词条 | Concierto mágico (Balada) |
释义 |
StructureThere are three movements in this concerto, titled as follows:
This concerto signifies a rupture between Balada's avant-garde period and his previous guitar concertos, because folk culture is much more present than in any other of his concertos. In the first movement, the orchestra tries to simulate the sonority and the rhythm of Spanish folk culture by imitating the pulse of clapping hands, typical in Spanish gypsy music. In some fragments, the melody played by the guitar has a Flamenco background, which Balada considers to be a "deviation from the instrument's identity". The second movement, as in his Piano Concerto No. 3, is a more obscure and mysterious movement, and all the voices in this piece are intended to create a mystic atmosphere. The third movement is a Spanish zapateado, which uses rhythmic structures in accordance to the rest of the concerto.[1] References1. ^{{cite web |url=http://www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.555039&catNum=555039&filetype=About%20this%20Recording&language=English#|work=Leonardo Balada |title=Leonardo Balada talks about his recording in Naxos.com |accessdate=July 12, 2011}} {{Leonardo Balada}}{{DEFAULTSORT:Concierto Magico}} 4 : Compositions by Leonardo Balada|Guitar concertos|1997 compositions|Contemporary classical compositions |
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