请输入您要查询的百科知识：

　

词条 Pop punk
释义

  1. Characteristics

  2. History

     Origins (1974–1979)  Emergence (1979–1993)  Mainstream success (1994–2009)  Decline in mainstream popularity, resurgence (2009–present) 

  3. Subgenres and fusion genres

     Neon pop  Emo pop  Easycore 

  4. See also

  5. Citations

  6. Sources

  7. External links

{{Infobox music genre
| name = Pop punk
| bgcolor = crimson
| color = white
| other_names = Punk-pop
| stylistic_origins = {{hlist|Punk rock|pop|pop rock|power pop|surf|bubblegum pop}}
| cultural_origins = {{hlist|Mid-to-late 1970s; New York City, New York; England and Northern Ireland}}
| instruments = {{hlist|Vocals|electric guitar|bass guitar|drums}}
| derivatives =
| regional_scenes = {{hlist|California|Florida|Illinois|New Jersey|New York|Pennsylvania|Australia|England|Northern Ireland}}
| fusiongenres = {{hlist|Easycore|emo pop|neon pop}}
| other_topics = {{hlist|Emo|new wave|noise pop|skate punk}}
}}

Pop punk (also known as punk-pop or pop-punk) is a genre of rock music that combines influences of pop music with punk rock. Fast tempos, prominent electric guitars with distortion, and power chord changes are typically played under pop-influenced melodies and vocal styles with lighthearted lyrical themes including boredom and teenage romance.

Early punk rock bands such as Ramones, Buzzcocks, Stiff Little Fingers, and the Undertones all had strong sense of melody, taking some cues from pop rock and power pop. In the {{nowrap|early–mid 1980s,}} punk rock bands like Descendents combined punk rock and hardcore punk with pop-influenced melodies and lyrical themes involving humor, girls, and teenage confusion. 1980s punk bands like Bad Religion influenced later pop punk music. Pop punk in the United States began to grow in popularity in the mid-to-late 1980s and early 1990s, especially in California where independent record labels (most notably Lookout! Records) adopted a do it yourself (DIY) approach to releasing music. Lookout! Records signed punk rock and pop punk bands like Green Day, Screeching Weasel, The Queers, Rancid, and The Mr. T Experience.

In the mid-1990s, pop punk broke into the mainstream with the mainstream success of Green Day, Rancid, and the Offspring. During this time, these bands sold millions of records and received extensive radio and television airplay. In the late 1990s, pop punk bands like Lit, Eve 6, and Blink-182 became mainstream and continued to be mainstream in the 2000s. In the early–mid 2000s, pop punk bands like Sum 41, Good Charlotte, and New Found Glory also achieved mainstream success. In the 2000s, emo pop, a genre that combines emo with pop punk, became one of the most mainstream genres of rock with the mainstream success of emo pop bands like Fall Out Boy, Panic! at the Disco, My Chemical Romance, The All-American Rejects, and Paramore. Although pop punk's mainstream popularity declined in the 2010s, the genre still had some success with bands like The Story So Far, Real Friends, The Wonder Years, and Neck Deep.

Characteristics

Pop punk typically merges upbeat pop melodies with catchy hooks, catchy choruses, harmonies, speedy tempos, punk rock power chord changes and loud, distorted electric guitars.[1][2][2] About.com has described second-wave pop punk bands as having "a radio friendly sheen to their music, but still maintaining much of the speed and attitude of classic punk rock".[3] According to The A.V. Club, pop punk often pits "sweet harmonies against bratty, rowdy riffs".[2] Lyrical topics that are common in pop punk include love, lust, drunkenness, adolescence, cartoonish violence and drugs. Some pop punk lyrics focus on jokes and humor.[2] Some pop punk music features elements of alternative rock,[1] power pop,[2][1] emo[4] or skate punk.[5] According to Ryan Cooper of About.com, "pop punk is a style that owes more to the Beatles and '60s pop than other subgenres of punk".[6]

History

Origins (1974–1979)

{{further|Punk rock}}

Protopunk and power pop bands of the late 1960s and early 1970s helped lay the groundwork for the pop punk sound, which emerged at the onset of punk rock around 1974 with the Ramones.[8] The Beatles, the Kinks and the Beach Boys all paved the way for pop punk.[2][9] With their love of the Beach Boys and late 1960s bubblegum pop, the Ramones paved the way to what became known as pop punk.[10] The Ramones' loud and fast melodic minimalism differentiated them from other bands in New York City's budding art rock scene, but pop punk was not considered a separate subgenre until later. An early use of the term "pop punk" appeared in a 1977 New York Times article, "Cabaret: Tom Petty's Pop Punk Rock Evokes Sounds of 60s".[11] In the late 1970s, English band Buzzcocks and Northern Irish bands The Undertones and Stiff Little Fingers combined pop-style tunes and lyrical themes with punk rock's speed and chaotic edge.[12][13] The Buzzcocks' 1979 compilation album Singles Going Steady has been called "the blueprint for punk rock bands preferring tuneful tales of lost love and longing to rage against the machine."[21] The music of other UK bands, such as Generation X, 999 and The Jam,[14] featured poppy melodies as well as lyrics that sometimes dealt with relatively light themes such as teenage romance. Many UK mod revival bands of the late 1970s and early 1980s also displayed pop punk characteristics.

Emergence (1979–1993)

The American band Bad Religion, formed in 1979, also helped to lay the groundwork for contemporary pop punk.[15][16][17] Bad Religion and some of the other leading bands in Southern California's hardcore punk scene emphasized a more melodic approach than was typical of their peers. According to music journalist Ben Myers, Bad Religion "layered their pissed off, politicized sound with the smoothest of harmonies". Meyers wrote that Descendents "wrote almost surfy, Beach Boys-inspired songs about girls and food and being young(ish)".[18] Their positive yet sarcastic approach began to separate them from the more serious hardcore scene. The Descendents' 1982 debut LP Milo Goes to College provided the template for the United States' take on the more melodic strains of first wave punk.[19] In addition to the California scene, the Minnesota band Hüsker Dü, formed in 1979, fused blistering hardcore punk with a highly melodic, 1960s pop influenced songwriting approach, paving the way for alternative rock. Music writer Michael Azerrad asserted in his book Our Band Could Be Your Life (2001) that "Hüsker Dü played a huge role in convincing the underground that melody and punk rock weren't antithetical." In the 1980s, the term pop punk was used in publications such as Maximum RocknRoll to describe bands similar to Social Distortion, Agent Orange, The Nip Drivers and T.S.O.L..[20] Bands such as The Vandals and Guttermouth also contributed to the development of pop punk by creating a style that blended pop melodies with humorous and offensive lyrics.{{cn|date=October 2018}}

Pop punk in the United States began to grow in popularity in the late 1980s especially in California due to bands like Dag Nasty and All, but the genre was not yet considered commercially viable by major US record labels. Bands such as Bad Religion, Descendents, and The Vandals began to inspire the formation of bands like The Offspring and the more melodic Green Day. Many pop punk bands espoused a do it yourself (DIY) approach to their music, and a number of independent record labels emerged during this period, often run by band members who wanted to release their own music and that of their friends. During this period several independent labels were formed that would achieve much notoriety and commercial success in the 1990s, namely Epitaph Records (1987), Lookout! Records (1987), and Fat Wreck Chords (1990). During the 1980s and early 1990s, pop punk bands such as The Queers,[7] The Mr. T Experience,[21] Jawbreaker[22] and Screeching Weasel[7] emerged.{{importance example}} Some of these bands, including Screeching Weasel,[7] The Queers[7] and The Mr. T Experience,[21] were signed to the record label Lookout! Records, which also signed Green Day.[21] In August 1992, early 1990s California punk rock and pop punk was noticed by the magazine Spin when the magazine published a story called "California Screamin'{{sp}}", which is about the early 1990s underground punk rock scene in California, mentioning pop punk bands like Screeching Weasel and Green Day.[23]

Mainstream success (1994–2009)

In 1993, California's Green Day and Bad Religion were both signed to major labels, and by 1994, pop punk was quickly growing in mainstream popularity. Many punk rock and pop punk bands originated from the California punk scene of the late 1980s, and several of those bands, especially Green Day and The Offspring, helped revive interest in punk rock in the 1990s.[24]

Green Day arose from the 924 Gilman Street punk scene in Berkeley, California.[25] After building an underground following, the band signed to Reprise Records and released their major-label debut album, Dookie, in 1994. Dookie sold four million copies by the year's end and spawned several radio singles that received extensive MTV rotation, three of which peaked at number one on the Modern Rock Tracks chart.[26] Green Day headlined Lollapalooza and Woodstock 1994 and were nominated for four Grammy Awards and won in the category for Best Alternative Album. Green Day's enormous commercial success paved the way for other North American pop punk bands in the following decade.[27] Green Day's song "Longview" peaked at number 1 on the Modern Rock Tracks chart[28] and number 36 on the Radio Songs chart.[29] Green Day's song "Basket Case" peaked at number 16 on the Mainstream Top 40 chart.[30] Green Day's song "When I Come Around" peaked at number 6 on the Radio Songs chart[29] and number 2 on the Mainstream Top 40 chart.[30] Green Day's album Dookie was certified diamond by the Recording Industry Association of America in 1999.{{Certification Cite Ref|region=United States|type=album|title=Dookie|artist=Green Day}} The Offspring also achieved mainstream success in the mid-1990s; its album Smash was certified 6x platinum by the Recording Industry Association of America in 2000,{{Certification Cite Ref|region=United States|type=album|title=Smash|artist=The Offspring}} selling 6,300,000 copies in the United States.[31]

