| 词条 | Rotten Tomatoes | |||||||||
| 释义 |
| name = Rotten Tomatoes | logo = Rotten Tomatoes logo.svg | collapsible = yes | collapsetext = Screenshot | screenshot = | caption = | founder = Senh Duong | key people = Senh Duong Patrick Y. Lee Stephen Wang | url = {{URL|https://www.rottentomatoes.com/}} | commercial = Yes | type = Film and television review aggregator and user community | registration = Optional | owner = {{ubl|Fandango Media: Warner Bros. (30%) NBCUniversal (70%)}}[1][2] | launch date = {{start date and age|1998|8|12}} | alexa = {{IncreaseNegative}} 571 ({{as of|2019|03|27|alt=March 2019}})[3] | oclc = 48768329 }} Rotten Tomatoes is an American review-aggregation website for film and television. The company was launched in August 1998 by three undergraduate students at the University of California, Berkeley: Senh Duong, Patrick Y. Lee, and Stephen Wang.[4][5][6][7] The name "Rotten Tomatoes" derives from the practice of audiences throwing rotten tomatoes when disapproving of a poor stage performance. Since January 2010, Rotten Tomatoes has been owned by Flixster, which was in turn acquired by Warner Bros. in 2011. In February 2016, Rotten Tomatoes and its parent site Flixster were sold to Comcast's Fandango.[8] Warner Bros. retained a minority stake in the merged entities, including Fandango.[2] HistoryRotten Tomatoes was launched on August 12, 1998, as a spare-time project by Senh Duong.[9] His goal in creating Rotten Tomatoes was "to create a site where people can get access to reviews from a variety of critics in the U.S."[10] As a fan of Jackie Chan, Duong was inspired to create the website after collecting all the reviews of Chan's Hong Kong action movies as they were being released in the United States. The primary catalyst for the creation of the website was Rush Hour (1998), Chan's first major Hollywood crossover, which was originally planned to release in August 1998. Duong coded the website in two weeks and the site went live the same month, but Rush Hour itself ended up being pushed back to September 1998. Besides Jackie Chan films, he began including other films on Rotten Tomatoes, extending it beyond Chan's fandom.[11][12] The first non-Chan Hollywood movie whose reviews were featured on Rotten Tomatoes was Your Friends & Neighbors (1998). The website was an immediate success, receiving mentions by Netscape, Yahoo!, and USA Today within the first week of its launch; it attracted "600–1000 daily unique visitors" as a result.{{Citation needed|date=May 2010}} Duong teamed up with University of California, Berkeley classmates Patrick Y. Lee and Stephen Wang, his former partners at the Berkeley, California-based web design firm Design Reactor, to pursue Rotten Tomatoes on a full-time basis. They officially launched it on April 1, 2000.[13] In June 2004, IGN Entertainment acquired Rotten Tomatoes for an undisclosed sum.[14] In September 2005, IGN was bought by News Corp's Fox Interactive Media.[15] In January 2010, IGN sold the website to Flixster.[16] The combined reach of both companies is 30 million unique visitors a month across all different platforms, according to the companies.[17] In 2011, Warner Bros. acquired Rotten Tomatoes.[18] In February 2016, Flixster, including Rotten Tomatoes, was acquired by Fandango, a company of which Warner Bros. has a minority share.[19] In early 2009, Current Television launched the televised version of the web review site, The Rotten Tomatoes Show. It was hosted by Brett Erlich and Ellen Fox and written by Mark Ganek. The show aired every Thursday at 10:30 EST on the Current TV network.[20] The last episode aired on September 16, 2010. It returned as a much shorter segment of InfoMania, a satirical news show that ended in 2011.