词条 | Quincunx |
释义 |
A quincunx {{IPAc-en|ˈ|k|w|ɪ|n|.|k|ʌ|ŋ|k|s}} is a geometric pattern consisting of five points arranged in a cross, with four of them forming a square or rectangle and a fifth at its center.[1] It forms the arrangement of five units in the pattern corresponding to the five-spot on six-sided dice, playing cards, and dominoes. It is represented in Unicode as {{unichar|2059|Five dot punctuation}} or (for the die pattern) {{unichar|2684|Die face-5}}. Historical origins of the nameThe quincunx was originally a coin issued by the Roman Republic c. 211–200 BC, whose value was five twelfths (quinque and uncia) of an as, the Roman standard bronze coin. On the Roman quincunx coins, the value was sometimes indicated by a pattern of five dots or pellets. However, these dots were not always arranged in a quincunx pattern. The Oxford English Dictionary (OED) dates the first appearances of the Latin word in English as 1545 and 1574 ("in the sense 'five-twelfths of a pound or as'"). The first citation for "A pattern used for planting trees" dates from 1606. The OED also cites a 1647 reference to the German astronomer Kepler to the astronomical/astrological meaning. {{harvtxt|Jackson|1821}} states that the word refers to the pattern of trees in an orchard, but then uses it more abstractly for a version of the orchard-planting problem involving patterns of points and lines in the plane (for which the quincunx pattern provides the optimal solution for five points).[2] {{Clear|left}}ExamplesQuincunx patterns occur in many contexts:
Literary symbolismVarious literary works use or refer to the quincunx pattern for its symbolic value:
References{{commons category|Quincunxes}}{{wiktionary}}1. ^Webster's Collegiate Dictionary, 10th ed., as quoted by {{harvtxt|Pajares-Ayuela|2001}}. 2. ^{{citation | last = Jackson | first = John | contribution = Trees planted in rows | contribution-url = https://archive.org/stream/rationalamuseme00jackgoog#page/n39/mode/2up | pages = 33–34 | title = Rational amusement for winter evenings, or, A collection of above 200 curious and interesting puzzles and paradoxes | year = 1821}}. 3. ^{{citation|title=Modern Fruit Production|first=Joseph Harvey|last=Gourley|pages=106–107|publisher=Read Books|year=2008|isbn=978-1-4437-2606-1}}. 4. ^{{citation|url=http://www.nvnews.net/previews/geforce3/quincunx.shtml|title=NVIDIA GeForce3 Preview|first=Mike|last=Chambers|journal=NV News|date=February 27, 2001|deadurl=yes|archiveurl=https://web.archive.org/web/20091113170739/http://www.nvnews.net/previews/geforce3/quincunx.shtml|archivedate=November 13, 2009|df=}}. 5. ^{{citation|contribution=1.2 The Finite Difference Method|pages=21–29|title=Numerical Methods for Elliptic and Parabolic Partial Differential Equations|volume=44|series=Texts in Applied Mathematics|first1=Peter|last1=Knabner|first2=Lutz|last2=Angermann|publisher=Springer-Verlag|year=2003|isbn=978-0-387-95449-3}}. 6. ^R. Krautheimer, Early Christian and Byzantine Architecture, 1965 7. ^Angkor Wat : Image of the Day 8. ^{{citation|title=Cosmatesque ornament: flat polychrome geometric patterns in architecture|first=Paloma|last=Pajares-Ayuela|publisher=W. W. Norton & Company|year=2001|isbn=978-0-393-73037-1|contribution=The Signification — The Cosmatesque Quincunx: A Double-Cross Motif|pages=196–246|url=https://books.google.com/?id=LX2ooH1uFpsC&pg=PA196}}. 9. ^{{citation|title=Tattoo history: a source book : an anthology of historical records of tattooing throughout the world|first=Steve|last=Gilbert|publisher=Juno Books|year=2000|isbn=978-1-890451-06-6|page=153}}. 10. ^1 {{citation|title=Kishkindha|first=Robert|last=Turner|publisher=Osiris Press Ltd|year=2005|isbn=978-1-905315-05-5|page=53|url=https://books.google.com/books?id=cnxh8vR2HzQC&pg=PA53}}. 