MTV and radio stations such as Los Angeles' KROQ-FM played a major role in the genre's mainstream success.[32] KROQ's steady airplay of a remix of Face to Face's song "Disconnected" led the band to {{nowrap|re-record}} the track for their 1994 album Big Choice, which sold over 100,000 copies.[33][34] Meanwhile, Bad Religion's album Stranger Than Fiction (1994) was certified gold.[35] Rancid's songs "Time Bomb" and "Ruby Soho" were on the Radio Songs chart in the mid-1990s.[36] The band's album ...And Out Come the Wolves was certified platinum by the Recording Industry Association of America.{{Certification Cite Ref|region=United States|type=album|title=...And Out Come the Wolves|artist=The Offspring}} In the aftermath of the 1994 punk breakthrough, bands such as Rancid and Face to Face were the subject of major-label bidding wars and lucrative deals.[26] The Australian bands Frenzal Rhomb and Bodyjar established followings in Japan.[37] Goldfinger's song "Here in Your Bedroom" peaked at number 47 on the Radio Songs chart[38] and number 5 on the Modern Rock Tracks chart.[39]

The Warped Tour and the mall chain store Hot Topic brought punk even further into the United States mainstream.[40] With punk rock's renewed visibility came concerns among some in the punk subculture that the music was being co-opted by the mainstream.[32] Some punk rock fans criticized Green Day for "selling out" and rejected their music as too soft, pop-oriented and not legitimate punk rock.[26][41][42] They argued that by signing to major labels and appearing on MTV, bands like Green Day were buying into a system that punk was created to challenge.[43] Blink-182 broke into the mainstream with their 1997 album Dude Ranch. Dude Ranch was certified platinum by the Recording Industry Association of America in 1999.{{Certification Cite Ref|region=United States|type=album|title=Dude Ranch|artist=Blink-182}} Dude Ranch{{'s}} song "Dammit" peaked at number 61 on the Radio Songs chart in February 1998.[44] Eve 6 released their self-titled debut album on RCA Records in April, which peaked at number one on the Top Heatseekers chart and number 33 on the Billboard 200 chart. The album's song "Inside Out" peaked at number 28 on the Billboard Hot 100.[45] In November 1998, Eve 6' self-titled debut album was certified platinum by the Recording Industry Association of America.{{Certification Cite Ref|region=United States|type=album|title=Eve 6|artist=Eve 6}} In November 1998, The Offspring's album Americana was released and was certified 5x platinum by the Recording Industry Association of America.{{Certification Cite Ref|region=United States|type=album|title=Americana|artist=The Offspring}} A bootleg MP3 of Americana{{'s}} first single, "Pretty Fly (for a White Guy)", was uploaded to the Internet and was illegally downloaded 22,000,000 times.[46] "Pretty Fly (for a White Guy)" peaked at number 13 on the Mainstream Top 40 chart on January 30, 1999. Also, The Offspring's song "Why Don't You Get a Job?" peaked at number 21 on the Mainstream Top 40 chart on May 22, 1999.[47]

Although Blink-182 broke into the mainstream with the release of Dude Ranch, the band became much more popular with the release of the 1999 album Enema of the State.[3] Enema of the State was certified 5x platinum by the Recording Industry Association of America on February 26, 2001{{Certification Cite Ref|region=United States|type=album|title=Enema of the State|artist=Blink-182}} and sold 15 million copies worldwide.[48] Enema of the State{{'s}} song "What's My Age Again?" peaked at number 58 on the Billboard Hot 100 on October 23, 1999. Enema of the State{{'s}} song "All the Small Things" peaked at number 6 on the Billboard Hot 100 on February 19, 2000.[49] Lit had also achieved commercial success. Lit's song "My Own Worst Enemy" peaked at number 51 on the Billboard Hot 100 chart on July 3, 1999[50] and number 1 on the Modern Rock Tracks chart on April 10, 1999.[51] "My Own Worst Enemy" was at number 1 on the Modern Rock Tracks chart for two months.[52] Lit's album A Place in the Sun was certified platinum by the RIAA.{{Certification Cite Ref|title=A Place in the Sun|artist=Lit|type=album|region=United States}} In 2000, SR-71's song "Right Now" peaked at number 30 on the Mainstream Top 40 chart.[53] Jimmy Eat World gained commercial success with their breakthrough album Bleed American (2001), which was certified platinum by the Recording Industry Association of America in August 2002.{{Certification Cite Ref|region=United States|type=album|title=Jimmy Eat World|artist=Jimmy Eat World}} Bleed American{{'s}} song "The Middle" peaked at number 5 on the Billboard Hot 100.[54] Blink-182 had continued success in 2001 with Take Off Your Pants and Jacket, which peaked at number 1 on the Billboard 200[55] and sold 350,000 copies in its first week of being released.[56] Take Off Your Pants and Jacket was certified 2x platinum by the Recording Industry Association of America in May 2002{{Certification Cite Ref|region=United States|type=album|title=Take Off Your Pants and Jacket|artist=Blink-182}} and sold 14,000,000 copies worldwide.[57]

In 2001, Sum 41 achieved mainstream success. The band's song "Fat Lip" peaked at number 66 on the Billboard Hot 100 chart,[58] peaked at number 1 on the Modern Rock Tracks chart,[59] and was constantly at number 1 on MTV's Total Request Live.[60] Sum 41's album All Killer No Filler was certified platinum by the Recording Industry Association of America in August 2001.{{Certification Cite Ref|region=United States|type=album|title=All Killer No Filler|artist=Sum 41}} In 2001, American Hi-Fi achieved mainstream success. On August 4, 2001, the band's song "Flavor of the Weak" peaked at number 41 on the Billboard Hot 100 chart.[61] On August 18, 2001, "Flavor of the Weak" by American Hi-Fi peaked at number 15 on the Mainstream Top 40 chart.[62] In 2002, New Found Glory's song "My Friends Over You" peaked at number 85 on the Billboard Hot 100.[63] The band's album Sticks and Stones was certified gold by the Recording Industry Association of America in September 2002.{{Certification Cite Ref|region=United States|type=album|title=Sticks and Stones|artist=New Found Glory}} Saves the Day's Through Being Cool (1999) would later pave the way for a new wave of {{nowrap|pop punk,}} influencing bands such as Fall Out Boy, My Chemical Romance and Taking Back Sunday.[64]

Good Charlotte achieved mainstream success with its album The Young and the Hopeless, which was certified 3x platinum by the Recording Industry Association of America.{{Certification Cite Ref|region=United States|type=album|title=The Young and the Hopeless|artist=Good Charlotte}} Good Charlotte's self-titled album was certified gold by the Recording Industry Association of America.{{Certification Cite Ref|region=United States|type=album|title=Good Charlotte|artist=Good Charlotte}} Good Charlotte's song "Lifestyles of the Rich and Famous" peaked at number 6 on the Mainstream Top 40 chart[65] and number 20 on the Billboard Hot 100 chart.[66] The band's "The Anthem" peaked at number 11 on the Mainstream Top 40 chart[65] and number 43 on the Billboard Hot 100 chart.[66] Good Charlotte's song "Girls & Boys" peaked at number 10 on the Mainstream Top 40 chart[65] and number 48 on the Billboard Hot 100 chart.[66]

Canadian solo artist Avril Lavigne, often referred by media and critics as the "Pop Punk Queen",[67] found commercial success in 2002, with her punk-influenced pop sound.[68][69][70] Lavigne's album Let Go was certified 6x platinum by the Recording Industry Association of America in April 2003,{{Certification Cite Ref|region=United States|type=album|title=Let Go|artist=Avril Lavigne}} the album is considered as a highlight in the pop-punk scene and paved the way for the success of female-driven punk-influenced pop rock music, such as Paramore, Skye Sweetnam, Fefe Dobson, Lillix, Kelly Osbourne, Krystal Meyers, Tonight Alive, Courage My Love, Hey Monday, among others as being a direct result.[71] Fellow Canadian artist Simple Plan experienced commercial success in 2003. Simple Plan's song "I'd Do Anything" peaked at number 16 on the Mainstream Top 40 chart in March 2003. The band's song "Addicted" peaked at number 11 on the Mainstream Top 40 chart in August 2003. Simple Plan's song "Perfect" peaked at number 5 on the Mainstream Top 40 chart in December 2003.[72]

The Ataris achieved mainstream success in 2003 with its cover of the song "The Boys of Summer". The Ataris' cover of "The Boys of Summer" peaked at number 20 on the Billboard Hot 100.[73] Yellowcard achieved mainstream success in 2004 with its song "Ocean Avenue". "Ocean Avenue" peaked at number 13 on the Mainstream Top 40 chart.[74] Blink-182's fifth studio album, Blink-182 (2003), sold 2.2 million copies in the United States.[75]

