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词条 Century Record Manufacturing Company
释义

  1. History

  2. Keysor-Century Corporation labels and affiliates

      Parent company    Bankruptcy    Labels, recording, and engineering    In-house mastering labs    Pressing plant    Milling plant    Specialty products  

  3. Controversy

  4. Family aspect of the Keysor-Century businesses

  5. Selected discography

  6. External links

  7. Selected publications

  8. Notes and references

      Notes    References  
{{About|a bygone national label based in California that served the education market||Century Records (disambiguation){{!}}Century Records}}

Century Record Manufacturing Company was an American custom recording company and record manufacturer. It was founded in 1958 as a division of the former Keysor-Century Corporation, a California corporation based in Saugus. Century Record Manufacturing Company served the music education market – mostly at the collegiate and high school levels – the music groups of the U.S. Armed Forces, and also produced recordings of professionals.[1] The company went out of business in 1976. Mark Records and Silver Crest Records are comparable labels. Keysor-Century had a pressing plant in Saugus.

History

James Bernard ("Bud") Keysor, Jr. (1906–2000) founded Keysor-Century Corporation of Saugus and was a partner in Century Record Manufacturing Company. He was also the Corporate Secretary.[2] He founded Keysor-Century in 1954 as a manufacturer of polyvinyl chloride resins. RCA Records was Keysor-Century's biggest customer.[3] Jim Keysor (1927–2014), son of James Bernard Keysor, Jr., had once served as President of Keysor-Century Record Company.[4][5]

Keysor-Century Corporation labels and affiliates

Parent company

Keysor-Century Corporation was the parent company. Latter executives included Howard Lydell Hill (1940–2001), who served as President from 1981 until his death in 2001; Robert Keysor, Hill's brother-in-law and third son of Bud Keysor, succeeded Hill in 1971 as President. In 2002, Keysor-Century was producing PVC resins for the flooring and packaging markets in Saugus, California. The firm also operated a compounding facility in Newark, Delaware.

The company had been a pioneer in creating PVC resins for the record industry. Keysor-Century produced (i) a black vinyl record compound called KC-B450 in the form of opaque black free flowing pellets (for standard records), (ii) a widely popular translucent red, yellow, green, and blue KC-B460/470 series, and later, (iii) an audiophile grade called KC-600. In two audiophile mass market tests by A&M, Keysor-Century's KC-600 was used in the initial production of Supertramp's L.P., ...Famous Last Words... (fall 1982), and in the initial production (800,000 disks) of Styx's L.P., Kilroy Was Here (February 1983).[6]

In 1982, Keysor-Century had added plants in Delaware City, Delaware, and Ajax, Ontario. At that time, Keysor-Century, Lenahan Chemicals (Murfreesboro, Tennessee), and Tenneco Chemical, Inc., (Burlington & Flemington, New Jersey) were the top three American bulk resin suppliers for records. In 1985, Keysor-Century claimed to be the largest U.S. producer of record compound and its customers included Warner, RCA, Capitol, Motown, CBS, Musical Heritage Society, Nonesuch, Deutsche Grammophon, and A&M.[7]

Keysor-Century Corporation was founded in 1954. Outside of the record industry, Keysor-Century was also a top-twenty supplier to general industry. Keysor-Century company also supplied bulk resin for injection molding applications in the production of cassette shells and the like, used by the industry as well as its own tape duplicating service.

Bankruptcy

The Keysor-Century Corporation submitted a voluntary petition March 19, 2002, in U.S. Bankruptcy Court in San Fernando, California, for protection from creditors under Chapter 11,[8][9] and after 21 months (in December, just before Christmas 2003), filed to liquidate under Chapter 7.[10] In June 2004, Keysor-Century plead guilty to several felony charges by the EPA in connection to hazardous substances.[11]

In 2006, the EPA designated the Keysor-Century plant as a Superfund site.[12]