{{fact|date=January 2019}} By late 2009, the website was designed to enable Rotten Tomatoes users to create and join groups to discuss various aspects of film. One group, "The Golden Oyster Awards", accepted votes of members for various awards, spoofing the better-known Academy Awards or Golden Globes. When Flixster bought the company, they disbanded the groups, announcing: "The Groups area has been discontinued to pave the way for new community features coming soon. In the meantime, please use the Forums to continue your conversations about your favorite movie topics".{{citation needed|date=January 2014}} As of February 2011, new community features have been added and others removed. For example, users can no longer sort films by Fresh Ratings from Rotten Ratings, and vice versa.{{fact|date=January 2019}} On September 17, 2013, a section devoted to scripted television series, called "TV Zone", was created as a subsection of the website.[21] In February 2016, Rotten Tomatoes and its parent site Flixster were sold to Comcast's Fandango. Warner Bros retained a minority stake in the merged entities, including Fandango.[2] In July 2017, the website's editor-in-chief since 2007, Matt Atchity, left to join The Young Turks.[22] On November 1, 2017, the site launched a new web series on Facebook, See It/Skip It, hosted by Jacqueline Coley and Segun Oduolowu.[23] In March 2018, the site announced its new design, icons and logo for the first time in 19 years at SXSW.[24] {{Visible anchor|Traffic|Description}}Rotten Tomatoes is a top 1000 site, placing around #400 globally and top 150 for the US only, according to website ranker Alexa.[25] Monthly unique visitors to the rottentomatoes.com domain is 26M global (14.4M US) according to audience measurement service Quantcast.[26] FeaturesCritic aggregate scoreRotten Tomatoes staff first collect online reviews from writers who are certified members of various writing guilds or film critic-associations. To be accepted as a critic on the website, a critic's original reviews must garner a specific number of "likes" from users. Those classified as "Top Critics" generally write for major newspapers. The critics upload their reviews to the movie page on the website, and need to mark their review "fresh" if it's generally favorable or "rotten" otherwise. It is necessary for the critic to do so as some reviews are qualitative and do not grant a numeric score, making it impossible for the system to be automatic.{{citation needed|date=September 2018}} The website keeps track of all of the reviews counted for each film and the percentage of positive reviews is calculated. Major, recently released films can attract up to 300 reviews. If the positive reviews make up 60% or more, the film is considered "fresh", in that a supermajority of the reviewers approve of the film. If the positive reviews are less than 60%, the film is considered "rotten". An average score on a 0 to 10 scale is also calculated. With each review, a short excerpt of the review is quoted that also serves a hyperlink to the complete review essay for anyone interested to read the critic's full thoughts on the subject. "Top Critics", such as Roger Ebert, Desson Thomson, Stephen Hunter, Owen Gleiberman, Lisa Schwarzbaum, Peter Travers and Michael Phillips are identified in a sub-listing that calculates their reviews separately. Their opinions are also included in the general rating. When there are sufficient reviews, the staff creates and posts a consensus statement to express the general reasons for the collective opinion of the film.{{citation needed|date=December 2011}} This rating is indicated by an equivalent icon at the film listing, to give the reader a one-glance look at the general critical opinion about the work. The "Certified Fresh" seal is reserved for movies that satisfy two criteria: a "Tomatometer" of 75% or better and at least 40 reviews (for limited release movies, otherwise 80) from "Tomatometer" critics (including 5 Top Critics). Films earning this status will keep it unless the positive critical percentage drops below 70%.[29] Films with 100% positive ratings but fewer than required reviews may not receive the "Certified Fresh" seal.