In 2004, Good Charlotte released its album The Chronicles of Life and Death, led by the lead single "Predictable". The album was certified platinum by the Recording Industry Association of America in December 2004.{{Certification Cite Ref|region=United States|type=album|title=The Chronicles of Life and Death|artist=Good Charlotte}} "Predictable" by Good Charlotte peaked at number 20 on the Mainstream Top 40 chart.[65] The band Bowling for Soup achieved mainstream success in 2004. Bowling for Soup's song "1985" peaked at number 10 on the Mainstream Top 40 chart. Bowling for Soup's song "Girl All the Bad Guys Want" peaked at number 17 on the Mainstream Top 40 chart. The band's song "Almost" peaked at number 21 on the Mainstream Top 40 chart. Bowling for Soup's song "Ohio (Come Back to Texas)" peaked at number 35 on the Mainstream Top 40 chart.[76] Bowling for Soup's single "1985" was certified gold by the Recording Industry Association of America in November 2004. In January 2008, the single was certified platinum by the Recording Industry Association of America.{{Certification Cite Ref|region=United States|type=single|title=1985|artist=Bowling for Soup}} My Chemial Romance released their breakthrough album Three Cheers For Sweet Revenge which has sold over a million copies in the United States. In the mid-2000s, Green Day became mainstream again with its album American Idiot. The Green Day album American Idiot was certified 6x platinum by the Recording Industry Association of America.{{Certification Cite Ref|region=United States|type=album|title=American Idiot|artist=Green Day}}

Emo pop, a fusion genre combining emo and pop punk, became popular in the mid-2000s, with record labels such as Fueled by Ramen releasing platinum albums from bands including Fall Out Boy, Panic! at the Disco, Red Jumpsuit Apparatus and Paramore.[77] Devon Maloney of MTV News wrote: "While many pop punk fans adamantly deny any association between their favorite acts and those labeled "emo," crossover bands who melded the two have gradually put both genres in the same scene-boat."[78] Fall Out Boy achieved mainstream success with its 2005 album From Under the Cork Tree, which was certified 2× platinum by the Recording Industry Association of America in January 2006.{{Certification Cite Ref|region=United States|type=album|title=From Under the Cork Tree|artist=Fall Out Boy}} During the mid–late 2000s, three Fall Out Boy songs were on the top ten of the Billboard Hot 100.[79] Although Fall Out Boy had been a staple of the Chicago hardcore scene, where they mixed pop sensibilities with hardcore punk, they are widely considered a pop punk and {{nowrap|emo pop}} act.[80][81]

The All-American Rejects found success with Move Along (2005), which inspired three top 15 singles.[82] Panic! at the Disco scored a hit single, "I Write Sins, Not Tragedies", which peaked at number 7 on the Billboard Hot 100[83] and won the band a 2006 MTV Video Music Award for Video of the Year.[84] Avril Lavigne had success with the single "Girlfriend", which peaked at number one on the Billboard Hot 100 in May 2007 and sold over 10 million copies worldwide.[85] Her platinum album, The Best Damn Thing,{{Certification Cite Ref|region=United States|type=album|title=The Best Damn Thing|artist=Avril Lavigne}} sold around 8 million copies worldwide, making it the top-selling pop punk album of 2007.[86][87] Paramore achieved mainstream success in the late 2000s. During the late 2000s, many Paramore songs were on the Billboard Hot 100. Paramore's song "Misery Business" peaked at number 26 on the Billboard Hot 100 in January 2008. Paramore's song "Crushcrushcrush" peaked at number 54 on the Billboard Hot 100 in January 2008 and the band's song "That's What You Get" peaked at number 66 on the Billboard Hot 100 in August 2008. Also, Paramore's song "Ignorance" peaked at number 67 on the Billboard Hot 100 in July 2009.[88] Paramore's song "Careful" peaked at number 78 on the Billboard Hot 100 in October 2009.[89] Paramore's album Riot! was certified 2x platinum by the Recording Industry Association of America.{{Certification Cite Ref|region=United States|type=album|title=Riot!|artist=Paramore}}

Several pop punk bands took different directions in the late 2000s, with Panic! at the Disco crafting the Beatles-inspired, baroque pop-styled record Pretty. Odd. (2008) and Fall Out Boy experimenting with glam rock, blues rock and R&B on Folie a Deux (2008), both of which created fan confusion and backlash. As of 2013, Folie a Deux has sold approximately 500,000 copies in the United States, compared to their first hit album, From Under the Cork Tree, which has a total of 2.7 million record sales in the U.S. as of 2013, a representation of the backlash from their fanbase as the group experimented with a musical style differing from their pop rock background.[90][91]

Decline in mainstream popularity, resurgence (2009–present)

Pop punk generally waned in mainstream popularity by the late 2000s. The genre has fallen out of mainstream radio success, with rock bands and guitars becoming rare on dance-focused pop radio.[92] While Blink-182 and Green Day continue to headline arenas and sell out their concerts,[93][94] others, such as New Found Glory and Yellowcard, have seen attendance decrease steadily.[121] Devon Maloney of MTV wrote that "Pop punk and emo bands don’t headline Coachella or Bonnaroo; they rarely, if ever, are even billed on mainstream festival stages," and notes that it has similarly disappeared from the press. The only magazines that feature pop punk bands are niche publications like Alternative Press (AP) and the occasional teen magazine, while influential pop punk magazine AMP ceased publication in 2013.[78]

{{quote box|quote= I think pop-punk is a zombie. ... It hushed down for a bit but then it got brought back to life in an almost undead fashion. ... Back then it was mainstream, you would see it on MTV and things like that. Now, it's different, it's got a fighting chance and it’s crawling its way back up. It started out with a pretty selective crowd but now it's opening up to more and more people.[95]|source= – Kelen Capener of The Story So Far|width=25%|align=right|style=padding:8px;}}

The genre has experienced somewhat of a "minor renaissance."[96] Several pop punk bands have embarked on anniversary tours, playing some of their most popular albums in full. While some members of these bands have had mixed feelings about these performances, quite often these tours sell as well as or better than the first time around.[78] Club promoters in the United Kingdom have created nights based around lasting appreciation of the genre, including Pop Punk Ain't Dead in Brighton, Hello Bastards in Leeds, Say It Ain't So in London and What's My Age Again?, a night celebrating "pop-punk, youthful abandon and teenage riot".[97] The Warped Tour still attracts hundreds of thousands of attendees each year; the 2012 tour attracted 556,000 festival-goers, its third-best attendance.[78] Bobby Olivier of The Star-Ledger wrote: "The genre, like an awkward high school kid, continues to reinvent itself and Warped is pop-punk’s prom."[98]

Many pop punk bands have folded; "once essentially child stars, their members are now adult musicians hoping to move beyond the teen trappings that gave them careers."[78] Fall Out Boy and Paramore, "two bands who rocketed into the mainstream at the height (or perhaps at the tail end) of emo and pop punk’s second wave," had two number one albums—Save Rock and Roll and Paramore—side by side on the Billboard 200. Fall Out Boy along with other pop punk/punk rock bands that peaked during the early 2000s are now seen to be experimenting with the more pop side of the pop punk, in order to maintain their relevancy and keep the interest of their fanbase while gaining the appeal of the newer generations that may not relate as much to the punk themes of the 1970s.[99] Their popularity provoked conversations about the state of the genre; Maloney writes that these records "could hardly be considered pop punk at this point."[78]

Pop punk bands that achieve minimal mainstream success have seen a return to grassroots form, "the micro-operation style that yielded the results that caught the mainstream’s attention in the first place."[78] New Found Glory has continued to tour on the Warped Tour, and had their own Pop Punks Not Dead Tour, a reworking of an "old, defiant punk rock battle cry."[100] Chad Gilbert, the band's guitarist, wrote in an op-ed for Alternative Press entitled "Why Pop-Punk's Not Dead—And Why It Still Matters Today": "This isn't a dead genre, and just because there isn't a song on the radio to clarify that shouldn't matter. ... Pop-punk means something to a lot of people and to me, having success as a band in our genre is about longevity, touring a lot and staying true to your fans. It's about us putting our lives on a plate for our fans to take what they want and not jeopardizing our integrity for any reason."[101]

A new wave of pop punk groups had sprung up sometime around 2010.[102] Dave Beech of Clash noted that these groups were "[d]arker and more mature" than those previously, taking influence "and occasional indifference" from 1990s emo.[102] On The Wonder Years' The Upsides (2010), vocalist Dan Campbell sung about "His early twenties soul-searching and tales of strife" which "resonated with a [new] generation, inspiring countless imitators in the process."[103] This pushed Campbell to "the forefront of a new wave", and the album influencing a new wave of pop punk bands.[103] The Story So Far's second album, What You Don't See (2013), "cemented their place at the top table of nu pop-punk".[104] Rock Sound included The Wonder Years' The Greatest Generation on their best albums of 2013 list, calling it "the defining album of what may well have been the genre's best year for a decade."[105] Kerrang! said the album "ripped up the pop-punk blueprint" pushing the genre to "new peaks of invention, both lyrically and musically."[106] In early 2014, Welsh band Neck Deep released their debut album Wishful Thinking, which Rock Sound later called it "the greatest UK pop-punk record of all time."[107] Also in 2014, Australian band 5 Seconds of Summer's self titled album debuted at number 1 on the Billboard 200 chart and in many other countries, prompting Alternative Press to describe the band as important to the marketing of the pop-punk scene.[108]

