artists to become aware of the vast scope of art history being newly excavated at the time and became intensely interested in Egyptian, Assyrian and pre-classical Greek sculpture. CareerWhen he returned to America from his European sojourn, Manship found that his style was attractive to both modernists and conservatives. His simplification of line and detail appealed to those who wished to move beyond the Beaux-Arts classical realism prevalent in the day. Also, his view of and use of a more traditional "beauty" as well as an avoidance of the more radical and abstract trends in art made his works attractive to more conservative art collectors. Manship's work is often considered to be a major precursor to Art Deco. Manship produced over 700 works and always employed assistants of the highest quality. At least two of them, Gaston Lachaise and Leo Friedlander, went on to create significant places for themselves in the history of American sculpture. Although not known as a portraitist, he did produce statues and busts of Theodore Roosevelt, Samuel Osgood, John D. Rockefeller, Robert Frost, Gifford Beal and Henry L. Stimson. Manship was very adept at low relief and used these skills to produce a large number of coins and medals. Among his more prominent are the Dionysus medal, the second issue of the long running Society of Medalists; the first term inaugural medal for Franklin D. Roosevelt; and the John F. Kennedy inaugural medal. Additionally, during WW II he designed the U. S. Merchant Marine's Distinguished Service Medal, Meritorious Service Medal and Mariner's Medal. Manship was chosen by the American Battle Monuments Commission to create monuments following both the First and Second World Wars. They are located respectively in the American Cemetery at Thiaucourt, France in 1926, and in the military cemetery at Anzio, Italy. Affiliations and awardsFor a number of summers early in his career, Manship found social and artistic companionship in Plainfield, New Hampshire, then part of the Cornish Art Colony, which attracted sculptors such as Augustus Saint-Gaudens, Herbert Adams, Daniel Chester French, and William Zorach. He visited first in 1916, returned the next three years, and then returned again a decade later. This period in his life has been recognized as significant, and Harry Rand observed that "Manship recognized 1916 as the year of his artistic maturity...[he] seemed to express modern ideas in terms of the primitive.[4] Manship served on the board of the Smithsonian American Art Museum and chaired the board. Manship was affiliated with the National Academy of Design, the National Sculpture Society, and the American Academy of Arts and Letters. He served on the U.S. Commission of Fine Arts from 1937 to 1941. His many honors include a Pierpont Morgan fellowship, a Widener Gold Medal from the Pennsylvania Academy of Fine Arts, and the award of Chevalier from the French Legion of Honor.[5] Manship's extensive papers, maquettes and sculptures are housed in the Smithsonian's Archives of American Art. In 2004 the Smithsonian mounted a retrospective of Manship's career which resulted in a reappraisal of the sculptor's work. There is a gallery dedicated to the display of Manship's work at the Smithsonian American Art Museum. Manship was father of the artist John Paul Manship (1927–2000). Museums with Manship works{{Div col|colwidth=30em}}
Public sculpture
GalleryReferences1. ^{{Cite web|url=https://www.britannica.com/biography/Paul-Manship|title=Paul Manship|last=Editors of Encyclopædia Britannica|first=|date=|website=Encyclopædia Britannica|publisher=Encyclopædia Britannica, Inc.|access-date=}} 2. ^{{cite book |last=Hall |first=Edward Hagaman |date=1915 |title=Twentieth Annual Report of the American Scenic and Historic Preservation Society to the Legislature of the State of New York |url=https://books.google.com/books?id=l-5OAAAAYAAJ&pg=PA847#v=onepage&q&f=true |location=Albany |publisher=J. B. Lyon Company, Printers|chapter= Appendix H– Seal and Flag of the City of New York |page=819 |isbn=}} 3. ^{{Cite web|url=http://www.askart.com/art/groups/11/y/Cornish%20Colony|title=Cornish Colony|last=Gilbert-Smith|first=Alma|date=|website=askART|publisher=askART|access-date=}} 4. ^{{Cite web|url=http://www.sothebys.com/en/auctions/ecatalogue/2015/american-art-n09350/lot.59.html|title=Paul Manship: Catalogue Note|last=|first=|date=|website=Sotheby's|publisher=Sotheby's|access-date=}} 5. ^Thomas E. Luebke, ed., Civic Art: A Centennial History of the U.S. Commission of Fine Arts (Washington, D.C.: U.S. Commission of Fine Arts, 2013): Appendix B, p. 548. 6. ^{{cite web|url=http://clevelandart.org/art/collection/search?collection_search_query=Manship&op=search&form_build_id=form-AyW3ibl257sbH3H7AW9cVxUmbp-lULe6FNWp4LtG0HU&form_id=clevelandart_collection_search_form|title=Search the Collections - Cleveland Museum of Art|website=clevelandart.org}} 7. ^{{cite web|url=http://art.seattleartmuseum.org/people/12178/paul-manship/objects|title=Works – Paul Manship – Artists – eMuseum|website=art.seattleartmuseum.org}} Further reading
External links{{Commons category|Paul Manship}}
15 : Modern sculptors|Art Deco sculptors|Art Students League of New York faculty|1885 births|1966 deaths|Pennsylvania Academy of the Fine Arts alumni|Rome Prize winners|National Academy of Design members|Artists from Saint Paul, Minnesota|20th-century American sculptors|American male sculptors|National Sculpture Society members|Sculptors Guild members|Sculptors from New York (state)|Sculptors from Minnesota |
|||||||
随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识,基本涵盖了大多数领域的百科知识,是一部内容自由、开放的电子版国际百科全书。