词条 | Giuseppe De Nigris |
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Giuseppe De Nigris (1832 – 1903) was an Italian painter, who depicted genre, Neo-Pompeian, and still-life subjects. BiographyHe was born in Foggia. In 1848, he left, along with Vincenzo Dattoli, to study in Rome. He was arrested for suspected seditious activity.[1] Repatriated, he moved to Naples, where he had studied at the Academy of Fine Arts of Naples under Giuseppe Mancinelli.[2] He was able to return to Rome in 1859, when Domenico Morelli gave him a letter to allow him to work in the studio of Achille Vertunni. A year later he returned to Naples, which was in patriotic ferment. Among his works exhibited in Naples were Canzone d' amore, L'ultima Messa, Le cieche operaie, and Vino e donna. In 1887 at Venice, he displayed Il primo ritratto.[3] He painted two still-life arrangements on a bright background presently in England.[4] He was influenced in his still life work by Gioacchino Toma. In Neapolitan exhibitions, he displayed Christ in the Garden (1855) and Ossian e Malvina (1859). After the 1860s, his subject matter included patriotic and genre themes, in addition to neopompeian subjects. Among the works were Il Campanello della Parrochia;[5] La mano del ladro;[6] Garibaldi dicente: che tristo destino degli uomini lo scannarsi fra loro (1862, Naples); La processione di penitenza nelle catacombe di Napoli (1880); Piccoli gladiatori pompeiani (1870, Parma); Last day of Pompei (1873, Vienna); Ultima messa (1878, Paris); Manichino (1892, Florence); and Lo studio del frenologo Gall (1894, Rome).[7] He was highly prolific in exhibitions, participating in many foreign exhibits including London (1888) and Melbourne (1880). He completed a four patriotic canvases: Garibaldi dicente, Le impressioni di un quadro, Garibaldi a Caprera, I morti di Mentana, and Les merveilles du Chassepot.[8] De Nigris died in Naples in 1903. References1. ^{{cite web|url=http://www.fondazionebdmfoggia.com/news/dettaglio.asp?id=275 |publisher=Fondazione Banca del Monte di Foggia |title=Risorgimento - Parte seconda by prof. Gianfranco Piemontese |language=Italian |deadurl=yes |archiveurl=https://web.archive.org/web/20140203115337/http://www.fondazionebdmfoggia.com/news/dettaglio.asp?id=275 |archivedate=February 3, 2014 }} {{Authority control}}{{DEFAULTSORT:De Nigris, Giuseppe}}{{Italy-painter-19thC-stub}}2. ^Istituto Matteucci biography. 3. ^[https://books.google.com/books?id=Zz0bAAAAYAAJ Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti], by Angelo de Gubernatis. Tipe dei Successori Le Monnier, 1889, page 329. 4. ^{{Art UK bio|ref=1}}. Two still life paintings at the Cheltenham Art Gallery & Museum. 5. ^Province of Naples artwork: Il Campanello della Parrochia. 6. ^Province of Naples artwork The Hand of the Thief. 7. ^Istituto Matteucci short biography. 8. ^Province of Naples artwork Les merveilles du Chassepot. 7 : 19th-century Italian painters|Italian male painters|20th-century Italian painters|1832 births|1903 deaths|Italian still life painters|Italian genre painters |
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