In 2015, All Time Low's Future Hearts brought the band a career best Billboard 200 number 2 charting with 75,000 copies sold.[109] The album had been described as pop rock and power pop, as well as pop punk.[110] Neck Deep's second album Life's Not out to Get You (2015) hit number 8 on the UK charts[111] and number 17 on the Billboard 200.[112] Blink-182's seventh album California debuted at number one on the Billboard 200, becoming their first number one since Take Off Your Pants and Jacket in 2001. The first single from the album, "Bored to Death", reached the number one spot on Alternative Songs chart.[113] JR Griffin of Rolling Stone "The group is aiming to recapture its "golden-age" vibe."[114] In October 2016, Green Day released its twelfth studio album Revolution Radio.[115] The album debuted at number 1 on the Billboard 200.[116] In the same month Sum 41 also released their comeback album 13 Voices which peaked at number 22 on the Billboard 200 and number 6 on the Canadian chart. In 2017, Paramore released its fifth album titled After Laughter. The album completely departed from their pop punk sound for the new wave and synth-pop sound from the '80s. Yellowcard broke up in 2017, playing its final show on March 25. Also in 2017 Neck Deep's third album The Peace and the Panic hit number 4 in both the US and the UK.[117][118]

The decline in popularity of mainstream pop punk, coupled with the closure of many mid-size venues associated with the genre, has resulted in many venues and labels returning to the DIY ethic that first spawned the punk movement.[119][120][121]

Subgenres and fusion genres

Neon pop

Neon pop (or neon pop punk) is a subgenre of pop punk that makes notable use of synthesizers. Alternative Press writer Tyler Sharp wrote that by the late 2000s, pop punk had taken "on a new, synth-laden face."[122] While this wasn't the first instance that "a band decided to put fuzzy keys over their chord progressions, but it was a time when that formula was perfected."[122] Kika Chatterjee of Alternative Press added that the late 2000s "brought in glowing synths and poppy melodies that shifted the entire definition of [pop punk]", giving it the "neon" moniker.[123] Sharp listed songs by Cobra Starship, the Secret Handshake,[122] the Maine, and Forever the Sickest Kids, among others[124] as songs "from pop punk's neon era."[122] In addition, Chatterjee listed songs by the Cab, A Rocket to the Moon and Sing It Loud, among others.[123] Sharp noted that Forever the Sickest Kids' debut album Underdog Alma Mater (2008) was "a big moment" for the genre.[124]

Emo pop

{{Main|Emo pop}}

Emo pop (or emo pop punk) is a subgenre of both emo and pop punk.[125] AllMusic describes emo pop as blending "youthful angst" with "slick production" and mainstream appeal, using "high-pitched melodies, rhythmic guitars, and lyrics concerning adolescence, relationships, and heartbreak."[126] The Guardian described emo pop as a cross between "saccharine boy-band pop" and emo.[127]

Weezer's Pinkerton (1996) was seen by Spin as "a groundbreaking record for all the {{nowrap|emo-pop}} that would follow."[128] According to Nicole Keiper of CMJ, Sense Field's Building (1996) pushed the band "into the emo-pop camp with the likes of the Get Up Kids and Jejune".[129] As emo became commercially successful in the early 2000s, emo pop was popular with Jimmy Eat World's 2001 album Bleed American and the success of its single "The Middle".[126]

Emo pop developed during the 1990s. Jimmy Eat World,[126] the Get Up Kids[130] and The Promise Ring[131] were early emo-pop bands. The emo pop style of Jimmy Eat World's album, Clarity,[132] influenced later emo.[133]

Emo pop became successful during the late 1990s, with its popularity increasing in the early 2000s. The Get Up Kids sold over 15,000 copies of their debut album, Four Minute Mile (1997), before signing with Vagrant Records. The label promoted them, sending them on tours to open for Green Day and Weezer.{{sfn|Greenwald|2003|pp=77–78}} Their 1999 album, Something to Write Home About, reached number 31 on Billboard{{'s}} Top Heatseekers chart.[134]

As emo pop coalesced, the Fueled by Ramen label became a center of the movement and signed Fall Out Boy, Panic! at the Disco, and Paramore (all of whom had been successful).[126] Two regional scenes developed. The Florida scene was created by Fueled by Ramen; midwest emo-pop was promoted by Pete Wentz, whose Fall Out Boy rose to the forefront of the style during the mid-2000s.[126][135][136] Cash Cash released Take It to the Floor (2008); according to AllMusic, it could be "the definitive statement of airheaded, glittery, and content-free emo-pop[137] ... the transformation of emo from the expression of intensely felt, ripped-from-the-throat feelings played by bands directly influenced by post-punk and hardcore to mall-friendly Day-Glo pop played by kids who look about as authentic as the "punks" on an old episode of Quincy did back in the '70s was made pretty much complete".[137] You Me at Six released their 2008 debut album, Take Off Your Colours, described by AllMusic's Jon O'Brien as "follow[ing] the 'emo-pop for dummies' handbook word-for-word."[138] The album was certified gold in the UK.[139]

Easycore

Easycore (less commonly known as popcore, dudecore, softcore, happy hardcore, "bro" pop punk, and EZ)[140] is a subgenre of melodic hardcore that mixes elements of pop punk and different forms of hardcore punk, particularly metalcore and post-hardcore.{{citation needed|date=September 2017}} It is characterized by its use of melodies commonly found in pop punk fused with breakdowns found in post-hardcore and hardcore punk.[141] A number of groups also take influence from metal and make use of unclean vocals.[142] The genre's roots come from early 2000s pop punk with groups such as New Found Glory and Sum 41 being highly influential in its development (with the former naming the genre on a tour known as the "Easycore tour").[140] The easycore sound later emerged in the {{nowrap|mid-to-late 2000s}} and early 2010s by bands such as Chunk! No, Captain Chunk!,[143] A Day to Remember, and Four Year Strong.[140] Easycore has since seen a bit of a decrease in popularity.[144]

See also

  • List of pop punk albums
  • List of pop punk bands
  • Noise pop
  • Skate punk
  • Emo