Labels, recording, and engineering

  • Altair Records, short-lived, easy listening label, founded 1969; Robert "Bob" Reiter, who had resigned in August 1969 as President of Happy Tiger Records, became Executive Director of Altair that same year[13]
  • Century Custom Recording Service, was a franchise of the Keysor-Century Corporation. By 1963, there were 80 franchise associates in the United States.[5] The franchise associates often produced records as independent labels. Notable franchise associates included:
  • Montgomery, Alabama: Tom Britton (né Thomas Abbott Britton, Jr.; 1939–2002), who, later, between 1979 and 1981, pioneered the production of more than a dozen high-quality digital recordings for Chalfont Records
  • Paducah, Kentucky: Tom Morris (né Thomas Fredick Morris; 1937–1992)
  • Richmond, Virginia: Rex Hawley produced The Chantells on the Century Custom label
  • Lawrence, Kansas: Ed Down (né Edward Joseph Down; 1927–1978)
  • Lawrence, Kansas: Stan Ricker[15][16]
  • Williamsville, New York: Vincent Morette, who founded Mark Records
  • Cleveland, Ohio: Jack L. Renner (né Jack Lee Renner; born 1935)[18]
  • Houston, Texas: J.L. Patterson, Jr., who, later, in 1963, formed the JLP Corporation to operate Gold Star Studios (Gold Star Records) of Houston under a lease form its founder, Bill Quinn (né William Russell Quinn; 1904–1976), who retired; his partners included Jack Clement, Bill Hall (né William Gordon Hall; 1929–1983), Louis Stevenson, and Bob Lurie (né Robert Lurie) (main master cutting engineer); in 1965, two additional partners joined – Bill Holford and Bert Frilot (né Gilbert Clark Frilot; 1939–1999) (who later designed and built Gilley's Recording Studio) – and renamed the company HSP Corporation[19]
  • Oakland, California: LaMont Bench (1916–1992)[20] recorded the hit, "Oh Happy Day," initially on the Century Custom label
  • Eugene, Oregon: Garyl G. Fisher (né Garyl Guy Fisher; born 1924) and Don Ainge (né Everett Donald Ainge; born 1936) produced several garage band recordings in Eugene; Ainge is the father of Danny Ainge, former professional athlete and current executive with the Boston Celtics
  • Century Records – Glen Glancy (né Glen Thomas Glancy; born 1943), President – produced jazz albums in the later-half of the 1970s; artists include the Phil Woods Quintet, the Woody Herman Band, Mel Torme and Buddy Rich, Benny Goodman, and the Hal Galper Quintet
  • United Sound – sub-label of Keysor-Century
  • The Great American Gramophone Company – Glen Glancy, President – served as the premium audiophile limited edition version of Century Records; and released only direct to disc jazz; it was based in Hollywood. It was formed in 1977 by Keysor-Century. Artists include Buddy Rich, Woody Herman, Phil Woods, Les Brown, and Robert Cundick playing the Mormon Tabernacle Organ;[21] the album catalog numbers began with alpha characters "GADD"

In-house mastering labs

  • Keysor-Century Studios
  • K Disc Mastering, a subsidiary of Keysor-Century Corporation – founded in 1975 – was a disc mastering firm that became the successor to Keysor-Century Studios, when it moved to Hollywood in 1979[22]

Pressing plant

  • Century Record Manufacturing Company – Saugus

Milling plant

  • Keysor Chemical Company – Saugus

Specialty products

  • POLY Laboratories, Burbank, founded in the late 1940s, preceding Keysor-Century, where Keysor took plastic powder, colored it transparent red, and pressed it into record discs.