Golden Tomato AwardsIn the year 2000, Rotten Tomatoes announced the RT Awards honoring the best-reviewed films of the year according to the website's rating system.[28] This was later renamed the Golden Tomato Awards.[33] The nominees and winners are announced on the website, although there is no actual awards ceremony. The films are divided into wide release and limited release categories. Limited releases are defined as opening in 599 or fewer theaters at initial release. Platform releases, movies initially released under 600 theaters but later receiving wider distribution, fall under this definition. Any film opening in more than 600 theaters is considered wide release.[33] There are also two categories purely for British and Australian films. The "User"-category represents the highest rated film among users, and the "Mouldy"-award represents the worst-reviewed films of the year. A movie must have 40 (originally 20) or more rated reviews to be considered for domestic categories. It must have 500 or more user ratings to be considered for the "User"-category. Films are further classified based on film genre. Each movie is eligible in only one genre, aside from non-English language films, which can be included in both their genre and the respective "Foreign" category. Once a film is considered eligible, its "votes" are counted. Each critic from the website's list gets one vote (as determined by their review), all weighted equally. Because reviews are continually added, manually and otherwise, a cutoff date at which new reviews are not counted toward the Golden Tomato awards is initiated each year, usually the first of the new year. Reviews without ratings are not counted toward the results of the Golden Tomato Awards.[29] Critics consensusEach movie features a brief summary of the reviews used in that entry's Tomatometer aggregate score. These are written by Jeff Giles, a longtime author for the site.[30] Audience score and reviews{{multiple image|width1 = 40 |width2 = 70 |image1 = Rotten Tomatoes positive audience.svg |alt1 = Positive audience score |image2 = Rotten Tomatoes negative audience.svg |alt2 = Negative audience score |footer = Positive and negative audience score icons }} Each movie features a "user average", which calculates the percentage of registered users who have rated the film positively on a 10-star scale, similar to calculation of recognized critics' reviews. Localized versionsLocalized versions of the site available in the United Kingdom, India, and Australia were discontinued following the acquisition of Rotten Tomatoes by Fandango. The Mexican version of the site (Tomatazos) remains active. APIThe Rotten Tomatoes API provides limited access to critic and audience ratings and reviews, allowing developers to incorporate Rotten Tomatoes data on other websites. The free service is intended for use in the US only; permission is required for use elsewhere.[31] InfluenceMajor Hollywood studios have come to see Rotten Tomatoes as a threat to their marketing. In 2017 several blockbuster films like Dead Men Tell No Tales, Baywatch and The Mummy were projected to open with gross receipts of $90 million, $50 million and $45 million respectively, but ended up debuting with $62.6 million, $23.1 million and $31.6 million. Rotten Tomatoes, which gave the films low scores of 30%, 19% and 16%, was blamed for undermining them. That same summer, films like Wonder Woman and Homecoming (both 92%) received high scores and opened on par or exceeded expectations with their $100+ million trackings.[32][33][40]As result of this concern, 20th Century Fox commissioned a 2015 study, titled "Rotten Tomatoes and Box Office", that stated the website combined with social media was going to be an increasingly serious complication for the film business: "The power of Rotten Tomatoes and fast-breaking word of mouth will only get stronger. Many Millennials and even Gen X-ers now vet every purchase through the Internet, whether it's restaurants, video games, make-up, consumer electronics or movies. As they get older and comprise an even larger share of total moviegoers, this behavior is unlikely to change".