Citations

1. ^1 2 {{cite web |url=http://www.allmusic.com/style/punk-pop-ma0000004449 |title=Punk-Pop Music Genre Overview |publisher=AllMusic}}
2. ^1 2 3 4 {{cite web |url=http://www.avclub.com/article/beginners-guide-bouncy-buzz-pop-punk-201853 |title=A beginner’s guide to the bouncy buzz of pop-punk |work=The A.V. Club |last1=Anthony |first1=David |last2=Heller |first2=Jason |last3=Ryan |first3=Kyle |date=March 6, 2014}}
3. ^1 2 {{cite web|last=Lamb |first=Bill |url=http://top40.about.com/od/popmusic101/p/punkpop.htm |title=Punk Pop |publisher=About.com (IAC)|date=March 10, 2011 |accessdate=2011-08-19}}
4. ^{{cite web |url=http://www.ew.com/article/2003/11/21/screamo-101 |title=Screamo 101 |publisher=Entertainment Weekly |last=Greenwald |first=Andy |date=November 21, 2003}}
5. ^{{cite web|title=Skatepunk|url=http://www.allmusic.com/style/skatepunk-ma0000011954|publisher=AllMusic}}
6. ^{{cite web |url=http://punkmusic.about.com/od/punk101/a/subgenres.htm |title=The Subgenres of Punk Rock |last=Cooper |first=Ryan |publisher=About.com |accessdate=March 4, 2017}}
7. ^1 2 3 4 5 {{cite web |url=http://www.altpress.com/features/entry/the_5_great_eras_of_pop_punk_from_the_70s_to_today |title=The 5 great eras of pop-punk, from the ’70s to today |work=Alternative Press |last=Crane |first=Matt |date=April 17, 2014}}
8. ^{{cite web|url=http://www.punk77.co.uk/groups/ramonesdiscographylps.htm |title=The Ramones – Classic US Punk – Discography – Albums |publisher=Punk77.co.uk |date= |accessdate=2011-08-19}}
9. ^{{cite web |url=http://punkmusic.about.com/od/punk101/a/subgenres_2.htm |title=Punk Subgenres, Continued |publisher=About.com |last=Cooper |first=Ryan}}
10. ^Bessman 1993, p. 16; Carson 1979, p. 114; Simpson 2003, p. 72; McNeil 1997, p. 206.
11. ^Rockwell 1977, p. C22
12. ^{{cite web |url=http://thequietus.com/articles/16496-justin-broadrick-godflesh-favourite-albums-interview?page=10 |title= Central To Process: Justin Broadrick's Favourite Albums |work=The Quietus |last=Hennessy |first=Kate |date=October 16, 2014 |accessdate=October 21, 2018}}
13. ^*{{cite web|url=http://punkmusic.about.com/od/artistprofiles/p/buzzcocksfinal.htm |title=The Buzzcocks, Pop Punk Pioneers |publisher=Punkmusic.about.com |date= |accessdate=2011-08-19}}*{{cite web|author=Cooper, Ryan|url=http://punkmusic.about.com/od/artistprofiles/p/buzzcocksfinal.htm|title="The Buzzcocks, Founders of Pop Punk"|website=About.com}}*{{cite web|url=http://www.theundertones.com/index.cfm?go=public.band|archiveurl=https://web.archive.org/web/20061120201744/http://www.theundertones.com/index.cfm?go=public.band|title=Band History|archivedate=November 20, 2006}}*{{cite web|url=https://www.rollingstone.com/news/story/7250430/undertones_get_new_kicks|archiveurl=https://web.archive.org/web/20071001002403/http://www.rollingstone.com/news/story/7250430/undertones_get_new_kicks|title=Undertones Get New Kicks|author=Robertson, Jessica|date=April 14, 2005|archivedate=October 1, 2007}}
14. ^[{{Allmusic|class=artist|id=p4585/biography|pure_url=yes}} allmusic ((( The Jam > Biography )))]
15. ^  {{webarchive|url=https://web.archive.org/web/20081009155020/http://darwin.citysearch.com.au/music/viewContent/1119945819575/1137509637901|date=October 9, 2008}}
16. ^{{cite web|url=http://www.enotes.com/contemporary-musicians/bad-religion-biography |title=Bad Religion Biography: Contemporary Musicians |publisher=Enotes.com |date= |accessdate=2011-08-19}}
17. ^{{cite web|last=Heller |first=Jason |url=http://www.westword.com/2002-04-11/music/bad-religion/ |title=Bad Religion – The Process of Belief (Epitaph) |publisher=Westword |date=April 11, 2002 |accessdate=2011-08-19}}
18. ^Myers 2006, p. 52.
19. ^1 {{cite web |title=The 5 Best Pre-Dookie Pop-Punk Records|author=Nicholas Pell|work=LA Weekly|date=July 9, 2013|url=http://blogs.laweekly.com/westcoastsound/2013/07/best_pop_punk_before_green_day.php|accessdate=September 12, 2013}}
20. ^Yohannan 1984, p. 66.
21. ^1 2 {{cite web |url=http://www.allmusic.com/artist/the-mr-t-experience-mn0000626793/biography |title=The Mr. T Experience {{!}} Biography & History |publisher=AllMusic |last=McLeod |first=Kembrew}}
22. ^{{cite web |url=http://www.allmusic.com/artist/jawbreaker-mn0000808944/biography |title=Jawbreaker {{!}} Biography & History |publisher=AllMusic |last=Monger |first=James Christopher}}
23. ^{{cite magazine |title=California Screamin' |last=Fidler |first=Daniel |date=August 1992 |accessdate=November 7, 2018 |work=Spin |url=https://books.google.com/books?id=Jlr1EqbQvLgC&pg=PT87&dq=%22screeching+weasel%22+%22my+brain+hurts%22+%22pop+punk%22&hl=en&sa=X&ved=0ahUKEwi7sMn518PeAhWqs1kKHZ30DRwQ6AEIMDAB#v=onepage&q=%22screeching%20weasel%22%20%22my%20brain%20hurts%22%20%22pop%20punk%22&f=false |publisher=SPIN Medic LLC |volume=8 |number=5 |issn=0886-3032}}
24. ^DeRogatis 2003, p. 357
25. ^Caramanica 2012
26. ^1 2 Strauss 1995
27. ^D'Angelo, Joe, "How Green Day's Dookie Fertilized A Punk-Rock Revival", MTV.com, September 15, 2004. Retrieved on December 3, 2007.
28. ^{{cite web |url=http://www.billboard.com/artist/303108/green-day/chart?f=377 |title=Green Day - Chart history (Alternative Songs) |publisher=Billboard}}
29. ^1 {{cite web |url=http://www.billboard.com/artist/303108/green-day/chart?f=350 |title=Green - Chart history (Radio Songs) |publisher=Billboard}}
30. ^1 {{cite web |url=http://www.billboard.com/artist/303108/green-day/chart?f=381 |title=Green Day - Chart history (Pop Songs) |publisher=Billboard}}
31. ^{{cite web |url=http://www.billboard.com/articles/news/488220/the-offspring-still-fly-as-days-go-by-rises-on-rock-charts |title=The Offspring Still Fly as 'Days Go By' Rises on Rock Charts |work=Billboard |last=Graff |first=Gary |date=May 21, 2012}}
32. ^1 Gold 1994
33. ^{{cite web| last=Frey| first=Tracey| title=Review: Over It| publisher=AllMusic| url={{Allmusic|class=album|id=r209709|pure_url=yes}}| accessdate=2008-10-26}}
34. ^{{cite AV media notes| title=Shoot the Moon: The Essential Collection| titlelink=Shoot the Moon: The Essential Collection| others=Face to Face| year=2005| type=CD liner notes| publisher=Antagonist Records| id=ANT2941| location=Westlake Village, California}}
35. ^Fucoco, Christina (November 1, 2000), "Punk Rock Politics Keep Trailing Bad Religion" {{webarchive|url=https://web.archive.org/web/20091015235600/http://www.livedaily.com/news/2098.html |date=2009-10-15 }}, liveDaily. Retrieved on September 1, 2008.
36. ^{{cite web |url=http://www.billboard.com/artist/360332/rancid/chart?f=350 |title=Rancid - Chart history |publisher=Billboard}}
37. ^Eliezer 1996, p. 58; Eliezer 1997–1998, p. YE-16
38. ^{{cite web |url=http://www.billboard.com/artist/302991/goldfinger/chart?f=350 |title=Goldfinger - Chart history (Radio Songs) |publisher=Billboard}}
39. ^{{cite web |url=http://www.billboard.com/artist/302991/goldfinger/chart?f=377 |title=Goldfinger - Chart history (Alternative Songs) |publisher=Billboard}}
40. ^Diehl 2007, pp. 2, 145, 227.
41. ^{{cite web|url=http://www.live4ever.uk.com/2011/02/sex-pistols-john-lydon-brands-green-day-punk-imitators/ |title=Sex Pistols' John Lydon Brands Green Day 'Punk Imitators' | Live4ever Ezine |publisher=Live4ever.uk.com |date= |accessdate=2013-02-26}}
42. ^{{cite web|url=http://www.contactmusic.com/news-article/green-day-fail-to-impress-punk-icon |title=Green Day Fail To Impress Punk Icon |publisher=Contactmusic.com |date= |accessdate=2013-02-26}}
43. ^Myers 2006, p. 120.
44. ^{{cite web |url=http://www.billboard.com/artist/298592/blink-182/chart?f=350 |title=blink-182 - Chart history (Radio Songs) |publisher=Billboard}}
45. ^{{cite web |url=http://www.billboard.com/artist/301946/eve-6/chart |title=Eve 6 - Chart history |publisher=Billboard}}
46. ^Diehl 2003, p. 72.
47. ^{{cite web |url=http://www.billboard.com/artist/418755/offspring/chart?f=381 |title=The Offspring - Chart history (Pop Songs) |publisher=Billboard}}
48. ^{{cite web |url=http://www.mtv.com/news/1604639/how-did-blink-182-become-so-influential/ |title=How Did Blink-182 Become So Influential? |publisher=MTV |last=Montgomery |first=James |date=February 9, 2009 |accessdate=October 3, 2018}}
49. ^{{cite web |url=http://www.billboard.com/artist/298592/blink-182/chart |title=blink-182 - Chart history (The Hot 100) |publisher=Billboard}}
50. ^{{cite web |url=http://www.billboard.com/artist/307560/lit/chart |title=Lit - Chart history (The Hot 100) |publisher=Billboard}}
51. ^{{cite web |url=http://www.billboard.com/artist/307560/lit/chart?f=377 |title=Lit - Chart history (Alternative Songs) |publisher=Billboard}}
52. ^{{cite web |url=http://www.billboard.com/archive/charts/1999/alternative-songs |title=Alternative Songs - 1999 Archive |work=Billboard |accessdate=February 2, 2017}}
53. ^{{cite web |url=http://www.billboard.com/artist/277392/sr-71/chart?f=381 |title=SR-71 - Chart history |publisher=Billboard}}
54. ^{{cite web |url=http://www.billboard.com/artist/304685/jimmy-eat-world/chart |title=Jimmy Eat World - Chart history |publisher=Billboard}}
55. ^{{cite web |url=http://www.billboard.com/artist/298592/blink-182/chart?f=305 |title=blink-182 - Chart history (Billboard 200) |publisher=Billboard}}
56. ^{{cite web |url=http://www.billboard.com/articles/news/79358/blink-182-opens-at-no-1-sugar-ray-debuts-high |title=Blink-182 Opens At No. 1, Sugar Ray Debuts High |work=Billboard |date=June 21, 2001}}
57. ^{{cite journal |author=Ken Leighton |date=September 14, 2011 |title=Naming Rights |journal=San Diego Reader |url=http://www.sandiegoreader.com/news/2011/sep/14/blurt1/ |accessdate=October 28, 2016 |archiveurl=https://www.webcitation.org/6ERJBgvgo?url=http://www.sandiegoreader.com/news/2011/sep/14/blurt1/ |archivedate=February 15, 2013 |deadurl=yes |df= }}
58. ^{{cite web |url=http://www.billboard.com/artist/280955/sum-41/chart |title=Sum 41 - Chart history (The Hot 100) |publisher=Billboard}}
59. ^{{cite web |url=http://www.billboard.com/artist/280955/sum-41/chart?f=377 |title=Sum 41 - Chart history (Alternative Songs) |publisher=Billboard}}
60. ^{{cite web |url=http://atrl.net/trlarchive/?s=recap&y=2001&m=08 |title=Recap: August 2001 |publisher=ATRL}}
