| 词条 | Collaborative piano |
| 释义 |
GenresInstrumental LiteratureOne responsibility of the collaborative pianist is to perform the piano part of the instrumental sonata literature. These are duo chamber works, and the role of the pianist in this genre is that of equal partner with the instrumentalist.[2] This includes a large number of works such as but not limited to the following important works from the string repertoire:
In addition to sonatas, the instrumental collaborative piano literature includes short pieces, often of a virtuoso nature. In this genre, the original work is often for a soloist with orchestral accompaniment; but in order to enable the work to be performed under wider circumstances, composers often also write piano reductions of the orchestral score. Another important responsibility of the collaborative pianist is to perform the accompaniment of other, multi-movement non-chamber works such as concerto Notable ArtistsGerald MooreMalcolm MartineauMartin KatzWarren Jones[3] Roger Vignoles[4]List of SchoolsAndrews UniversityAppalachian State University, MM onlyArizona State UniversityAzusa Pacific UniversityBall State UniversityBard College Conservatory of MusicBaylor UniversityBenjamin T. Rome School of MusicBinghamton UniversityBoston ConservatoryBoston UniversityBowling Green State UniversityBrandon UniversityCalifornia State UniversityCarnegie Mellon School of MusicChapman UniversityCleveland Institute of MusicCleveland State UniversityEast Texas Baptist UniversityEastern Mennonite UniversityEastern Washington UniversityEastman School of MusicFlorida State UniversityFurman UniversityMariam Cannon Hayes School of MusicHunter CollegeIllinois State University, MM onlyIndiana UniversityIthaca CollegeJames Madison UniversityJuilliard SchoolLawrence UniversityLongy School of Music of Bard CollegeLynn UniversityMansfield University of PennsylvaniaMercer UniversityMichigan State UniversityMiddle Tennessee State UniversityMontclair State UniversityNew England Conservatory of MusicNew York UniversityNorth Dakota State UniversityNorthwestern UniversityOhio UniversityPeabody InstituteRadford UniversityRider UniversityRutgers UniversitySan Francisco Conservatory of MusicShenandoah UniversitySouthern Illinois University CarbondaleState University of New YorkTemple UniversityTexas State UniversityTexas Tech UniversityUniversity of AkronUniversity of ArkansasUniversity of California, IrvineUniversity of Central OklahomaUniversity of CincinnatiUniversity of Colorado BoulderUniversity of GeorgiaUniversity of HartfordUniversity of HoustonUniversity of IdahoUniversity of MarylandUniversity of MassachusettsUniversity of MemphisUniversity of MichiganUniversity of MinnesotaUniversity of Nevada, RenoUniversity of New MexicoUniversity of North CarolinaUniversity of North Texas College of MusicUniversity of Northern ColoradoUniversity of OregonUniversity of South AlabamaUniversity of South DakotaUniversity of Southern CaliforniaUniversity of TennesseeUniversity of Texas at AustinUniversity of Wisconsin–MadisonWayland Baptist UniversityWeber State UniversityWest Virginia UniversityYale UniversitySources on Collaborative Piano and AccompanyingAlgernon Lindo. The Art of Accompanying. New York: G. Schirmer, 1916. Coenraad V. Bos and Ashley Pettis. The Well-Tempered Accompanist. Bryn Mawr, PA: Theodore Presser, 1949. Cranmer, Philip. The Technique of Accompaniment. London: Dennis Dobson, 1970. Dian Baker. “A Resource Manual for the Collaborative Pianist: Twenty Class Syllabi for Teaching Collaborative Piano Skills and an Annotated Bibliography.” DMA doc., Arizona State University, 2006. Elana Estrin. “It Takes Two,” The Strad 121, no. 1439 (March 2010): 56-62. Gerald Moore. Farewell Recital: Further Memoirs. New York: Taplinger, 1978. Gerald Moore. Furthermore: Interludes in an Accompanist’s Life. London: Hamilton, 1983. Gerald Moore. Singer and Accompanist: The Performance of Fifty Songs. Westport, CT: Greenwood Press, [1973]. Gerald Moore. The Unashamed Accompanist. Rev. ed. London: Methuen, 1959. Guilherme Montenegro. "Besides playing, we have to teach": pedagogical dimensions in the actuation of the collaborative pianist. Scotland, Glasgow: Proceedings of the 32nd ISME World Conference, 2016. Kurt Adler. The Art of Accompanying and Coaching. Minneapolis, MN: University of Minnesota Press, 1965. Martin Katz, The Complete Collaborator: The Pianist as Partner. Oxford: Oxford University Press, 2009. Robert Spillman. The Art of Accompanying: Master Lessons from the Repertoire. New York: Schirmer Books, 1985. Ruthann Boles McTyre. Library Resources for Singers, Coaches, and Accompanists: An Annotated Bibliography, 1970-1997. Westport, CT: Greenwood Press, 1998. Music FestivalAspen Music Festival and SchoolBlue Lake Fine Arts CampBrevard Music CenterFairbanks Summer Arts FestivalHot Springs Music FestivalInterlochen Center for the ArtsMusic Academy of the WestSongFest Los AngelesReferences1. ^{{cite web|url=http://steinhardt.nyu.edu/music/piano/programs/collaborative|accessdate=10 March 2014|publisher=NYU Steinhardt|title=Collaborative Piano Studies}} {{music-stub}}2. ^{{Cite book|title=The Art of Accompanying and Coaching|last=Adler|first=Kurt|publisher=The University of Minnesota Press|year=1965|isbn=978-0816660742|location=Minneapolis|pages=16}} 3. ^{{Cite news|url=https://www.nytimes.com/1989/04/16/magazine/who-s-that-man-with-marilyn-horne.html|title=Who's That Man With Marilyn Horne?|last=Jepson|first=Barbara|date=April 16, 1989|work=The New York Times|access-date=2018-06-07|page=6006033|language=en}} 4. ^{{Cite web|url=https://music.nd.edu/news/three-of-the-worlds-leading-collaborative-pianists-to-teach-and-perform-at-notre-dame/|title=Three of the World’s Leading Collaborative Pianists to Teach and Perform at Notre Dame|last=Elliott|first=Noelle|date=January 9, 2017|website=Department of Music|language=en-US|archive-url=|archive-date=|dead-url=|access-date=2018-06-07}} 2 : Accompaniment|Music education |
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