| 词条 | Dinorah de Jesús Rodriguez |
| 释义 |
| name = Dinorah de Jesús Rodríguez | image = | image_size = | alt = | caption = | birth_name = | birth_date = {{birth date and age|1957|04|28}} | birth_place = Placetas, Cuba | death_date = | death_place = | nationality = | spouse = | field = | training = | alma_mater = Boston University San Francisco State University | movement = Experimental film | works = | patrons = | influenced by = Barbara Hammer, Warren Sonbert, Trinh T. Minh-ha, Marlon Riggs | influenced = | awards = | elected = | website = {{URL|http://solislandmediaworks.com/}} | bgcolour = }} Dinorah de Jesús Rodríguez (born April 28, 1957) is an experimental film artist based in Miami. BackgroundRodríguez was born on April 28, 1957 in Placetas, Cuba, just prior to the Cuban Revolution. She emigrated with her family to the United States by way of Spain in 1963 at the age of six and grew up in an immigrant, working-class family in the United States. Rodriguez became interested in 16mm film making while studying journalism at Boston University from 1975 to 1978.[1] From the beginning of her filmmaking career, she was drawn to experimental genres, inspired in the hand-crafted work of Len Lye, Stan Brakhage and Norman McLaren.[2] In 1978 Rodríguez moved to California and studied with the iconic lesbian-feminist experimental filmmaker Barbara Hammer who was teaching a workshop at the Los Angeles Woman's Building at the time. Rodríguez also studied with Warren Sonbert another experimental filmmaker, who was teaching at the San Francisco Art Institute and invited her to audit his class. Following 10 years of independent study, Rodríguez earned a B.A. in Film Production from San Francisco State University School of Creative Arts in 1988, studying under the guidance of such visionary experimentalists as Trinh T. Minh-ha and Marlon Riggs.[3] Rodríguez's practice of manually altering 16mm film includes scratching into the emulsion to enhance or dialogue with the image already printed on the film. The artist also hand-colors and paints on film using inks and dyes.[4] Her use of appropriated materials turns up in her remakes of commercials and other moving image collage pieces. She is frequently recycles old celluloid footage into new works and experiments with damaged cameras and equipment, expired film stocks and found footage.[5] Among her earliest influences, and one that she attributes with having inspired the spiritual and aesthetic direction of her work, is Maya Deren an experimental filmmaker who worked in the United States during the 1940s and 50s. Another artist that Rodríguez claims as an inspiration is the "father of video art" Nam June Paik.[5] Rodriguez's more contemporary influences include Isaac Julien, Pipilotti Rist, Lorna Simpson and Bill Viola. Film makingRodríguez's hand-crafting techniques create very vivid and subliminal effects that speak to the human subconscious. Her work affects the subconscious mind by using the same visual tactics used in advertising and mass media. An open bisexual,[6] frequently engages sexually explicit themes in her work. Rodriguez is a rape survivor and feminist activist, practicing a form of public installations that she terms "Artivism," a practice she has been engaging in since the 1980s.[7] Among the many awards and recognition she has received for her work, she won the 2009 FAN Knight New Work Award in the amount of $50,000 for her project Elusive Landscape that involved multiple hand-crafted 16mm film projections exhibited in outdoor locations across the city of Miami and projected directly into trees and foliage. Rodriguez's works have been exhibited internationally in film festivals, museums, galleries, TV, public outdoor installations and multimedia performances. Known for her many multidisciplinary collaborations, Rodriguez has worked on projects with a variety of international artists. Her public installations create a sense of community that brings many people together for public and communal view.