61. ^{{cite web |url=http://www.billboard.com/artist/278888/american-hi-fi/chart?f=379 |title=American Hi-Fi - Chart history (The Hot 100) |publisher=Billboard}}
62. ^{{cite web |url=http://www.billboard.com/artist/278888/american-hi-fi/chart?f=381 |title=American Hi-Fi - Chart history (Pop Songs) |publisher=Billboard}}
63. ^{{cite web |url=http://www.billboard.com/artist/312168/new-found-glory/chart |title=New Found Glory - Chart history |publisher=Billboard}}
64. ^{{cite web|url=http://www.altpress.com/features/entry/saves_the_day_look_back_on_15_years_of_through_being_cool|title=Saves The Day look back on 15 years of 'Through Being Cool'|author=McGuire, Colin |work=Alternative Press |date=November 3, 2014 |page=1|accessdate=September 10, 2015}}
65. ^1 2 3 {{cite web |url=http://www.billboard.com/artist/303007/good-charlotte/chart?f=381 |title=Good Charlotte - Chart history (Pop Songs) |publisher=Billboard}}
66. ^1 2 {{cite web |url=http://www.billboard.com/artist/303007/good-charlotte/chart?f=379 |title=Good Charlotte - Chart history (The Hot 100) |publisher=Billboard}}
67. ^*{{Cite news|url=https://www.bustle.com/articles/176350-11-times-kelly-osbournes-early-2000-outfits-were-our-pop-punk-inspiration-photos|title=11 Times Kelly Osbourne's Early 2000 Outfits Were Our Pop Punk Inspiration|last=Gamble|first=Ione|access-date=2017-04-15|}}*{{Cite news|url=https://www.bustle.com/articles/162550-11-avril-lavigne-trends-that-we-all-tried-to-copy-in-the-early-2000s-photos|title=11 Avril Lavigne Trends That We All Tried To Copy In The Early 2000s|last=Zulch|first=Meg|access-date=2017-04-15|}}>*{{Cite news|url=http://www.mtv.com/news/2268603/pop-punk-princess-2004/|title=Which 2004 Pop Punk Princess Are You?|last=Lindner|first=Emily|access-date=2017-05-15}}*{{Cite news|url=http://www.shenzhenparty.com/blogs/cherry-ho/102509-queen-pop-punk-avril-lavigne-ret|title=Queen of Pop Punk Avril Lavigne Returns to Hong Kong for The Black Star Tour|last=Zhou|first=Monica|access-date=2017-05-15}}*{{Cite news|url=http://www.fuse.tv/videos/2017/06/besterday-podcast-episode-27-avril-lavigne-let-go-album-15th-anniversary|title=Avril Lavigne's 'Let Go' Turns 15, Hailing The Pop-Punk Queen|last=Gracie|first=Bianca|access-date=2017-06-04}}
68. ^{{cite web|url=http://music.yahoo.com/avril-lavigne/biography/|title=" It marked a return to the bratty, spunky punk-pop of Let Go..." Her first album released on 2002|publisher=|accessdate=16 October 2017}}
69. ^{{cite web|url=http://www.8notes.com/biographies/avril_lavigne.asp|title=Avril Lavigne biography - 8notes.com|website=www.8notes.com|accessdate=16 October 2017}}
70. ^{{cite web|url=http://www.biography.com/people/avril-lavigne-16472577 |title=Avril Lavigne Biography – Facts, Birthday, Life Story |publisher=Biography.com |date=1984-09-27 |accessdate=2013-02-26}}
71. ^*{{cite web|last1=Frank|first1=Alex|title=Paramore's Hayley Williams Still Gets You|url=http://www.thefader.com/2017/06/29/paramore-hayley-williams-cover-story-interview|website=Fader|publisher=The Fader|accessdate=2 November 2017|date=June 29, 2017}}*{{cite web|last1=Laugher|first1=Nick|title=6 Canadian albums that changed pop punk forever|url=http://www.aux.tv/2016/12/cancon-poppunk/|website=Aux TV|accessdate=16 March 2017}}*{{cite web|url=http://www.contactmusic.com/kelly-osbourne/news/kelly-osbourne.s-a-closet-avril-fan|title=Punk babe confesses she owns a copy of Avril's album LET GO}}*{{cite news|title=Pieces of Avril|url=https://www.theglobeandmail.com/arts/pieces-of-avril/article993343/?page=1|accessdate=16 March 2017|agency=The Globe and Mail|date=31 Jan 2004}}*{{cite news|last1=Farber|first1=Jim|title=AVRIL ON THE ATTACK The punk-pop princess may be girlier now, but she's still taking swipes|url=http://www.nydailynews.com/avril-attack-punk-pop-princess-girlier-swipes-article-1.655073|accessdate=16 March 2017|agency=NY Daily News|date=23 May 2004}}*{{cite news|last1=Hammond|first1=Amy|title=Krystal Meyers is In The Spotlight|url=http://www.soulshine.ca/features/featuresarticle.php?fid=274|accessdate=16 March 2017|agency=Soul Shine}}
72. ^{{cite web |url=http://www.billboard.com/artist/279406/simple-plan/chart?f=381 |title=Simple Plan - Chart history (Pop Songs) |publisher=Billboard}}
73. ^{{cite web |url=http://www.billboard.com/artist/381661/ataris/chart |title=The Ataris - Chart history |publisher=Billboard}}
74. ^{{cite web |url=http://www.billboard.com/artist/431611/yellowcard/chart?f=381 |title=Yellowcard - Chart history |publisher=Billboard}}
75. ^{{Cite web|title = Blink-182: The Billboard Cover Story {{!}} Billboard|url = http://www.billboard.com/articles/news/467426/blink-182-the-billboard-cover-story|website = Billboard|access-date = 2016-01-27}}
76. ^{{cite web |url=http://www.billboard.com/artist/297019/bowling-soup/chart?f=381 |title=Bowling for Soup - Chart history (Pop Songs) |publisher=Billboard}}
77. ^{{cite web |url=http://www.allmusic.com/style/emo-pop-ma0000012243 |title=Emo-Pop |publisher=AllMusic}}
78. ^1 2 3 4 5 6 {{cite news|url=http://www.mtvhive.com/2013/04/24/what-happened-to-emo/|title=What Happened to Emo?|author=Devon Maloney|date=April 24, 2013|publisher=MTV News|accessdate=September 17, 2013}}
79. ^{{cite web |url=http://www.billboard.com/artist/276170/fall-out-boy/chart |title=Fall Out Boy - Chart history |work=Billboard}}
80. ^{{cite news|url=https://www.independent.co.uk/arts-entertainment/music/features/fall-out-boy-this-is-hardcore-475858.html|title=Last year, Fall Out Boy's bassist Pete Wentz attempted suicide; now the band are punk-pop gods|last=Cripps|first=Charlotte|work=The Independent|date=April 28, 2006|publisher=Independent Print Limited|location=London}}
81. ^{{cite web |last=Associated Press |title=Fall Out Boy takes pop route to rock success |url=http://www.msnbc.msn.com/id/10468264/ |publisher=MSNBC.com |date=December 14, 2005 |accessdate=November 28, 2009}}
82. ^{{cite news |url=https://www.nytimes.com/2006/10/22/arts/music/22mich.html?pagewanted=all&_r=0 |work=The New York Times |first=Sia |last=Michel |title=Fresh From the Garden State, in Black Leather and Eyeliner |date=October 22, 2006}}
83. ^{{cite web |url=http://www.billboard.com/artist/277193/panic-disco/chart |title=Panic at the Disco - Chart history |publisher=Billboard}}
84. ^{{cite web |url=http://www.nme.com/news/music/panic-at-the-disco-68-1357329 |title=Panic! At The Disco triumph at MTV awards |work=NME |date=September 1, 2006}}
85. ^{{cite web |url=http://www.billboard.com/artist/280342/avril-lavigne/chart |title=Avril Lavigne - Chart history |work=Billboard}}
86. ^{{cite web|url=http://www.ifpi.org/content/library/top-50-albums-2007.pdf |title=Top 50 Global Best Selling Albums : 2007 |publisher=Ifpi.org |accessdate=2014-06-04}}
87. ^{{cite web|url=http://starsontop.com/avril.htm |title=Loading...|website=starsontop.com |accessdate=16 October 2017}}
88. ^{{cite web |url=http://www.billboard.com/artist/325117/paramore/chart |title=Paramore - Chart history |work=Billboard}}
89. ^{{cite web |url=http://www.billboard.com/artist/325117/paramore/chart?page=1&f=379 |title=Paramore - Chart history (Page 2) |publisher=Billboard}}
90. ^Perpetua 2012
91. ^Greene 2011
92. ^[https://www.rollingstone.com/music/news/fall-out-boy-wiz-khalifa-extensive-boys-of-zummer-tour-20150115 Fall Out Boy, Wiz Khalifa Announce Extensive 'Boys of Zummer' Tour] Rolling Stone. Retrieved January 17, 2015.
93. ^{{cite web |title=Blink-182 Rock Brooklyn Club Gig: Live Review|author=Chris Payne|work=Billboard|date=September 12, 2013|url=http://www.billboard.com/articles/news/5694854/blink-182-rock-brooklyn-club-gig-live-review|accessdate=September 12, 2013}}
94. ^{{cite web |title=Green Day Announce Club Dates, Eye Return To Arenas|author=James Montgomery|publisher=MTV News|date=February 26, 2013|url=http://www.mtv.com/news/articles/1702626/green-day-club-dates.jhtml|accessdate=September 12, 2013}}
95. ^{{cite news|url=http://blogs.independent.co.uk/2012/11/12/the-story-so-far-pop-punk-is-a-zombie/|title=The Story So Far: Pop-punk is a zombie|author=Ed Cooper|date=November 14, 2012|work=The Independent|accessdate=September 17, 2013|location=London|deadurl=yes|archiveurl=https://web.archive.org/web/20131102185615/http://blogs.independent.co.uk/2012/11/12/the-story-so-far-pop-punk-is-a-zombie/|archivedate=November 2, 2013|df=}}
96. ^{{cite web |title=The Forgotten Pop-Punk Records of Summer|author=Ian Cohen|publisher=Grantland.com|date=August 2, 2013|url=http://www.grantland.com/blog/hollywood-prospectus/post/_/id/83197/the-forgotten-pop-punk-records-of-summer|accessdate=September 12, 2013}}
97. ^{{cite news|url=https://www.theguardian.com/music/2011/aug/20/pop-punk-club-nights|title=Say It Ain't So! Club nights reanimate the pop-punk sound of Blink-182|author=Sian Rowe|date=August 20, 2011|work=The Guardian|accessdate=September 17, 2013}}
98. ^{{cite news|url=http://www.nj.com/entertainment/music/index.ssf/2013/07/what_jersey_sounds_like_the_power_of_pop-punk.html|title=What Jersey sounds like: The power of pop-punk|author= Bobby Olivier|date=July 15, 2013|work=The Star-Ledger|accessdate=September 17, 2013}}
99. ^{{cite news |title=Fall Out Boy and Paramore: Coming back on top|author=Mikael Wood|publisher=Los Angeles Times|date=May 11, 2013|url=http://articles.latimes.com/2013/may/11/entertainment/la-et-ms-fall-out-boy-paramore-20130511|accessdate=September 12, 2013}}
100. ^{{cite news|url=https://www.rollingstone.com/music/news/new-found-glory-yellowcard-stand-up-for-pop-punks-at-warped-tour-20120625|title=New Found Glory, Yellowcard Stand Up for 'Pop Punks' at Warped Tour|author=Steve Appleford|date=June 25, 2012|work=Rolling Stone|accessdate=September 17, 2013}}
101. ^1 {{cite news|url=http://www.altpress.com/contributors/entry/pop_punk_not_dead_new_found_glory_chad_gilbert|title=Why Pop-Punk's Not Dead—And Why It Still Matters Today|author=Chad Gilbert|date= September 29, 2011|work=Alternative Press|accessdate=September 17, 2013}}
102. ^1 {{cite web|url=http://www.clashmusic.com/reviews/modern-baseball-holy-ghost|title=Modern Baseball - Holy Ghost|work=Clash|author=Beech, Dave|date=May 23, 2016 |accessdate=May 24, 2016}}
