词条 | Qinqiang |
释义 |
The genre uses the bangzi (woodblock) as one of the accompanying instruments, from which it derives its other name, Bangzi opera. Bangzi tune is the oldest, most affluent opera tune in China's Four Great Characteristic Melodies. Qinqiang is the representative of the Bangzi opera and the most important origin of other Bangzi operas.[4] Tan Dun, the composer for the opera The First Emperor, researched Qinqiang for the opera, in order to learn more about "ancient Chinese vocal styles".[5]HistoryQinqiang was banned from "being performed in Beijing" in 1785 by the emperor at the time, Qianlong. It was stated that "the sexual suggestiveness of the genre" was the reason for it being banned, but it is believed that the real reason was because the difference in style from prior Chinese folk opera styles allowed social critique of China to be written into them. The ban, however, only ended up expanding the style into more areas outside of Beijing, primarily to theatres in the southeast.[6] CharactersThere are 13 kinds of characters in Qinqiang including four kinds of "Sheng" (生, male)(老生、須生、小生、幼生), six kinds of "Dan" (旦, female)(老旦、正旦、小旦、花旦、武旦、媒旦), two kinds of "Jing" (淨, painted face male)(大淨、毛淨) and one kind of "Chou" (丑, Clown), also knowns as " 13 Tou Wangzi" (十三頭網子). Actors
Repertoire{{expand section|date=October 2018}}
References1. ^{{cite news |title=China promove programas diversificados durante o Festival da Primavera |author= |newspaper=China Radio International |date=February 8, 2008 |url=http://portuguese.cri.cn/135/2008/02/08/1@83413.htm |accessdate=November 17, 2010}} ([https://translate.google.com/translate?js=n&prev=_t&hl=en&ie=UTF-8&layout=2&eotf=1&sl=auto&tl=en&u=http%3A%2F%2Fportuguese.cri.cn%2F135%2F2008%2F02%2F08%2F1@83413.htm English]) 2. ^{{cite news |title=Chinese opera The First Emperor transmitted live into theaters worldwide |author= |newspaper=People's Daily |date=January 14, 2007 |url=http://english.people.com.cn/200701/14/eng20070114_341080.html |accessdate=November 17, 2010}} 3. ^{{cite book |title=Miraculous response: doing popular religion in contemporary China |last=Yuet Chau |first=Adam |authorlink= |coauthors= |year=2006 |publisher=Stanford University Press |location= |isbn= |page=53 |pages= |url=https://books.google.com/books?id=6puW1nI2o7EC&pg=PA53&dq=qinqiang#v=onepage&q=qinqiang&f=false |accessdate=November 17, 2010}} 4. ^{{cite book |title=Women of China |last= |first= |authorlink= |coauthors= |year=2001 |publisher= |location= |isbn= |page= |pages= |url=https://books.google.com/books?id=q52yAAAAIAAJ&q=qinqiang&dq=qinqiang |accessdate=November 17, 2010}} 5. ^{{cite news |title=Tan Dun's Operatic Odyssey |author=Matt Dobkin and Ken Smith |newspaper=Playbill |date=December 6, 2006 |url=http://www.playbillarts.com/features/article/5701.html |accessdate=November 17, 2010}} 6. ^{{cite book |title=Soul of Beijing Opera: Creativity and Continuity in Modern Performance |last=Ruru |first=Li |authorlink= |coauthors= |year=2010 |publisher=Hong Kong University Press |location= |isbn= |page=36 |pages= |url=https://books.google.com/books?id=-vA7w3e1YR0C&pg=PA20&dq=qinqiang#v=onepage&q=qinqiang&f=false |accessdate=November 17, 2010}} External links
3 : Culture in Shaanxi|Chinese opera|Xi'an |
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