| 词条 | Carlo Norway |
| 释义 |
Norway studied at Colarossi's in Paris, and later at the Royal Academy in Dresden.[2] He toured Europe. Norway was well known in London bohemian circles before the First World War and a customer at the Crab Tree Club.[3] In 1919 he was subject to a coruscating review of his work at the Adelphi Gallery by Ezra Pound, being described as being in an "aggravated state of utter uncertainty, hoping to please everybody at once".[4] In 1926 he exhibited at the Chester Gallery in London.[5] References1. ^{{cite book|author=Walsh, Michael J. K. (Ed.)|title=A Dilemma of English Modernism: Visual and Verbal Politics in the Life and Work of C.R.W. Nevinson (1889-1946)|url=https://books.google.com/books?id=RbIoIn8H280C&pg=PA116|year=2007|publisher=University of Delaware Press|isbn=978-0-87413-942-6|page=116}} {{artist-stub}}{{Authority control}}{{DEFAULTSORT:Norway, Carlo}}2. ^1 Carlo Norway (1886 - 1916 - 1927). Modernist Journals Project. Retrieved 1 October 2014. 3. ^May, Betty. (1929) Tiger Woman: My Story. (2014 reprint) London: Duckworth, p. 77. {{ISBN|978-0715648551}} 4. ^{{cite book|author=Ezra Pound|title=Ezra Pound and the Visual Arts|url=https://books.google.com/books?id=mt2qvhypDTwC&pg=PA117|year=1980|publisher=New Directions Books|location=New York|isbn=978-0-8112-1783-5|page=117}} 5. ^"Art Exhibitions". The Times, 3 November 1926, p. 12. 3 : 1886 births|British artists|Year of death missing |
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