[34] Other studios have commissioned a number of studies on the subject, with them finding that seven out of 10 people said they would be less interested in seeing a film if the Rotten Tomatoes score was 0-25, and that the site has the most influence on people 25 and younger.[40] The scores have reached a level of online ubiquity which film companies have found threatening. For instance, the scores are regularly posted in Google search results for films so reviewed. Furthermore, the scores are prominently featured in Fandango's popular ticket purchasing website and its mobile app, Flixster, which led to complaints that "rotten" scores damaged films' performances.[35] Others have argued that filmmakers and studios have only themselves to blame if Rotten Tomatoes produces a bad score, as this only reflects a poor reception among film critics. As one independent film distributor marketing executive noted, "To me, it's a ridiculous argument that Rotten Tomatoes is the problem ... make a good movie!".[36] ComScore's Paul Dergarabedian had similar comments, saying: "The best way for studios to combat the 'Rotten Tomatoes Effect' is to make better movies, plain and simple".[40] Some studios have suggested embargoing or cancelling early critic screenings in a response to poor reviews prior to a film's release affecting pre-sales and opening weekend numbers.[33] In July 2017, Sony embargoed critic reviews for The Emoji Movie until mid-day the Thursday before its release. The film ended up with a 9% rating (including 0% after the first 25 reviews), but still opened to $24 million, on par with projections. Josh Greenstein, Sony Pictures President of Worldwide Marketing and Distribution, said: "The Emoji Movie was built for people under 18 ... so we wanted to give the movie its best chance. What other wide release with a score under 8 percent has opened north of $20 million? I don't think there is one". Conversely, Warner Bros. also did not do critic pre-screenings for The House, which ended up with a 16% rating, until the day of its release, but it still opened to just $8.7 million, the lowest of star Will Ferrell's career.[37] That marketing tactic can backfire, and drew the vocal disgust of influential critics such as Roger Ebert, who was prone to derisively condemn such moves, with gestures such as "The Wagging Finger of Shame", on At the Movies.[38] Furthermore, the very nature of withholding reviews can draw early conclusions from the public that the film is of poor quality because of that marketing tactic.[39] On February 26, 2019, in response to issues surrounding coordinated bombing of user reviews for several films, most notably Captain Marvel, and Episode IX, prior to their release, the site announced that user reviews would no longer be accepted until a film is publicly released. The site also announced plans to introduce a system for "verified" reviews, and that the "Want to See" statistic would now be expressed as a number so that it is not confused with the audience score.[40][41] CriticismOversimplificationIn January 2010, on the occasion of the 75th anniversary of the New York Film Critics Circle, its chairman Armond White cited Rotten Tomatoes in particular and film review aggregators in general as examples of how "the Internet takes revenge on individual expression". He said they work by "dumping reviewers onto one website and assigning spurious percentage-enthusiasm points to the discrete reviews". According to White, such websites "offer consensus as a substitute for assessment".[42] Director and producer Brett Ratner has criticized the website for "reducing hundreds of reviews culled from print and online sources into a popularized aggregate score", and feels it is the "worst thing that we have in today's movie culture".