1. Appearances
    Fleming novel  Continuation novel  Film 

2. Reception

3. References

4. Bibliography

Pussy Galore is a fictional character in the 1959 Ian Fleming James Bond novel Goldfinger and the 1964 film of the same name. In the film, she is played by Honor Blackman. The character returns in the 2015 Bond continuation novel Trigger Mortis by Anthony Horowitz, set in the 1950s two weeks after the events of Goldfinger.

Appearances

Fleming novel

In Fleming's 1959 novel Goldfinger, Pussy Galore is the only woman in the United States known to be running an Organized crime gang. Initially trapeze artists, her group of performing catwomen, "Pussy Galore and her Abrocats", is unsuccessful, and so the women train as cat burglars instead.

Her group evolves into an all-lesbian organization, based in Harlem, known as the Cement Mixers. In the novel, she has black hair, pale skin, and (according to Bond) the only violet eyes that Bond has ever seen. She is in her thirties, her voice low and attractive. Pussy tells Bond that she became a lesbian after she was sexually abused by her uncle at the age of 12.

Auric Goldfinger enlists the help of Pussy and her Cement Mixers to carry out "Operation Grand Slam", a scheme to kill all the soldiers guarding Fort Knox by poisoning their water supply with a water-borne nerve agent (GB, also called sarin), and then to use a stolen nuclear weapon to blow open the U.S. Bullion Depository there and steal one billion dollars in gold bullion from it.^[2] Goldfinger chooses the Cement Mixers because he needs a group of women to impersonate the nurses in the fake emergency medical teams he plans to send into the poison-stricken Fort Knox.

After Bond and Felix Leiter foil "Grand Slam", Galore runs into Bond while impersonating a stewardess on Goldfinger's hijacked escape flight to the Soviet Union (which carries his remaining fortune in gold). Bond, having previously been drugged by a fake vaccination, has been kidnapped and transported onto the plane to join Goldfinger, who is determined to kill him at last.

However, Bond punctures one of the airplane's windows with a knife (causing Goldfinger's henchman Oddjob to be blown out and plunge to his death), then tackles Goldfinger, and, in the ensuing struggle, kills him. Bond then forces the crew of the airplane to reverse course. When the gold-heavy craft runs out of fuel, and the crew must ditch it in the ocean, Bond and Pussy are the only ones who manage to escape into a life raft. It is hinted at the end of the novel that Pussy is sent to prison, as she says to Bond, "Will you write to me in Sing Sing?"

Her original band of Amazonian catwomen appear as characters in the film, but as small-aircraft pilots rather than trapeze artists.

Continuation novel

Pussy returns in the 2015 Bond continuation novel Trigger Mortis by Anthony Horowitz, set in the 1950s two weeks after the events of Goldfinger. The novel contains material written, but previously unreleased, by Fleming.^[3][4][5]

Film

In the film, Galore is first seen when Bond wakes up in Goldfinger's private jet, having been knocked out with a tranquiliser gun by a Goldfinger henchman. He is lying on a couch when he regains consciousness, and since the first thing he sees when he opens his eyes is her stunning blonde-framed visage leaning over him, the dialog runs as follows:

James Bond: Who are you?

Pussy Galore: My name is Pussy Galore.

James Bond: I must be dreaming.^[6][7]}}

She then asserts that the nature of her employment for Goldfinger is that she's "a damn good pilot", clearly intending to suggest that there is no relationship of a more intimate nature between them, and tells Bond, "You can turn off the charm. I'm immune." She is the leader of Pussy Galore's Flying Circus, a group of women aviators connected with Goldfinger's "Operation Grand Slam" (played in certain scenes by stuntmen in blonde wigs). In a later scene, Pussy uses judo to attack Bond after she catches him eavesdropping on Goldfinger's plan, and turns him over to Goldfinger.

However, Bond corners Galore in a barn and forcibly holds her down (while she initially tries hard to fight him off) and kisses her, while she returns the kiss passionately. The film then shows a massive change in personality where she seems to welcome the earlier assault, putting her arms around Bond. She then secretly turns against Goldfinger; she alerts the CIA to her employer's scheme, and they help her replace the deadly nerve gas that Goldfinger is planning to have her aviators spray over Fort Knox with a different, harmless substance (the soldiers below appear to die, but are actually faking).

Having foiled Goldfinger's plan, Bond boards the President's private plane to travel to the White House. Goldfinger, now a fugitive, forces Galore to participate in hijacking the plane in order to force the pilot to fly him to Cuba. However, Bond defeats Goldfinger, who is blown out the window at high altitude, thus suffering what, in the novel, had been Oddjob's fate. Bond then saves Galore from the crashing plane: they both bail out (this is shown only on radar), land safely in an unidentified tropical region, and make love under their parachute.

Reception

Pussy ranked second in a poll of favourite Bond girls by Entertainment Weekly in 2007, beaten only by Ursula Andress' character Honey Rider.^[8] Yahoo! Movies had her name included in the 2012 list of the best Bond girl names, calling it "The most famous Bond Girl name, and also the rudest – US censors almost cut it from Goldfinger."

The 1997 parody film International Man of Mystery features a character named Alotta Fagina in an apparent reference to Galore (and perhaps also to the many other double-entendre named Bond girls, such as Octopussy and Holly Goodhead).{{sfn|Lindner|2009|p=76}}

The Rolex GMT-Master reference 6542 is nicknamed "Pussy Galore" because the movie character wears this particular watch.^[9]

Her name is also the inspiration for a character, Pussy LaGore, in the Carmageddon video game series.

References

Bibliography

• {{Cite book|last=Lindner|first=Christoph|title=The James Bond Phenomenon: a Critical Reader|url= https://books.google.com/books?id=x9-1QY5boUsC&lpg=PP1&pg=PP1#v=onepage&q&f=false|publisher=Manchester University Press|year=2009|isbn=978-0-7190-6541-5|ref=harv}}

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