11. ^{{citation|title=A law enforcement sourcebook of Asian crime and cultures: tactics and mindsets|first=Douglas D.|last=Daye|publisher=CRC Press|year=1997|isbn=978-0-8493-8116-4|page=113|url=https://books.google.com/books?id=Z0k0kTGivP4C&pg=PA113}}. 12. ^{{citation|title=A rainbow of gangs: street cultures in the mega-city|first=James Diego|last=Vigil|publisher=University of Texas Press|year=2002|isbn=978-0-292-78749-0|page=115|url=https://books.google.com/books?id=0qKcorWNve0C&pg=PA115}}. 13. ^{{citation|title=Russian criminal tattoo encyclopedia, Volume 3|first=Danzig|last=Baldayev|publisher=FUEL Publishing|year=2006|page=214}}. 14. ^{{citation|title=The Pocket Idiot's Guide to Not So Useless Facts|first1=Dane|last1=Sherwood|first2=Sandy|last2=Wood|first3=Kara|last3=Kovalchik|publisher=Penguin|year=2006|isbn=978-1-59257-567-1|page=48|url=https://books.google.com/books?id=9F6Xq8WtmeMC&pg=PT48}}. 15. ^{{citation|title=Apollo in Perspective: Spaceflight Then and Now|first=Jonathan|last=Allday|publisher=CRC Press|year=2000|isbn=9780750306454|page=77|url=https://books.google.com/books?id=LqZcSAM3nrYC&pg=PA77&|quote=The engines were arranged across the base of the stage in the same pattern as the dots on a number 5 domino}}. 16. ^{{citation|title=Pataphysica|editor-first=Cal|editor-last=Clements|year=2002|publisher=Writers Club Press|isbn=9780595236046|first=Brisbane|last=di Milo|contribution=Telepathic letter to Alfred Jarry|pages=60–68}}. See in particular [https://books.google.com/books?id=PlmXbgrvJFYC&pg=PA62 p. 62]. 17. ^{{citation|title=Equivocation As Stylistic Device: Joyce's "Grace" and Dante|last=Lobner|first=Corinna del Greco|journal=Lectura Dantis|volume=4|year=1989|url=http://www.brown.edu/Departments/Italian_Studies/LD/numbers/04/lobner.html}}; for additional work on this instance of the quincunx pattern, see {{citation|last=Duffy|first=Charles F.|title=The Seating Arrangement in 'Grace'|journal=James Joyce Quarterly|volume=9|year=1972|pages=487–489}}. 18. ^{{citation|journal=CLCWeb: Comparative Literature and Culture|title=Reading Orientalism and the Crisis of Epistemology in the Novels of Lawrence Durrell|first=James|last=Gifford|volume=1|issue=2|year=1999|url=https://docs.lib.purdue.edu/clcweb/vol1/iss2/3/|quote=the most dominant formal element expressing this state of multiplicity in The Avignon Quintet is its quincunx structure}}. 19. ^{{citation|title=Theme Parks, Rainforests and Sprouting Wastelands: European Essays on Theory and Performance in Contemporary British Fiction|volume=123|series=Costerus New Series|editor1-first=Richard|editor1-last=Todd|editor2-first=Luisa|editor2-last=Flora|publisher=Rodopi|year=2000|isbn=9789042005020|url=https://books.google.com/books?id=B1amyMDNfmQC&pg=PA151|pages=151–163|contribution=Mirror games and hidden narratives in The Quincunx|first=Susana|last=Onega}}. 20. ^{{citation|title=Narratology Beyond Literary Criticism: Mediality, Disciplinarity|volume=6|series=Narratologia : contributions to narrative theory|editor-first=Jan Christoph|editor-last=Meister|publisher=Walter de Gruyter|year=2005|isbn=9783110183528|first=Silke|last=Horstkotte|contribution=The double dynamics of focalization in W. G. Sebald's The Rings of Saturn|url=https://books.google.com/books?id=6-M4s5Hv3DkC&oi=fnd&pg=PA25|pages=25–44}}. 21. ^{{citation|first=Séamus|last=Heaney|authorlink=Séamus Heaney|contribution=Frontiers of Writing|title=The Redress of Poetry: Oxford Lectures|publisher=Faber and Faber|year=1995|pages=186–202}}. 22. ^{{citation|title=Poets of Modern Ireland|first=Neil|last=Corcoran|publisher=SIU Press|year=1999|isbn=9780809322909|page=62|url=https://books.google.com/books?id=0p3x6JtsnLYC&pg=PA62}}. 1 : Dot patterns |
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