103. ^1 Bird, ed. 2015, p. 45
104. ^Bird, ed. 2015, p. 73
105. ^{{cite web|url=http://www.rocksound.tv/photos/article/the-50-best-albums-of-2013-part-five-10-1 |title=The 50 Best Albums Of 2013 Part Five: 10 – 1 | Photos | Rock Sound |work=Rocksound.tv |date=December 6, 2013 |accessdate=July 2, 2015}}
106. ^McMahon, ed. 2014, p. 42
107. ^Bird, ed. 2015, p. 66
108. ^Why 5 Seconds Of Summer are more important to pop-punk than you think Alternative Press. Retrieved January 2, 2015.
109. ^[https://www.forbes.com/sites/hughmcintyre/2015/04/15/furious-7-soundtrack-moves-up-to-number-one/ 'Furious 7' Soundtrack Moves Up To Number One]. Forbes. Retrieved April 26, 2015.
110. ^{{cite web|url=http://www.allmusic.com/album/future-hearts-mw0002809711|title=Future Hearts - All Time Low - Songs, Reviews, Credits, Awards - AllMusic|accessdate=August 13, 2015}}
111. ^{{cite web|url=http://www.officialcharts.com/artist/27867/neck-deep/|title=NECK DEEP {{!}} full Official Chart History|work=officialcharts.com|accessdate=September 1, 2015}}
112. ^{{cite web|url=http://www.billboard.com/charts/billboard-200/2015-09-05|title=Top 200 Albums {{!}} Billboard |work=billboard.com|accessdate=September 1, 2015}}
113. ^{{cite web|url=http://www.billboard.com/articles/columns/chart-beat/7431229/blink-182-california-drake-views-no-1-on-billboard-200-albums-chart|title=Blink-182 Bumps Drake from No. 1 on Billboard 200 Albums Chart|first=Keith|last=Caulfield|work=Billboard|publisher=Prometheus Global Media|accessdate=July 11, 2016|date=July 11, 2016}}
114. ^{{Cite magazine|last=Griffin|first=J R|title=Blink-182 Restart the Pop-Punk Party|magazine=Rolling Stone|volume=1264}}
115. ^{{cite web |url=http://www.allmusic.com/album/revolution-radio-mw0002970503 |title=Revolution Radio - Green Day |publisher=AllMusic |last=Erlewine |first=Stephen Thomas |authorlink=Stephen Thomas Erlewine}}
116. ^{{cite web |url=http://www.billboard.com/articles/columns/chart-beat/7542053/green-day-earns-third-no-1-album-on-billboard-200-chart-with |title=Green Day Earns Third No. 1 Album on Billboard 200 Chart With 'Revolution Radio' |work=Billboard |last=Caulfield |first=Keith |date=October 16, 2016}}
117. ^{{cite web|url=http://www.billboard.com/articles/columns/chart-beat/7942129/brand-new-first-number-1-album-billboard-200-chart-science-fiction|title=Brand New Scores First No. 1 Album on Billboard 200 Chart With 'Science Fiction'|publisher=|accessdate=16 October 2017}}
118. ^{{cite web|url=http://www.officialcharts.com/charts/albums-chart/|title=Official Albums Chart Top 100 - Official Charts Company|website=www.officialcharts.com|accessdate=16 October 2017}}
119. ^{{cite web|url=https://medium.com/cuepoint/how-punk-rock-kickstarted-the-do-it-yourself-record-revolution-39a41d78e12a|title=How Punk Rock Kickstarted the Do-It-Yourself Record Revolution|last=Dunn|first=Kevin|date=16 May 2016|website=Medium.com|access-date=3 March 2018}}
120. ^{{cite web|url=http://www.thefader.com/2015/12/23/how-diy-culture-is-thriving-in-the-uk|title=How DIY Culture Is Thriving In The U.K.|last=Welsh|first=April|date=23 December 2015|website=Thefader.com|access-date=3 March 2018}}
121. ^{{cite web|url=https://soundsmagazine.co.uk/henry-rollins-talks-trump-snakes-and-diy-punk-resurgence-beatroute-magazine/|title=HENRY ROLLINS TALKS TRUMP, SNAKES AND DIY PUNK RESURGENCE|last=|first=|date=16 December 2016|website=Soundsmagazine.co.uk|access-date=3 March 2018}}
122. ^1 2 3 {{cite web|url=http://www.altpress.com/features/entry/12_neon_pop_punk_songs_youve_already_forgotten_about|title=12 neon pop-punk songs you’ve already forgotten about|work=Alternative Press|publisher=Alternative Press Magazine, Inc.|author=Sharp, Tyler|page=1|date=May 17, 2016|accessdate=June 4, 2016}}
123. ^1 {{cite web|url=http://www.altpress.com/features/entry/20_neon_pop_punk_songs_you_forgot|title=20 neon pop-punk songs you probably forgot|work=Alternative Press|publisher=Alternative Press Magazine, Inc.|author=Chatterjee, Kika |date=September 9, 2017|accessdate=September 26, 2017}}
124. ^1 {{cite web|url=http://www.altpress.com/features/entry/12_neon_pop_punk_songs_youve_already_forgotten_about/P1|title=12 neon pop-punk songs you’ve already forgotten about|work=Alternative Press|publisher=Alternative Press Magazine, Inc.|author=Sharp, Tyler|page=2|date=May 17, 2016|accessdate=June 4, 2016}}
125. ^{{cite web |url=https://rocknuts.net/2015/06/24/when-did-rock-stop-evolving-it-hasnt-meet-punk-rocks-children/ |title=When did rock stop evolving? It hasn't: meet punk rock's children |publisher=Rocknuts |last=Patrick |first=Kate |date=June 24, 2015 |accessdate=November 26, 2017}}
126. ^1 2 3 4 {{cite web |title=Explore: Emo-Pop |url=http://allmusic.com/explore/style/emo-pop-d13770 |work=AllMusic |accessdate=10 June 2011 |deadurl=yes |archiveurl=https://web.archive.org/web/20110903200539/http://www.allmusic.com/explore/style/emo-pop-d13770 |archivedate=September 3, 2011 |df= }}
127. ^{{cite news|last=Lester|first=Paul|title=New band of the day – No 445: Metro Station|url=https://www.theguardian.com/music/2008/dec/08/new-band-metro-station|work=The Guardian|accessdate=June 10, 2011|date=December 8, 2008|quote=They peddle "emo-pop", a sort of cross between saccharine boy-band pop and whatever it is that bands like Panic! at the Disco and Fall Out Boy do – emo, let's be frank.}}
128. ^{{cite news|last=SPIN Mobile |title=Weezer Reveal 'Pinkerton' Reissue Details |url=http://m.spin.com/entry/view/id/1/pn/all/p/0/?KSID=44d36181b28adf4a07ea253efa89940a |accessdate=11 June 2011 |newspaper=Spin Magazine |date=23 February 2011 |deadurl=yes |archiveurl=https://web.archive.org/web/20110820095940/http://m.spin.com/entry/view/id/1/pn/all/p/0/?KSID=44d36181b28adf4a07ea253efa89940a |archivedate=20 August 2011 |df= }}
129. ^{{cite web|last=Kieper|first=Nicole|title=Sense Field: Tonight and Forever – Nettwerk America|url=https://books.google.com/books?id=rCoEAAAAMBAJ&pg=PA103&lpg=PA103&dq=%22emo+pop%22+techniques&source=bl&ots=i4UzABKAc8&sig=mzxcOhZAGV1bSnOXKGS3yNFaGdM&hl=en&ei=_EnyTfi8JozUgQeWnbjCCw&sa=X&oi=book_result&ct=result&resnum=7&ved=0CDcQ6AEwBjgU#v=onepage&q&f=false|work=CMJ New Music Monthly|publisher=CMJ Network|accessdate=10 June 2011|date=October 2001}}
130. ^{{cite web|url=http://exclaim.ca/News/get_up_kids_prep_vinyl_reissues_of_eudora_on_wire|title=The Get Up Kids Prep Vinyl Reissues of 'Eudora' and 'On a Wire'}}
131. ^{{cite web |url=http://www.michigandaily.com/content/promise-ring-swears-bouncy-power-pop |title=Promise Ring swears by bouncy, power pop |publisher=Michigan Daily |date=April 12, 2001}}
132. ^{{cite web |url=http://www.stylusmagazine.com/reviews/jimmy-eat-world/clarity.htm |title=Jimmy Eat World – Clarity – Review |publisher=Stylus Magazine |date= |deadurl=yes |archiveurl=https://web.archive.org/web/20100503053050/http://www.stylusmagazine.com/reviews/jimmy-eat-world/clarity.htm |archivedate=May 3, 2010 |df= }}
133. ^{{cite web |url=http://www.stylusmagazine.com/reviews/jimmy-eat-world/clarity.htm |title=Jimmy Eat World > Clarity > Capitol |work=Stylus |author=Merwin, Charles |date=9 August 2007 |accessdate=16 May 2010 |deadurl=yes |archiveurl=https://web.archive.org/web/20100503053050/http://www.stylusmagazine.com/reviews/jimmy-eat-world/clarity.htm |archivedate=May 3, 2010 |df= }}
134. ^{{cite web|url=https://www.billboard.com/music/the-get-up-kids/chart-history/heatseekers-albums/song/178659|title=The Get Up Kids Something To Write Home About Chart History|work=Billboard|accessdate=January 11, 2018}}
135. ^{{cite web|last=Loftus|first=Johnny|title=Fall Out Boy|url=http://www.allmusic.com/artist/fall-out-boy-p533936|work=AllMusic|accessdate=June 10, 2011}}
136. ^{{cite web|last=Futterman|first=Erica|title=Fall Out Boy Biography|url=https://www.rollingstone.com/music/artists/fall-out-boy/biography|publisher=Rolling Stone|accessdate=June 10, 2011}}
137. ^1 {{cite web|last=Sendra|first=Tim|title=Take It to the Floor|url=http://allmusic.com/album/take-it-to-the-floor-r1471616/review|work=AllMusic|accessdate=June 11, 2011}}
138. ^{{cite web|url=http://www.allmusic.com/album/take-off-your-colours-mw0000821192|title=Take Off Your Colours – You Me at Six {{!}} Songs, Reviews, Credits|work=AllMusic|author=O'Brien, Jon |accessdate=December 3, 2015}}
139. ^{{cite web|url=http://www.bpi.co.uk/certified-awards.aspx |title=Archived copy |accessdate=2016-08-29 |deadurl=yes |archiveurl=https://web.archive.org/web/20140625075145/http://www.bpi.co.uk/certified-awards.aspx |archivedate=2014-06-25 |df= }}
140. ^1 2 {{Cite news|url=http://www.edge.ca/2016/02/17/what-the-hell-is-easycore/|title=What The Hell Is: Easycore|last=Edge|first=Citizen|work=102.1 the Edge|access-date=2017-09-24|language=en|deadurl=yes|archiveurl=https://web.archive.org/web/20160224071232/http://www.edge.ca/2016/02/17/what-the-hell-is-easycore/|archivedate=2016-02-24|df=}}
141. ^{{Cite news|url=http://citynova.co/music/7-bands-showing-you-why-easycore-should-be-your-favorite-genre/|title=7 Bands Showing You Why Easycore Should Be Your Favorite Genre|date=2016-06-17|access-date=2017-09-24|language=en-US}}
142. ^{{cite web|url=http://www.wolfsbaneco.com/easycorepop-punk/the-evolution-of-pop-punk-and-easycore|archiveurl=https://web.archive.org/web/20161216160922/http://www.wolfsbaneco.com/easycorepop-punk/the-evolution-of-pop-punk-and-easycore|title=The evolution of pop punk and easycore|website=Wolfsbane Co.|archivedate=December 16, 2016|accessdate=November 9, 2018}}
143. ^{{Cite web|url=https://www.chicagoreader.com/Bleader/archives/2012/11/26/best-shows-to-see-paint-fumes-bill-orcutt-chunk-no-captain-chunk-zs|title=Best shows to see: Paint Fumes, Bill Orcutt, Chunk! No, Captain Chunk!, Zs|website=Chicago Reader|language=en-us|access-date=2017-09-24}}
144. ^{{Cite news|url=http://www.edge.ca/2016/02/17/what-the-hell-is-easycore/|title=What The Hell Is: Easycore|last=Edge|first=Citizen|work=102.1 the Edge|access-date=2017-09-26|language=en|deadurl=yes|archiveurl=https://web.archive.org/web/20160224071232/http://www.edge.ca/2016/02/17/what-the-hell-is-easycore/|archivedate=2016-02-24|df=}}

