| 词条 | Giuseppe Ferdinando Brivio |
| 释义 |
Life and careerHe was born in Milan. The earliest record of Brivio was in a court document indicating his postition as a violinist at the Royal Palace of Milan in 1720. He soon after to become the music director at the Royal Palace's theatre where he remained until October 13, 1732.[2] He later returned to the theater in c.1738 and remained active there through 1742.[1] At the Teatro Ducale his first known opera, Ipermestra, premiered on 6 December 1727.[2] While in Milan he also ran an influential school of singing.[2] Two of his notable pupils were sopranos Giulia Frasi and Caterina Visconti.[3] Brivio went on to write 5 more operas: L'Olimpiade (premiere 5 March 1737, Teatro Regio di Torino), Artaserse (premiere 2 June 1738, Teatro degli Obizzi di Padova), Merope (premiere 26 December 1738, Teatro Ducale di Milano), and La Germania trionfante in Arminio (premiere 2 May 1739, Teatro Ducale di Milano). His music was also used in three Pasticcio mounted at the King's Theatre, Haymarket, London during the 1740s, Gianguir (premiere 2 November 1742), Mandane (premiere 12 December 1742), and L'incostanza delusa (premiere 9 February 1745). The final stage work to use his music was another pasticcio, L'Olimpiade, which premiered at the Teatro Marsigli-Rossi di Bologna on 10 May 1755.[4] Besides opera, Brivio produced a small amount of instrumental music. One of his two known violin concertos was included in a well known publication of Italian music by French parliamentarian Pierre Philibert de Blancheton, alongside composers Angelo Maria Scaccia and Carlo Zuccari.[5] Brivio died in Milan around 1758.[5] References1. ^{{cite book|title=Il teatro a Milano nel Settecento - Volume 1|author=Annamaria Cascetta, Giovanna Zanlonghi|year=2008|page=528|publisher=Vita e pensiero}} {{Authority control}}{{DEFAULTSORT:Brivio, Giuseppe Ferdinando}}2. ^{{cite book|title=Dictionary of Music and Musicians: (A.D. 1450-1889)|editor= Sir George Grove, John Alexander Fuller-Maitland|publisher=Theodore Presser|year=1895|page=329}} 3. ^{{cite book|title=Treatise on Vocal Performance and Ornamentation|author=Johann Adam Hiller|page=184|publisher=Cambridge University Press|year=2004}} 4. ^1 2 {{cite web|url=http://www.amadeusonline.net/almanacco?r=&alm_sett=&alm_giorno=&alm_mese=&alm_anno=&alm_testo=Giuseppe+Ferdinando+Brivio|title=Giuseppe Ferdinando Brivio|work=amadeusonline|accessdate=January 24, 2015}} 5. ^1 2 {{cite book|url=https://books.google.com/books?id=aeGayu9EMkMC&pg=PA263&dq=%22Giuseppe+Ferdinando+Brivio%22&hl=en&sa=X&ei=kAXEVM3oMNWAsQTzsYGgAw&ved=0CCUQ6AEwAQ#v=onepage&q=%22Giuseppe%20Ferdinando%20Brivio%22&f=false|title=The Italian Solo Concerto, 1700-1760: Rhetorical Strategies and Style History|author=Simon McVeigh and Jehoash Hirshberg|publisher=Boydell & Brewer|year=2004|page=262}} 8 : 18th-century classical composers|Italian classical composers|Italian male classical composers|Italian opera composers|Male opera composers|People from Milan|Voice teachers|Year of birth uncertain |
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