[9] Critical attentionRodríguez's work has received critical attention from scholars interested in found footage and cinematic appropriation,[8] Afrosurrealism,[9] and Latino media arts.[10] Her work has also received sustained critical attention by her sister, Juana María Rodríguez, a professor of Gender and Women's Studies at UC Berkeley who writes extensively about several of her films in the book Sexual Futures, Queer Gestures, and Other Latina Longings.[6] Stills from Rodríguez's film, XXX, are featured on the cover. Selected worksFilms
Installations
Multimedia
AchievementsAwards
Distinctions
Prizes
References1. ^{{cite web|title=Biography: Dinorah de Jesús Rodriguez|url=http://scholar.library.miami.edu/caribbeanvisual/book/export/html/195|publisher=University of Miami Digital Collections|accessdate=7 August 2013}} 2. ^{{cite web|title=hand-crafted cinema by Dinorah de Jesús Rodriguez|url=http://artcinematic.blogspot.com/2008/12/sol-island-media-works.html|publisher=Art Cinematic|date=December 30, 2008}} 3. ^{{cite web|title=Artist’s Biography|url=http://solislandmediaworks.com/about/artists-biography/|publisher=Sol Island Media Works|accessdate=7 August 2013}} 4. ^{{cite web|title=Found Footage Program |url=http://www.women.ucla.edu/csw/Flyers/Found_Footage_ProgramFinal.pdf |publisher=UCLA Center for the Study of Women |accessdate=7 August 2013 |deadurl=yes |archiveurl=https://web.archive.org/web/20100709082154/http://www.women.ucla.edu/csw/Flyers/Found_Footage_ProgramFinal.pdf |archivedate=9 July 2010 |df= }} 5. ^1 {{cite news|last=McCorquodale|first=Amanda|title=Experimental Filmmaker Takes Over Miami's Legion Park|url=http://blogs.miaminewtimes.com/cultist/2010/07/luis_olazabal_dinorah_de_jesus.php|newspaper=Miami New Times|date=July 14, 2010}} 6. ^1 Rodríguez, Juana María. Sexual Futures, Queer Gestures, and Other Latina Longings. New York: NYU Press, 2014. 7. ^{{cite news|last=Torres|first=Monica|title=mujer_cita_MIA: Intervention Art [Interview]|url=http://tropicult.com/2013/04/mujer_cita_mia-intervention-art-interview/|newspaper=Tropicult|date=April 17, 2013}} 8. ^Baron, Jaimie. “Inappropriate Bodies: Contemporary Filmmakers Challenging Gender Constructions through Appropriation.” UCLA Center for the Study of Women, November 1, 2009. http://escholarship.org/uc/item/7mw7m95b. 9. ^Francis, Terri. “Close-Up Gallery: The Afrosurrealist Film Society.” Black Camera 5, no. 1 (2013): 209–19. 10. ^Noriega, Chon A., and Ana M. López. The Ethnic Eye: Latino Media Arts. U of Minnesota Press, n.d. 11. ^{{cite news|last=Francis|first=Terri|title=Get to Know the Feminist Filmmaker Who Vandalizes Commercials|url=http://bitchmagazine.org/post/get-to-know-the-filmmaker-who-vandalizes-hair-dye-commercials-dinorah-de-jesus-rodriguez|newspaper=Bitch|date=August 7, 2013}} 12. ^1 {{cite news|last=Sarria|first=Nidya|title=Multimedia Artist Dinorah de Jesús Rodriguez Explores the Poetics of Cafes with Ruins|url=http://blogs.miaminewtimes.com/cultist/2011/10/multimedia_artist_dinorah_de_j.php|newspaper=Miami New Times|date=October 17, 2011}} 13. ^{{cite news|title=Miami On Stage presents Dinorah de Jesús Rodriguez's mujer_cita_MIA|url=http://www.miamiartguide.com/index.php?option=com_content&view=article&id=4767:miami-on-stage-presents-dinorah-de-jesus-rodriguezs-mujercitamia&catid=13&Itemid=100140|accessdate=7 August 2013|newspaper=Miami Art Guide}} External links
10 : 1957 births|Living people|American experimental filmmakers|American women experimental filmmakers|Boston University College of Communications alumni|Cuban emigrants to the United States|American film directors|American women film directors|People from Placetas|San Francisco State University alumni |
| 随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。