| 词条 | Reinaldo Arenas |
| 释义 |
| name = Reinaldo Arenas | caption = Reinaldo Arenas in 1986 | pseudonym = | birth_name = | birth_date = July 16, 1943 | birth_place = Aguas Claras, Holguín Province, Cuba | death_date = {{death date and age|1990|12|7|1943|7|16}} | death_place = New York City, United States | occupation = | nationality = Cuban | period = 1966-1990 | genre = poetry, novel, drama | subject = | movement = | notableworks = Pentagonia Before Night Falls | spouse = | partner = | children = | relatives = | awards = | signature = | website = }} Reinaldo Arenas (July 16, 1943 – December 7, 1990) was a Cuban poet, novelist, and playwright known as an early sympathizer, and later critic of Fidel Castro and the 1959 revolution, and a rebel of the Cuban government. LifeArenas was born in the countryside of Aguas Claras, Holguín Province, Cuba, and later moved to the city of Holguín. In 1963, he moved to Havana to enroll in the School of Planification and, later, in the Faculty of Letters at the Universidad de La Habana, where he studied philosophy and literature without completing a degree. The following year, he began working at the Biblioteca Nacional José Martí.[1] While there, his talent was noticed and he was awarded prizes at Cirilo Villaverde National Competition held by UNEAC (National Union of Cuban Writers and Artists).[2] His Hallucinations was awarded "first Honorable Mention" in 1966 although, as the judges could find no better entry, no First Prize was awarded that year. His writings and openly gay life were, by 1967, bringing him into conflict with the Communist government. He left the Biblioteca Nacional and became an editor for the Cuban Book Institute until 1968. From 1968 to 1974 he was a journalist and editor for the literary magazine La Gaceta de Cuba. In 1974, he was sent to prison after being charged and convicted of "ideological deviation" and for publishing abroad without official consent. He escaped from prison and tried to leave Cuba by launching himself from the shore on a tire inner tube. The attempt failed and he was rearrested near Lenin Park and imprisoned at the notorious El Morro Castle alongside murderers and rapists. He survived by helping the inmates to write letters to wives and lovers. He was able to collect enough paper this way to continue his writing. However, his attempts to smuggle his work out of prison were discovered and he was severely punished. Threatened with death, he was forced to renounce his work and was released in 1976.[3] In 1980, as part of the Mariel Boatlift, he fled to the United States.[4] He came on the boat San Lázaro captained by Cuban emigré Roberto Agüero. In 1987, Arenas was diagnosed with AIDS; he continued to write and speak out against the Cuban government. He mentored many Cuban exile writers, including John O'Donnell-Rosales. After battling AIDS, Arenas died of an intentional overdose of drugs and alcohol on December 7, 1990, in New York City. In a suicide letter written for publication, Arenas wrote: Due to my delicate state of health and to the terrible depression that causes me not to be able to continue writing and struggling for the freedom of Cuba, I am ending my life ... I want to encourage the Cuban people abroad as well as on the Island to continue fighting for freedom. ... Cuba will be free. I already am.[5]In 2012 Arenas was inducted into the Legacy Walk, an outdoor public display which celebrates LGBT history and people.[6] WritingsDespite his short life and the hardships imposed during his imprisonment, Arenas produced a significant body of work. In addition to significant poetic efforts ("El Central", "Leprosorio"), his Pentagonia is a set of five novels that comprise a "secret history" of post-revolutionary Cuba. It includes Singing from the Well (in Spanish also titled "Celestino before Dawn"), Farewell to the Sea (whose literal translation is "The Sea Once More"), Palace of the White Skunks, the Rabelaisian Color of Summer, and The Assault. In these novels Arenas’ style ranges from a stark realist narrative and high modernist experimental prose to absurd, satiric humor. His second novel, Hallucinations ("El Mundo Alucinante"), rewrites the story of the colonial dissident priest Fray Servando Teresa de Mier. In interviews, his autobiography, and in some of his fiction work itself, Arenas draws explicit connections between his own life experience and the identities and fates of his protagonists. As is evident and as critics such as Francisco Soto have pointed out, the "child narrator" in "Celestino", Fortunato of "The Palace...", Hector of "Farewell..", and the triply named "Gabriel/Reinaldo/Gloomy Skunk" character in "Color" appear to live progressive stages of a continuous life story that is also linked to Arenas's own.[7] In turn, Arenas consistently links his individual narrated life to the historical experience of a generation of Cubans. A constant theme in his novels and other writing is the condemnation of the Castro government, although Arenas also critiques the Catholic Church, US culture and politics. He also critique a series of literary personalities in Havana and internationally, particularly those who he believed had betrayed him and suppressed his work (Severo Sarduy and Ángel Rama are notable examples). His "Thirty truculent tongue-twisters", which he claims circulated in Havana and which are reprinted in "The Color of Summer", mock everyone from personal friends who he suggests may have spied on him to figures such as Nicolás Guillén, Alejo Carpentier, Miguel Barnet, Sarduy and of course Castro himself. His autobiography, Before Night Falls was on the New York Times list of the ten best books of the year in 1993. In 2000 this work was made into a film, directed by Julian Schnabel, in which Arenas was played by Javier Bardem. An opera based on the autobiography with libretto and music by Cuban-American composer Jorge Martín premiered at the Fort Worth Opera on May 29, 2010, with baritone Wes Mason singing the role of Arenas. The Reinaldo Arenas Papers are held at Princeton University Library. “The collection consists of personal and working papers of Reinaldo Arenas” and includes typescript and typescript drafts, essays, interviews, newspaper clippings, correspondence and other documents. [8] Notable works
See also{{Portal|Literature|Cuba|Poetry}}
References1. ^Cuba Center {{webarchive |url=https://web.archive.org/web/20060215050518/http://www.cubacenter.org/media/arenas.html |date=February 15, 2006 }} 2. ^(Soto 1998) 3. ^(dead link) {{dead link|date=August 2016|bot=medic}}{{cbignore|bot=medic}} 4. ^Reinaldo Arenas Papers at Princeton Libraries {{webarchive |url=https://www.webcitation.org/5v9ASxD2Y?url=http://libweb.princeton.edu/libraries/firestone/rbsc/aids/arenas.html |date=December 21, 2010 }} 5. ^Reinaldo Arenas' Last Letter; Montclair University {{webarchive |url=https://www.webcitation.org/5v9AT25FU?url=http://picard.montclair.edu/witness/Arenas.html |date=December 21, 2010 }} 6. ^http://www.legacyprojectchicago.org/2012_INDUCTEES.html 7. ^Soto, Francisco. "Reinaldo Arenas." Twayne Publishers: London, 1998. 8. ^Princeton University Library https://rbsc.princeton.edu/collections/reinaldo-arenas-papers Further readingEnglish
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30 : 1943 births|1990 deaths|American writers of Cuban descent|Cuban dramatists and playwrights|Exiles of the Cuban Revolution in the United States|Cuban novelists|20th-century Cuban poets|Cuban male poets|Cuban refugees|Drug-related suicides in New York (state)|LGBT Hispanic and Latino American people|Gay writers|Guggenheim Fellows|Hispanic and Latino American dramatists and playwrights|Hispanic and Latino American novelists|LGBT writers from Cuba|LGBT writers from the United States|People prosecuted under anti-homosexuality laws|People with HIV/AIDS|Writers who committed suicide|LGBT dramatists and playwrights|LGBT novelists|20th-century American novelists|20th-century American male writers|20th-century American dramatists and playwrights|20th-century American poets|American male novelists|American male poets|American male dramatists and playwrights|Male suicides |
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