[43] Writer Max Landis, following his film Victor Frankenstein receiving an approval rating of 24% on the site, wrote that the site "breaks down entire reviews into just the word 'yes' or 'no', making criticism binary in a destructive arbitrary way".[44] OtherAmerican director Martin Scorsese wrote a column in The Hollywood Reporter criticizing both Rotten Tomatoes and CinemaScore for promoting the idea that films like Mother! had to be "instantly liked" to be successful.[45] While promoting the film Suffragette (which has a "fresh" rating[46]) in 2015, actress Meryl Streep accused Rotten Tomatoes of disproportionately representing the opinions of male film critics, resulting in a skewed ratio that adversely affected the commercial performances of female-driven movies. "I submit to you that men and women are not the same, they like different things", she said. "Sometimes they like the same thing, but sometimes their tastes diverge. If the Tomatometer is slighted so completely to one set of tastes that drives box office in the United States, absolutely."[47] Rotten Tomatoes deliberately withheld the critic score for Justice League based on early reviews until the premiere of its See It/Skip It episode on the Thursday before its release. Some critics viewed the move as a ploy to promote the web series, but some argued that the move was a deliberate conflict of interest on account of Warner Bros.' ownership of the film and Rotten Tomatoes, and the tepid critical reception to the DC Extended Universe films, barring Wonder Woman.[48] See also{{Portal|Internet|Film}}
References1. ^{{cite web|url=https://www.engadget.com/2016/02/17/fandango-buys-rotten-tomatoes-flixster/|title=Fandango snaps up Rotten Tomatoes and Flixster|publisher=Engadget(AOL)|access-date=February 19, 2016}} 2. ^1 2 {{cite web|url=http://deadline.com/2016/02/fandango-acquires-rotten-tomatoes-flixster-1201704373/|title=Fandango Acquires Rotten Tomatoes & Flixster - Deadline|author=Anthony D'Alessandro|work=Deadline Hollywood|publisher=Penske Media Corporation|access-date=February 19, 2016}} 3. ^{{cite web |title=Rottentomatoes.com Traffic, Demographics and Competitors - Alexa |url=https://www.alexa.com/siteinfo/rottentomatoes.com |website=www.alexa.com |accessdate=March 27, 2019 |language=en}} 4. ^{{Cite news|url=http://www.latimes.com/business/hollywood/la-fi-ct-rotten-tomatoes-20170721-htmlstory.html|title=How Rotten Tomatoes became Hollywood's most influential — and feared — website|work=Los Angeles Times|access-date=April 18, 2018|language=en-US|issn=0458-3035}} 5. ^{{Cite news|url=http://entrepreneurship.berkeley.edu/events/bps-a-fireside-chat-with-patrick-lee/|title=Entrepreneurial Best Practices Series: A Fireside Chat with Rotten Tomatoes Founder Patrick Lee - Berkeley-Haas Entrepreneurship Program|work=Berkeley-Haas Entrepreneurship Program|access-date=April 18, 2018|language=en-US}} 6. ^{{Cite news|url=https://alumni.berkeley.edu/community/berkeley-150/notable-alumni|title=Notable Cal Alumni|date=February 21, 2018|publisher=Cal Alumni Association, UC Berkeley|access-date=April 18, 2018}} 7. ^{{Cite web|url=https://angel.co/swang75|title=Stephen Wang|website=angel.co|access-date=April 18, 2018}} 8. ^{{Cite news|url=http://money.cnn.com/2016/02/17/media/fandango-rotten-tomatoes-flixster/index.html|title=Fandango acquires review site Rotten Tomatoes, Flixster|last=Pallotta|first=Frank|work=CNNMoney|access-date=April 18, 2018}} 9. ^{{cite news|url=http://www.sfgate.com/default/article/Fresh-Look-For-Rotten-Tomatoes-Help-from-3304427.php |title=Fresh Look For Rotten Tomatoes / Help from college buddies elevates movie-rating website beyond hobby status|work=San Francisco Chronicle|date= April 26, 2001|access-date=January 12, 2013 | first=David | last=Lazarus}} 10. ^{{cite web |url=http://www.asianconnections.com/entertainment/rotten_tomatoes.php |title=Senh Duong interview, 2000 |publisher=Asianconnections.com |date=August 19, 1999 |access-date=December 4, 2009 |deadurl=yes |archiveurl=https://web.archive.org/web/20090927130308/http://www.asianconnections.com/entertainment/rotten_tomatoes.php |archivedate=September 27, 2009 }} 11. ^{{cite web |title=20 Years Later, Rush Hour Is Still a Buddy-Cop Gem |url=https://editorial.rottentomatoes.com/article/20-years-later-rush-hour-is-still-a-buddy-cop-gem/ |website=Rotten Tomatoes |date=September 18, 2018}} 12. ^{{cite book |last=Semley |first=John |title=Hater: On the Virtues of Utter Disagreeability |date=2018 |publisher=Penguin Books |isbn=9780735236172 |pages=26–27 |url=https://books.google.com/books?id=Y1tJDwAAQBAJ&pg=PT26}} 13. ^{{cite web|last=Ryan|first=Tim |url=https://www.rottentomatoes.com/news/1736415/2/an_oral_history_of_rt_part_one_the_beginning |title=Rotten Tomatoes Oral History |publisher=Rotten Tomatoes (Fandango Media) |access-date=December 4, 2009}} 14. ^{{cite web|url=http://corp.ign.com/press/2004/ign-entertainment-to-acquire-rotten-tomatoes |title=IGN Entertainment to Acquire Rotten Tomatoes |publisher=Corp.ign.com |date=June 29, 2004 |access-date=January 27, 2017}} 15. ^{{cite web|url=https://www.bloomberg.com/news/articles/2005-09-10/news-corp-dot-acquires-ign-for-650-million |title=News Corp. Acquires IGN for $650 Million |publisher=Bloomberg |date=September 10, 2005 |access-date=January 27, 2017}} 16. ^{{cite news|last=Graser |first=Marc |url=http://www.variety.com/article/VR1118013270.html |title=Flixster buys Rotten Tomatoes |work=Variety |publisher=Penske Media Corporation |date= January 4, 2010|access-date=January 4, 2010}} 17. ^{{cite web|url=https://techcrunch.com/2010/01/04/rotten-tomatoes-flixster/|title=News Corp. Unloads Rotten Tomatoes Onto Flixster|date=January 4, 2010|publisher=TechCrunch (AOL)|access-date=February 19, 2016}} 18. ^{{cite news |last1=Sweney |first1=Mark |title=Warner Bros buys Rotten Tomatoes owner Flixster |url=https://www.theguardian.com/media/2011/may/04/warner-bros-rotten-tomatoes-flixster |accessdate=September 1, 2018 |work=The Guardian |publisher=Guardian News |date=May 4, 2011 |language=en}} 19. ^{{Cite web|title = Rotten Tomatoes and Flixster Acquired By Fandango|url = http://www.slashfilm.com/rotten-tomatoes-fandango-flixster/|website = Slashfilm|access-date = February 19, 2016|language = en-US}} 20. ^{{cite web|url=http://current.com/shows/the-rotten-tomatoes-show|title=The Rotten Tomatoes Show on Current|date=November 23, 2009|work=The Rotten Tomatoes Show|access-date=December 4, 2009|archive-url=https://www.webcitation.org/65cHWlKXc?url=http://current.com/shows/the-rotten-tomatoes-show|archive-date=February 21, 2012|dead-url=yes}} 21. ^{{cite web|url=http://www.rottentomatoes.com/m/tv_editorial/news/1928345/welcome_to_the_rotten_tomatoes_tv_zone/?hub=15|archive-url=https://web.archive.org/web/20130922042858/http://www.rottentomatoes.com/m/tv_editorial/news/1928345/welcome_to_the_rotten_tomatoes_tv_zone/?hub=15|dead-url=yes|archive-date=September 22, 2013|title=Welcome to the Rotten Tomatoes TV Zone|last=Atchity|first=Matt|publisher=Rotten Tomatoes (Fandango Media)|access-date=September 17, 2013}} 22. ^{{cite web|url=https://variety.com/2017/digital/news/rotten-tomatoes-matt-atchity-young-turks-programming-1202497403/|title=Rotten Tomatoes Editor-in-Chief Matt Atchity Joins The Young Turks as Head of Programming|date=July 16, 2017|work=Variety}} 23. ^{{Cite news|url=https://variety.com/2017/digital/news/rotten-tomatoes-facebook-show-see-it-skip-it-1202599553/|title=Rotten Tomatoes to Launch Weekly ‘See It/Skip It’ Show on Facebook (EXCLUSIVE)|last=Spangler|first=Todd|date=October 26, 2017|work=Variety|access-date=November 25, 2017|language=en-US}} 24. ^{{Cite news|url=http://www.adweek.com/brand-marketing/rotten-tomatoes-rolls-out-a-fresh-logo-and-visual-identity-after-19-years/|title=Rotten Tomatoes Rolls Out a Fresh Logo and Visual Identity After 19 Years|last=Richards|first=Katie|date=March 6, 2018|work=Adweek|access-date=March 6, 2018|language=en-US}} 25. ^{{cite