| 词条 | El mejor papá del mundo |
| 释义 |
| name = El mejor papá del mundo | image = El mejor papá del mundo 1941.jpg | alt = | caption = | film name = | director = Francisco Múgica | producer = | writer = Sixto Pondal Ríos | screenplay = | story = | based on = | starring = Elías Isaac Alippi Ángel Magaña Nuri Montsé | narrator = | music = Enrique Delfino | cinematography = | editing = Juan Soffici | studio = Lumiton | distributor = | released = {{Film date|1941|03|14|df=y|Argentina}} | runtime = 77 minutes | country = | language = Spanish | budget = | gross = }} El mejor papá del mundo (The Best Dad in the World) is a 1941 black and white Argentine drama. It explores a son's gradual realization that his father is far from perfect, and also conveys a message hostile to global capitalism. ProductionEl mejor papá del mundo was a black and white Lumiton film directed by Francisco Múgica and written by Sixto Pondal Ríos. It starred Elías Isaac Alippi, Ángel Magaña and Nuri Montsé. The film was released on 14 March 1941.{{sfn|The Best Father in the World, IMDb}} SynopsisThe film depicts the changing relationship between a prestigious lawyer (Elías Isaac Alippi) and his young son (Ángel Magaña). The son, recently graduated from college and planning to follow in his father's footsteps, gradually discovers the large gap between his idealized image of his father and the reality.{{sfn|Expreso del Tiempo|2014}} The father, who represents an international firm, is involved in a complex web of interests that places his professional ethics in doubt.{{sfn|El mejor papá del mundo, Cinenacional}} The film conveys the view that the interests of international monopolies and the Argentine oligarchy are counter to the national interest.{{sfn|Arlt|2000|p=640}} The film is interesting in giving a view of life in high society in Argentina of that time.{{sfn|Expreso del Tiempo|2014}} ReceptionManrupe and Portela described the film as simple and sobering, with an early anti-imperialist message, and noted that it drew on Mario Soffici's earlier film Kilómetro 111 for a boardroom scene.{{sfn|Manrupe|Portela|2001|p=366}} La Mañana de Montevideo described it as fast-paced and interesting, always nuanced, with fine comic and emotional notes. Complete castThe complete cast was:{{sfn|The Best Father in the World, IMDb}} {{colbegin}}
ReferencesCitationsSources{{refbegin}}
|last=Arlt|first=Roberto|title=Los siete locos ; Los lanzallamas|url=https://books.google.com/books?id=upztS8smyGAC&pg=PA640|accessdate=2014-06-05 |date=2000-01-01|publisher=Editorial Universidad de Costa Rica|isbn=978-2-914273-02-2}}
|title=El mejor papá del mundo|work=Cinenacional|accessdate=2014-06-05}}
|author=Expreso del Tiempo|date=4 June 2014|title=Viejos consumos en el cine nacional: El mejor papá del mundo (1941)|work=Consumos del Ayer|accessdate=2014-06-05}}
|last1=Manrupe|first1=Raúl |last2=Portela|first2=María Alejandra |year=2001|title=Un diccionario de films argentinos (1930-1995) |location=Buenos Aires|publisher=Corregidor|ISBN=950-05-0896-6}}
|title=The Best Father in the World|work=IMDb|accessdate=2014-06-05}}{{refend}}{{Francisco Múgica}}{{DEFAULTSORT:Mejor Papa Del Mundo, El}} 7 : 1941 films|Argentine films|Spanish-language films|Argentine black-and-white films|1940s comedy films|Argentine comedy films|Films directed by Francisco Múgica |
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