词条 | Carlo da Camerino |
释义 |
Research published in 2002 made clear that the name 'Carlo da Camerino' was based on a misreading of the inscription on the Crucifix in the church of San Michele Arcangelo, which reads as follows: The art historian Cesare Brandi interpreted in 1935 the inscription as the signature of its author: From that moment the hypothesis of the existence of a painter of the Marche region by the name Carlo da Camerino was formed and subsequently many works were attributed to this artist including a Madonna with Child in Mondavio, dating from the year 1400. In 2002, on the occasion of an exhibition on the Quattrocento in Camerino, the art historian Matteo Mazzalupi re-interpreted the inscription as: thus assigning the painting to Olivuccio di Ciccarello of Camerino. As a result, in 2002, all works attributed formerly to Carlo da Camerino have been re-attributed to the artist Olivuccio di Ciccarello, an artist of Camerino (in Italian: 'da Camerino'), which suggests a unanimous agreement among art historians regarding the re-interpretation and attribution.[2] [3][4]References{{Commons category}}1. ^Encyclopedia Treccani, short biography. {{Authority control}}{{DEFAULTSORT:Camerino, Carlo da}}2. ^MAZZALUPI, Matteo: «Carlo da Camerino, il pittore inesistente», L’Appennino camerte, LXXXII, n.20, 18 de mayo de 2002, p. 5. {{link language|it|Italian}} 3. ^ROWLEY, Neville «Comment exposer son Quattrocento ? La régionalisation de l’histoire de l’art, limite ou chance pour la discipline ?», Recueil de textes issus de la Journée d’étude franco-italienne Actualité des recherches en Histoire d'Art. France-Italie, MSH Alpes, 2008; p. 8 {{link language|fr|French}} 4. ^Giovanni Venturi, La croce dipinta di Macerata Feltria: luoghi e vicende di un’opera d’arte del XIV secolo fra le più straordinarie delle Marche, p. 1 {{link language|it|Italian}} 5 : Year of birth missing|Year of death missing|14th-century Italian painters|Italian male painters|15th-century Italian painters |
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