| 词条 | Philip Jeck |
| 释义 |
| name = Philip Jeck | image = Philip Jeck 1 Vortex 9 16 2011.JPG | image_size = 250px | background = non_vocal_instrumentalist | caption = Philip Jeck headlining at Jonny Mugwump’s Exotic Pylon at the Vortex on 16 September 2011 | birth_date = 1952 | origin = England |years_active= 1980s–present | genre = Turntablism, ambient, avant-garde, drone, sampledelia | occupation = Musician, visual artist | instruments = Turntable, Casio SK-1, MiniDisc, mixer, bass guitar, effects pedal | label = Touch, Intermedium | website = http://www.philipjeck.com }}Philip Jeck (born 1952)[1] is an English composer and multimedia artist whose work is best known for utilising antique turntables and vinyl records, along with looping devices and both analogue and digital effects.[2] Initially composing for installations and dance companies, since 1995 he has released music on the UK label Touch.[2] He has collaborated with artists such as Gavin Bryars, Jah Wobble, Jaki Liebezeit, David Sylvian, and Janek Schaefer.[2] BiographyPhilip Jeck studied Visual Arts at Dartington College of Arts, Devon, England.[2] He became interested in record players after visiting New York in 1979 and being introduced to the work of DJs such as Walter Gibbons and Larry Levan.[3] He began exploring composition using record players and electronics in the early 1980s.[2] In his early career, he composed and performed scores for dance and theatre companies, including a five-year collaboration with Laurie Booth.[2] He has also composed scores for dance films Beyond Zero on Channel 4 and Pace on BBC 2. Jeck is perhaps best known for his 1993 work Vinyl Requiem with Lol Sargent, a performance for 180 Dansette record players, 12 slide-projectors and 2 movie-projectors which won the Time Out Performance Award in 1993.[2] He signed to Touch in 1995, and has released his best known works on the label, including Surf (1998), Stoke (2002), and 7 (2003).[2] In 2004, he collaborated with Alter Ego on a 2005 rendition of composer Gavin Bryars's The Sinking of the Titanic.[2] His 2008 album Sand was named the 2nd best album of that year by The Wire.[4] Much of his studio releases are pieced together from recordings of his own live performances and stitched together with a MiniDisc recorder.[2] DiscographyStudio and live recordings
Collaborations
References1. ^Staff. "Philip Jeck – CV" {{webarchive|url=https://web.archive.org/web/20111228070245/http://www.philipjeck.com/CV.pdf |date=2011-12-28 }}. www.philipjeck.com. 2. ^1 2 3 4 5 6 7 8 9 {{cite web |last1=Bush |first1=John |title=Philip Jeck - Biography & History |url=https://www.allmusic.com/artist/philip-jeck-mn0000288469 |website=AllMusic |accessdate=4 September 2018}} 3. ^{{cite web |last1=Saunders |first1=James |title=Interview with Philip Jeck |url=http://www.james-saunders.com/interview-with-philip-jeck/ |website=The Ashgate Research Companion to Experimental Music |publisher=Ashgate |accessdate=4 September 2018}} 4. ^{{cite web |title=Biography |url=https://philipjeck.com/biography/ |website=Philip Jeck official website |accessdate=4 September 2018}} External links
4 : Free improvising musicians|1952 births|Living people|English experimental musicians |
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