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词条 Deserted at the Altar
释义

  1. Plot

  2. Cast

  3. Promotion and release

  4. Reception

  5. References

  6. External links

{{Infobox film
| name = Deserted at the Altar
| image = Deserted at the Altar 1922 lobby card.jpg
| alt =
| caption = Lobby card
| film name =
| director = William K. Howard
| producer = Phil Goldstone
| writer = Grace Miller White[1]
| screenplay =
| story =
| based on = {{Plain list|*{{based on |Deserted at the Altar (play)|Pierce Kingsley}}[1][2]
  • {{based on |Deserted at the Altar (novel)|Grace Miller White}}[3]}}

| starring = {{Plain list|*Bessie Love
  • Tully Marshall}}

| narrator =
| music =
| cinematography = {{Plain list|*Glen McWilliams[1][4]
  • John Meigle[4]}}

| editing =
| studio = Phil Goldstone Productions[5]
| distributor =
| released = {{film date|1922|12|01|U.S.}}[9]
| runtime = 7 reels[1]
| country =
| language = Silent (English intertitles)
| budget =
| gross =
}}Deserted at the Altar is a 1922 silent film melodrama[1] directed by William K. Howard.[1] It stars Bessie Love and Tully Marshall. Its preservation status is unknown.[6]

Plot

Two villains plan to steal the inheritance of Anna Moore (Love) by marrying her. When her brother Tommy (Lee) is hit by a car, the wealthy driver pays the doctor bills, and falls in love with Anna. This thwarts the villains' initial plans, who hire a woman to pose as the wealthy driver's estranged mother of his baby, and stop the wedding. When the woman reveals her true identity, the villains are exposed, and Anna and her rich fiancee are reunited.[7][8]

Cast

  • Bessie Love as Anna Moore, The Country Girl[7][8]
  • Frankie Lee as Tommy Moore, The Boy
  • William Scott as Bob Crandall, The City Chap
  • Wade Boteler as John Simpson, The Minister
  • Tully Marshall as Squire Simpson
  • Barbara Tennant as Nell Reed, The Other Woman
  • Eulalie Jensen as The Teacher
  • Les Bates as The Mob Leader
  • Edward McQuade as The Sheriff
  • Helen Howard as The Gossip
  • Queenie the Dog[9][10]

Promotion and release

The film is notable for its then-novel methods of promotion, which included stunts, such as weddings in movie theaters,[11] and staged "Just Married" car rides around town.[12]

On its release, the film was shown with the short Fighting Blood in some theaters.[13]

Reception

Generally, the film received positive reviews,[14][15][16][17] although some reviewers thought that "Director Howard has used nearly two reels too much in telling the story"[7] and the plot twists were not believable. There was speculation that more clear title would have improved theater attendance even more.[18]

The film was commercially successful.[19]

