| 词条 | Perspectives of New Music |
| 释义 |
| title = Perspectives of New Music | cover = | editor = Benjamin Boretz, Robert Morris, John Rahn | discipline = Music theory and musical analysis | former_names = | abbreviation = Perspect. New Music | publisher = Perspectives of New Music | country = | frequency = Biannual | history = 1962–present | openaccess = | license = | impact = | impact-year = | website = http://www.perspectivesofnewmusic.org/ | link1 = | link1-name = | link2 = | link2-name = | JSTOR = 00316016 | OCLC = 805415023 | LCCN = 66089176 | CODEN = | ISSN = 0031-6016 | eISSN = }} Perspectives of New Music is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). Perspectives was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.[1] The first issue was favorably reviewed in the Journal of Music Theory, which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring, 1963 issue may reflect a scarcity of material up to their standard".[2] However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint [that] came to dominate" it. "However intrinsically valuable the kinds of analytic approaches that came to typify it may [have been], Perspectives [became] in essence a highly specialized theory journal for contemporary music. For a decade, Fromm and certain members of the advisory board attempted to broaden the journal's scope, and when the editorial board . . . refused to return to the original conception, Fromm withdrew his funding in 1972.[3]When Fromm discontinued his support, Perspectives of New Music formed an independent corporation, which has continued its publication. Boretz edited the journal from 1962 through 1983, with co-editors Berger (1962–1964), Edward T. Cone (1968–1972), and Elaine Barkin (1972–1983). John Rahn was editor from 1983 until 1993, and Boretz again in 1994/95. From 1995 until 2000, there was a group of five editors: Joseph Dubiel, Marion Guck, Marianne Kielian-Gilbert, Andrew Mead, and Stephen Peles. The current editors are Boretz, Robert Morris, and Rahn. References1. ^David Carson Berry, "Journal of Music Theory under Allen Forte's Editorship," Journal of Music Theory 50/1 (2006), 21, n49. 2. ^Richmond Browne, "Perspectives of New Music: Arthur Berger, Editor, Benjamin Boretz, Associate Editor, Princeton University Press, Princeton, N. J., 1962. 196p." Journal of Music Theory 7/2 (Winter 1963), 262–65; citation on 263. 3. ^David Carson Berry, "Journal of Music Theory under Allen Forte's Editorship," Journal of Music Theory 50/1 (2006), 21, n49, quoting David Gable, "Paul Fromm in American Musical Life", in A Life for New Music: Selected Papers of Paul Fromm, edited by David Gable and Christoph Wolff, ix–xviii (Cambridge, MA: Harvard University Department of Music, 1988), xv. Further reading
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