Sources

{{refbegin}}
  • {{cite journal|editor1-last=Bird|editor1-first=Ryan|title=The 200 Moments that Defined Our Lifetime|journal=Rock Sound|date=June 2015|issue=200|publisher=Freeway Press Inc.|location=London|issn=1465-0185}}
  • {{cite journal| last=Caramanica| first=Jon| date=September 25, 2012| title=Pop-Punk Bands, Now Grown Up| journal=The New York Times| publisher=The New York Times Company| location=New York City | issn=0362-4331| url=https://www.nytimes.com/2012/09/26/arts/music/green-day-and-no-doubt-have-new-albums.html?pagewanted=all&_r=1&}}
  • {{cite book|last1=DeRogatis|first1=Jim|title=Milk It!: Collected Musings on the Alternative Music Explosion of the 90's|date=2003|publisher=Da Capo Press|location=Cambridge|isbn=0-306-81271-1}}
  • {{cite journal| last=Eliezer| first=Christie| date=September 28, 1996| title=Trying to Take Over the World| journal=Billboard| issn=0006-2510}}
  • {{cite journal| last=Eliezer| first=Christie| date=December 27, 1997 – January 3, 1998| title=The Year in Australia: Parallel Worlds and Artistic Angles| journal=Billboard| issn=0006-2510}}
  • {{cite journal| last=Gold| first=Jonathan| date=November 1994| title=The Year Punk Broke| journal=Spin| publisher=Spin Media| location=New York City | issn=0886-3032}}
  • {{cite journal|last=Greene|first=Andy|date=March 18, 2011|title=The 25 Boldest Career Moves in Rock History|journal=Rolling Stone |issue=1127 |location=New York City |issn=0035-791X |url=https://www.rollingstone.com/music/lists/the-25-boldest-career-moves-in-rock-history-20110318/panic-at-the-disco-drop-the-emo-and-the-exclamation-mark-19691231}}
  • {{cite journal|editor1-last=McMahon|editor1-first=James|title=Pop-Punk's Not Bread|journal=Kerrang!|date=13 September 2014|issue=1534|publisher=Bauer Media Group|location=London|issn=0262-6624}}
  • {{cite journal|last=Perpetua|first=Matthew|date=February 29, 2012|title=Patrick Stump: I'm a 27-Year-Old Has-Been|journal=Rolling Stone|location=New York City |issn=0035-791X |url=https://www.rollingstone.com/music/news/patrick-stump-im-a-27-year-old-has-been-20120229}}
  • {{cite journal| last=Rockwell| first=John | date=March 9, 1977| title=Cabaret: Tom Petty's Pop Punk Rock Evokes Sounds of 60s| journal=The New York Times| location=New York City | issn=0362-4331| url=https://pqasb.pqarchiver.com/nytimes/75047710.html?did=75047710&FMT=ABS&FMTS=AI&date=Mar+9%2C+1977&author=&pub=New+York+Times++(1857-Current+file)&desc=Cabaret%3A+Tom+Petty%27s+Pop+Punk+Rock+Evokes+Sounds+of+60%27s}}
  • {{cite journal| last=Strauss| first=Neil| date=February 5, 1995| title=POP VIEW; Has Success Spoiled Green Day?| journal=The New York Times| location=New York City | issn=0362-4331| url=https://www.nytimes.com/1995/02/05/arts/pop-view-has-success-spoiled-green-day.html}}
  • {{cite journal| authorlink=Tim Yohannan | last=Yohannan| first=Tim | date=December 1984| title=BLOODSPORT – cassette (music review)| journal=Maximum RocknRoll| issue=20}}
{{refend}}

External links

  • Punk pop – article about pop punk music
  • The Buzzcocks, Founders of Pop Punk – article about the Buzzcock's role in developing the pop punk genre
{{Punk}}{{Alternative rock}}{{Pop music}}

15 : Punk rock genres|Pop music genres|Pop rock|Pop punk|Fusion music genres|1990s fads and trends|2000s fads and trends|20th-century music genres|21st-century music genres|1970s in music|1980s in music|1990s in music|2000s in music|2010s in music|Punk
随便看

　

开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。

　

Copyright © 2023 OENC.NET All Rights Reserved
京ICP备2021023879号 更新时间：2024/9/30 22:31:44