References

1. ^{{cite book|url=https://books.google.com/books?id=Yyqc0Qa6b60C&pg=PA261|page=261|title=The Complete Index to Literary Sources in Film|editor-first=Alan|editor-last=Goble|isbn=9783110951943|date=2011-09-08}}
2. ^{{cite book|title=Deserted at the Altar: a Melodrama in Four Acts|first=Pierce|last=Kingsley|date=1902|oclc=17422107}}
3. ^{{cite web|url=https://books.google.com/books?id=Ud8QAAAAYAAJ&pg=PA130|title=Popular Novels Written from Plays|last=Blaney|first=Charles E.|year=1907}}
4. ^{{cite book |last=Love |first=Bessie |year=1977 |title=From Hollywood with Love: An Autobiography of Bessie Love |location=London |publisher=Elm Tree Books|oclc=734075937|page=151}}
5. ^{{cite journal|title=With the Procession in Los Angeles|first=Harry Hammond|last=Beall|date=September 2, 1922|journal=Exhibitors Herald|page=105|url=https://archive.org/details/exhibitorsherald15exhi}}
6. ^{{cite web|url=http://www.silentera.com/PSFL/data/D/DesertedAtTheAltar1922.html|website=Silent Era|title=Progressive Silent Film List: Deserted at the Altar}}
7. ^{{cite journal|journal=The Film Daily|url=https://archive.org/details/filmdaily2122newy|date=October 1, 1922|page=14|title=More Old Fashioned Melodrama with Regulation Hokum}}
8. ^{{cite book|title=The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films 1921–1930|editor-last=Munden|editor-first=Kenneth W.|publisher=R.R. Bowker Company|location=New York|date=1971|oclc=664500075|page=181|url=https://archive.org/details/americanfilminst00amer/page/180}}
9. ^{{cite journal|url=https://archive.org/details/exhibitorsherald15exhi|page=52|journal=Exhibitors Herald|date=July 8, 1922|title=With the Procession in Los Angeles|first=Harry Hammond|last=Beall}}
10. ^{{cite book|url=https://books.google.com/?id=rpTeSKkdTE4C&pg=PA80|page=80|title=Animals on Screen and Radio: An Annotated Sourcebook|first1=Ann Catherine|last1=Paietta|first2=Jean L.|last2=Kauppila|isbn=9780810829398|year=1994}}
11. ^Two such couples were*William G. Swope and Elinor K. Foose in Harrisburg, PA. – {{cite journal|url=https://archive.org/stream/motionpicturenew00moti#page/n84/mode/1up/|journal=Motion Picture News|date=January 6, 1923|page=81|title=Regional News from Correspondents}}*Earl Prantzman and Myrtle Martin in Butler, PA. – {{cite journal|url=https://archive.org/stream/movpicwor60movi#page/580/mode/1up/|page=580|publisher=Moving Picture World|date=February 10, 1923|title=Old, But Still Dough Maker}}
12. ^{{cite journal|url=https://archive.org/stream/motionpicturenew00moti#page/n691/mode/1up|title=Effective Street Ballyhoo for "Deserted at the Altar"|journal=Motion Picture News|date=February 10, 1923|page=701}}
13. ^{{cite journal|url=https://archive.org/stream/exhibitors00newy#page/n625/mode/1up|date=May 26, 1923|journal=Exhibitors Trade Review|page=1271|volume=13|issue=26|title=Voice of the Box Office}}
14. ^Positive reviews*{{cite journal|url=https://archive.org/details/movpicwor61movi|date=April 14, 1923|journal=Moving Picture World|page=755|title=State Rights|quote=Capacity business for four nights. Picture very good.|first=C.G.|last=Couch}}*{{cite journal|url=https://archive.org/details/movpicwor61movi|page=846|journal=Moving Picture World|date=April 21, 1923|title=State Rights|quote=A real picture of rural drama and must say that it is true to life.|first=Louis|last=Pilosi}}*{{cite journal|url=https://archive.org/details/exhibitorst00newy|date=February 24, 1923|journal=Exhibitors Trade Review|page=669|volume=13|issue=13|title=Deserted at the Altar|first=Al|last=Lichtman|quote=Went well for three days.}}
15. ^Summarized reviews, all positive, from {{cite journal|url=https://archive.org/details/movpicwor60movi|page=58|journal=Moving Picture World|date=January 6, 1927|title=Consensus of Published Reviews}}*M.P.W. – "A simple story, well told, Inspired by melodrama of the same title."*T.R. – "Any exhibitor seeking rural drama with a goodly bit of humor will be repaid for examining it."*N. – "It makes a fair entertainment because the sponsors have had the foresight to humanize it in every way possible."*P.D. – "The picture offers entertainment only for a certain crowd, those who are satisfied with Improbable situations and the usual melodramatic hokum."
16. ^Quotes from various reviews: {{cite journal|url=https://archive.org/details/exhibitorst00newy|page=368|journal=Exhibitors Trade Review|volume=13|issue=7|date=January 13, 1923|title=Deserted at the Altar|quote=Picture has been playing to a knockout business throughout the territory, and repeated its success here with one of the best weeks since last winter. … The picture is even more redolent of realistic happenings and exciting situations than was the play. … picture went strong for big crowds, especially at night. Made genuine hit.}}
17. ^Lukewarm to negative reviews (first 2 from same theater)*{{cite journal|url=https://archive.org/details/exhibitorsherald16exhi_0|date=June 16, 1923|journal=Exhibitors Herald|page=77|title=Deserted at the Altar (Goldstone)|quote=A good little picture. It is not elaborate, but will please them. Poor attendance, but can't explain it.|first=C.A.|last=Angelmire}}*{{cite journal|url=https://archive.org/details/movpicwor63movi|date=July 7, 1923|journal=Moving Picture World|p=84|quote=Star cast. A good clean little picture. It is not wonderful or elaborate, but it is good. We can't seem to get them out to see the pictures anymore. Usual advertising brought poor attendance.|first=C.A.|last=Anglemiro|title=State Rights}}*{{cite journal|url=https://archive.org/details/motionpicturenew00moti|journal=Motion Picture News|date=January 13, 1923|quote=Picture and business both poor|title=Big Houses Say|page=187}}
18. ^{{cite journal|url=https://archive.org/details/Picture-playMagazineJan.1923|page=104|journal=Picture-Play Magazine|date=January 1923|volume=17|issue=5|title=The Screen in Review|quote=The title is an error of judgment, because it will lure in the type of people who can't appreciate these fine points and will keep out those who can.}}
19. ^Three examples*{{cite journal|url=https://archive.org/details/movpicwor60movi|page=76|journal=Moving Picture World|date=January 6, 1923|title=C.C. Burr Will Spend a Fortune in Advertising|quote=The picture did a splendid business.}}*{{cite journal|url=https://archive.org/details/movpicwor60movi|page=796|journal=Moving Picture World|date=February 24, 1923|title=New Pittsburgh 'Change Formed|quote= Merit Film Exchange here is reporting big business on 'Deserted at the Altar.' In fact, according to reports heard in Film Now, the Phil Goldstone picture is grossing more money than any picture that exchange has handled.}}*{{cite journal|url=https://archive.org/details/exhibitors00newy|date=May 26, 1923|journal=Exhibitors Trade Review|page=1271|volume=13|issue=26|title=Voice of the Box Office|quote=Good business.}}

External links

{{Commons category|Deserted at the Altar}}
  • {{IMDb title|0013062|Deserted at the Altar}}
  • {{AllMovie title|89211|Deserted at the Altar}}
{{DEFAULTSORT:Deserted at the Altar}}

11 : 1922 films|English-language films|American silent feature films|Films directed by William K. Howard|American drama films|1920s drama films|American films based on plays|Films based on works by Grace Miller White|American films|American black-and-white films|Melodramas

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