Controversy

In 2000, Keysor-Century was the subject of a probe by the EPA in connection over dumping of toxic wastewater into the Santa Clara River.[23] Concern over carcinogens had been an ongoing matter, as evidenced by a 1978 EPA "Survey of Vinyl Chloride Levels in the Vicinity of Keysor-Century, Saugus, California."[24][25]

Family aspect of the Keysor-Century businesses

Century Records was very much a family business. Bud Keysor, the father, and his wife, had three sons and two daughters: James Brain Keysor (1927–2014), Richard "Dick" Keysor, Robert Keysor, Carolyne Pearl Keysor, and Katherine Keysor. The three sons became involved in the business and moved up to significant areas of responsibility as production manager, sales manager, and finance manager.[26]

Selected discography

{{ref begin|100em}}
  1. A Project For Your Art Department&91;27&93;
    Jim Keysor
    Century Records
    7" 45 RPM, promo, yellow translucent disc
    Recorded in the early 1960s
    Side A: "A Project For Your Art Department"
    Side B: "Helpful Hints"
    B1: "Producing Your Album Covers"
    B2: "How To Record"
    B3: "Tape Editing"
    B4: "Marketing Your Records"
  2. The Sound of a Secure Future
    James B. Keysor
    Century Records FV 13957
    Vinyl LP
    Recorded 1961
    Side A: Matrix ® XY 13957-1
    Side B: Matrix ® XY 13957-2
    This was a promo for the Century Records franchise associate program
    Interviewee – James B. Keysor
    Interviewer (uncredited) – Gabe Bartold
{{ref end}}

External links

  • [https://web.archive.org/web/20140716093015/http://www.forbiddeneye.com/labels/century.html Century discography], by Robert S. Plante (retrieved May 12, 2017)

Selected publications

  • "Horns" (white paper), by Russell W. Peters, Technical Service and Product Manager, Keysor-Century Corporation, August 4, 1975

