| 词条 | Harry Baisden |
| 释义 |
| name = Harry Baisden | image = | caption = | image_size = | background = non_vocal_instrumentalist | birth_name = Cyrus Harry Baisden | alias = | birth_date = {{Birth date|1893|4|18|mf=y}} | birth_place = Minnesota, United States | death_date = {{Death date and age|mf=yes|1926|12|4|1893|4|18}} | origin = | associated_acts = Harry Baisden and His Orchestra | instrument = | genre = Big band | occupation = Bandleader, Musician, Arranger, Composer | years_active = 1915–1924 | label = Nordskog Records }}Harry Baisden (aka Harry Bastin, né Cyrus Harry Baisden; 18 April 1893 Lester Prairie, Minnesota — 4 December 1926 Augusta, Georgia)[1] was an American composer of popular music, arranger, pianist, and an acclaimed dance orchestra leader. While a musician in the U.S. Army 2nd Infantry Band during World War I, Baisden composed several popular wartime songs, namely "Iowa, We Owe A Lot To You," "Meet Me At The Red Cross Ball," "I'll Steal You," and "Camp Cody Blues." Early career
The earliest extant published reference found of Baisden's avocation as a musician appears in the 1910 Minneapolis City Directory.[3] In 1911, Baisden was a pianist with the Lucas Show, a medicine show managed by Dr. George F. Lucas. The show featured Baisden with drummer Glenn Silk, The Three Aerial Lucases, gymnasts, York & DeLisco's Animal Circus [Mr. W. B. York (1870–{{space|1}}) and Madam Lottie DeLisco (née Lottie Kelsey; 1880{{space|1}})], and John P. Mack as comedian. The show reportedly performed to capacity audiences in and around Minnesota, Nebraska, and North and South Dakota.[4] Baisden ended his engagement with Lucas sometime before September 1911.[5]
During the war, Baisden had been a member of the 2nd Iowa Infantry Band, mustered in 1916 at Camp Dodge, Iowa.[6] As some point, the band (and orchestra), conducted by John Valentine Eppel (1971–1931), was deployed to Camp Cody, New Mexico,[7] but, in sometime around May 1918, was re-stationed at Fort Dodge.[8]
For about 90 days, beginning sometime after Christmas 1818, Baisden toured with "Uncle Sammy's Minstrels," a group of musicians and entertainers composed of musicians who had returned from World War I, who, before the war had been headliners in vaudeville and Minstrel shows. The touring company included the 163rd Depot Brigade Band from Camp Dodge, Iowa,[9] for which, Baisden had been a musician. He also had been a piano player at the Magic Theater at Fort Dodge, Iowa, from 1917 to 1919.
On May 14, 1924, Charles Lick opened a newly constructed 22,000 square foot ballroom on a beachfront ocean pier in the Venice neighborhood of Westside Los Angeles. The ballroom featured an oval-shaped dance floor with enhanced acoustics. It was officially named the Bon Ton Ballroom, but was more widely known as the Venice Ballroom, and as of 1942, has been known as the Aragon Ballroom. The hall was large enough to be split into two separate ballrooms with different orchestras. From its inaugural day until 1924, Major Baisden, as he was then billed, led his twelve piece orchestra. The Venice Ballroom engagement included a national broadcast by KFI radio in Los Angeles. In 1924, while engaged at the Venice Ballroom, Baisden became mentally ill. Ben Pollack, who had recently played 11 months in Baisden's orchestra, took over as leader from October 1924 to Fall 1925.[11]
On December 4, 1926, Baisden died. The cause of death was "general paralysis of the insane."[1] Baisden was buried at West View Cemetery in Augusta. Selected compositions{{ref begin|50em}}
Selected discographyHarry Baisden and his Bon Ton Orchestra, Nordskog Records
Notable alumni of the Harry Baisden Orchestra
FamilyOn July 27, 1918, Baisden married Jessie Marie Leonard (1899–1987) in Jackson County, Iowa. References1. ^1 2 Georgia Death Certificate: Cyrus Harry Baisden, State Register File No. 31209, filed December 8, 1926 [10][11][12]2. ^1 Davison's Minneapolis City Directory, Minneapolis Directory Company, Vol. XXXVIII (1910), pg. 208 3. ^1 [https://archive.org/stream/billboard23-1911-09/billboard23-1911-09_djvu.txt Advertisement: The Lucas Show,] Billboard, September 2, 1911 4. ^1 Miscellaneous: Notes from the Lucas Show, The New York Clipper, April 29, 1911, Vol. 59, No. 11, pg. 10, last column 5. ^1 2 3 New Composing Team, Deming Headlight, January 4, 1918, pg. 3 6. ^1 Emmetsburg Democrat, May 8, 1918, pg. 1 7. ^1 "Uncle Sammy's Minstrels" at Brandeis Open Thursday, Omaha World Herald, March 2, 1919, pg. 40 8. ^1 [https://books.google.com/books?id=e1SBuNFZolAC&pg=PA190 Classic Jazz,] by Scott Yanow, Backbeat Books, pg. 190 (2001) {{OCLC|47973308}} 9. ^1 Sheet Music Cover: "Camp Cody Blues," music by Harry Baisden (1917) San Diego State University Library and Information Access [1][2][3][4][5][6][7][8][9]Special Collections and University Archives The Vince Meades Popular American Sheet Music Collection Collection N° MS-0004 10. ^1 Baisden Composes "Camp Cody Blues," Deming Headlight, January 9, 1918 11. ^1 Camp Cody, by Rick Phillips, The Enterprise Magazine (Silver City Enterprise), June 24, 1982 12. ^1 World War I Sheet Music: 9,670 Patriotic Songs Published In The United States, 1914–1920, With More Than 600 Covers Illustrated, by Bernard S Parker, McFarland & Company (2007), pg. 404 {{OCLC|71790113}} }}{{authority control}}{{DEFAULTSORT:Baisden, Harry}} 9 : American jazz bandleaders|Deaths from neurological disease|1893 births|1926 deaths|People from McLeod County, Minnesota|People from Fort Dodge, Iowa|20th-century American conductors (music)|20th-century American musicians|Jazz musicians from Minnesota |
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