Notes and references

Notes

1. ^1 "James B. Keysor, Jr." (short biography), Music Journal Anthology – 1959 Annual, Sigmund Spaeth (ed.), Music Journal, Inc. (publisher), pg. 171 (1959)
{{space|4}}{{ISSN|0196-1225}}
{{space|4}}{{ISSN|0077-2437}}
{{space|4}}{{OCLC|5399116}}
{{space|4}}{{OCLC|763016112|4764064}}
2. ^1 "Bud Keysor, Patriarch–Entrepreneur, Dead at 94," by Diana Sevanian, The Signal (Santa Clara Valley newspaper), May 29, 2000
3. ^1 "Company's Woes Still Plague SCV – Environmental Cleanup of Former Record Company Site on Railroad Avenue Continues" ([https://signalscv.com/2017/05/02/former-record-company-woes-echo-today/ alternate link]), by Jim Hold The Signal (Santa Clara Valley newspaper), May 3, 2017
4. ^1 "Jim Keysor Dies at 86; California Assemblyman Failed in Other Bids for Elective Office," by David Colker, Los Angeles Times, February 7, 2014
5. ^1 2 "Business Proves Groovy for Small Recording Firm," by Harry Humphreys, Valley News (Van Nuys, California), November 28, 1968, pg. 61 (retrieved May 4, 2017, at {{url|https://www.newspapers.com/image/30371671}}; subscription required)
6. ^1 "Keysor-Century Calls It Quits – Saugus Plastics Maker Files Liquidation Plan in the Wake of Federal Probe into Alleged Environmental Crimes," by Brian Franks, The Signal (Santa Clara Valley newspaper), December 23, 2003 (retrieved May 5, 2017, via {{url|http://scvhistory.com}})
7. ^1 "Keysor-Century Pleads Guilty," by Frank Esposito, Plastics News, June 28, 2004 (retrieved May 5, 2017)
8. ^1 "EPA finds Keysor is Superfund Site," by Judy O'Rourke, Los Angeles Daily News, September 15, 2006
9. ^1 [https://books.google.com/books?id=XsvWyg1u0UwC&pg=PA102&lpg=PA102&dq=texas+Patterson House of Hits: The Story of Houston's Gold Star/SugarHill Recording Studios,] by Andy Bradley, University of Texas Press (2015), pg. 102; {{oclc|960230247}}
10. ^1 [https://kentuckyoralhistory.org/oh/render.php?cachefile=2016oh175_chase007_ohm.xml# Oral History: "Interview with Jack Renner, April 5, 1996 – Custom Century Recording Policy,"] interviewed by Susan Schmidt-Horning, PhD, Louie B. Nunn Center for Oral History, University of Kentucky Libraries
11. ^1 [https://www.rollingstone.com/music/news/oh-happy-day-a-pop-godsend-19690517 "'Oh Happy Day': A Pop Godsend,"] by Ben Fong-Torres, Rolling Stone, May 17, 1969
12. ^1 Debtor: Keysor-Century Corp, Bankruptcy Case No.: 02-12477, Chapter 11, Petition Date: March 19, 2002, Central District of California, San Fernando Valley, Judge: Arthur M. Greenwald
13. ^1 "Analog Corner #23," by Michael Fremer, Stereophile, Vol. 20, No. 6, June 12, 1997 (retrieved May 8, 2017, via {{url|http://www.analogplanet.com}})
14. ^1 "Stan Ricker: Live and Unplugged, True Confessions of a Musical & Mastering Maven" (Part 3), by Dave Glackin, Positive Feedback, Issue 3, (originally Positive Feedback Vol. 7, No. 6), October/November 2002; {{OCLC|51463856}}, {{ISSN|1082-2178}} (retrieved May 8, 2017)
15. ^1 [https://nepis.epa.gov/EPA/html/DLwait.htm?url=/Exe/ZyPDF.cgi/9101XQO0.PDF?Dockey=9101XQO0.PDF "Survey of Vinyl Chloride Levels in the Vicinity of Keysor-Century, Saugus, California,"] EPA Publication No. 330/2-77-017A, March 1978; {{OCLC|829110624}}
16. ^1 "Story of Plastics Plant Cancer Threat Slowly Unfolds," San Bernardino Sun, April 14, 1978, pg. A4 (retrieved May 4, 2017, at {{url|https://www.newspapers.com/image/59198498}}; subscription required)
17. ^1 "Delaware City Firm Goes For The Record," by Merritt Wallick, News-Journal, August 12, 1985, pg. C6 (retrieved May 8, 2017, via {{url|https://www.newspapers.com/image/157572527}}; subscription required)
18. ^1 [https://www.discogs.com/James-B-Keysor-The-Sound-Of-A-Secure-Future/release/5001242 James B. Keysor – The Sound of A Secure Future,] Discogs (retrieved May 9, 2017)
19. ^1 Enjoy the Experience: Homemade Records — 1958–1992, Johan Kugelberg (ed.), Paul Major & Michael P. Daley (co-eds.), Will Louviere, Gregg Turkington, et al. (contrib. eds.), Sinecure Books (2012); {{OCLC|904539096}}
20. ^1 "Chap. 11 Lets Keysor Keep Business Open," by Angie DeRosa, Plastics News, April 1, 2002 (retrieved May 10, 2017; subscription required)
21. ^1 "Keysor-Century Widens Tape Base; Forms Disk Co," Billboard, February 7, 1970, pg. 14
22. ^1 [https://books.google.com/books?id=3ycEAAAAMBAJ&pg=PA4 "KCC Claiming Superior Mix for 1¢ Extra,"] Billboard, April 14, 1973, pps. 4 & 8
23. ^1 [https://books.google.com/books?id=TSQEAAAAMBAJ&pg=PT43&lpg=PT43&dq=%22Great+American+Gramophone "NARM '78 Market Condition Report: Audiophile Disks Moving Into Retail Stores,"] Billboard, March 25, 1978, pps. 60 & 70
24. ^1 [https://books.google.com/books?id=6CMEAAAAMBAJ&pg=PT18&lpg=PT18&dq=%22K+Disc "L.A. Disc Mastering Firm Opens,"] Billboard, September 8, 1979, pg. 36
25. ^1 [https://books.google.com/books?id=fCQEAAAAMBAJ&pg=PT3&lpg=PT3 "Styx Album is Audiophile Test – Largest Press Run For Premium Vinyl Compound,"] by Sam Sutherland, Billboard, March 12, 1983, pg. 4

References

{{Reflist|30em|refs=[1][2][3][4][5][6][7][8][9][10][11][12][13][14][15][16])[17][18][19][20][21][22][23][24][25]
}}

1 : American independent record labels
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