web|url=http://www.alexa.com/siteinfo/rottentomatoes.com|title=rottentomatoes.com|publisher=Alexa Internet|access-date=November 26, 2017}} 26. ^{{cite web|url=https://www.quantcast.com/rottentomatoes.com|title=rottentomatoes|publisher=Quantcast|access-date=November 28, 2014}} 27. ^1 2 {{cite web|url=https://www.rottentomatoes.com/help_desk/licensing/|title=Rotten Tomatoes: Licensing|publisher=Rotten Tomatoes|access-date=June 3, 2016}} 28. ^{{cite web|url=http://www.rottentomatoes.com/features/rtawards/index_2000.php|title=2nd Golden Tomato Awards |publisher=Rotten Tomatoes|date=January 1, 2013|access-date=April 21, 2013}} 29. ^1 2 {{cite web|url=http://www.rottentomatoes.com/guides/golden-tomato-awards-2012/#readmore|title=14th Golden Tomato Awards|publisher=Rotten Tomatoes|date=January 1, 2013|access-date=April 21, 2013}} 30. ^{{cite news |url= https://www.nytimes.com/2017/09/07/business/media/rotten-tomatoes-box-office.html?smid=tw-nytimes&smtyp=cur&_r=1 |title= Attacked By Rotten Tomatoes|newspaper= The New York Times|publisher=The New York Times Company |date= September 7, 2017 |accessdate= September 9, 2017 |first=Brooks |last=Barnes}} 31. ^{{cite web|url=http://developer.rottentomatoes.com/page|title=Welcome to the Rotten Tomatoes API|publisher=Flixster, Inc.|access-date=November 28, 2014|archive-url=https://web.archive.org/web/20141219140243/http://developer.rottentomatoes.com/page|archive-date=December 19, 2014|dead-url=yes}} 32. ^{{cite news|last1=Mendelson|first1=Scott|title=Rotten Tomatoes, Netflix And A Perfect Storm That Dooms Hollywood|url=https://www.forbes.com/sites/scottmendelson/2017/06/13/box-office-rotten-tomatoes-netflix-and-a-perfect-storm-dooms-hollywood/#6704f0f43a61|accessdate=June 14, 2017|newspaper=Forbes|publisher=Forbes LLC|date=June 13, 2017}} 33. ^1 {{cite web|url=http://deadline.com/2017/05/pirates-of-the-caribbean-5-dead-men-tell-no-tales-baywatch-box-office-weekend-1202102887/|title=How ‘Pirates’ & ‘Baywatch’ Are Casualties Of Summer Franchise Fatigue At The Domestic B.O.|website=Deadline Hollywood|publisher=Penske Media Corporation|date=May 28, 2017|accessdate=July 20, 2017}} 34. ^{{cite news|last1=Lee|first1=Chris|title=How Hollywood Came to Fear and Loathe Rotten Tomatoes|url=http://www.vanityfair.com/hollywood/2017/06/how-hollywood-came-to-fear-and-loathe-rotten-tomatoes|accessdate=October 29, 2017|work=Vanity Fair|date=June 9, 2017}} 35. ^{{cite news|last1=Barnes|first1=Brooks|title=Rotten Tomatoes won’t be getting fresh ratings from Hollywood|url=https://www.thestar.com/business/2017/09/08/rotten-tomatoes-wont-be-getting-any-fresh-ratings-from-hollywood.html|accessdate=September 9, 2017|agency=New York Times|newspaper=Toronto Star|publisher=Torstar Corporation|date=September 8, 2017}} 36. ^{{cite news|url=https://www.vanityfair.com/hollywood/2017/06/how-hollywood-came-to-fear-and-loathe-rotten-tomatoes|title=How Hollywood Came to Fear and Loathe Rotten Tomatoes|last1=Lee|first1=Chris|date=June 9, 2017|work=Vanity Fair|accessdate=June 14, 2017}} 37. ^1 2 3 {{cite web|url=http://www.hollywoodreporter.com/news/studios-fight-back-withering-rotten-tomatoes-scores-1025575|title=Studios Fight Back Against Withering Rotten Tomatoes Scores|work=The Hollywood Reporter|date=August 2, 2017}} 38. ^{{cite news|last1=Knight|first1=Chris|title=Why Hollywood doesn't want you to see Tulip Fever, which has been buried deep for three long years|url=https://nationalpost.com/entertainment/movies/why-hollywood-doesnt-want-you-to-see-tulip-fever-which-has-been-buried-deep-for-three-long-years|accessdate=October 5, 2017|publisher=National Post|date=August 31, 2017}} 39. ^{{cite web|last1=Dickey|first1=Josh|title=There's a secret way to predict a movie's Rotten Tomatoes score|url=http://mashable.com/2017/09/05/movies-rotten-tomatoes-scores-embargo-times/|publisher=Mashable.com|accessdate=September 9, 2017}} 40. ^{{Cite web|url=https://www.polygon.com/2019/2/26/18241312/rotten-tomatoes-movie-review-changes|title=Rotten Tomatoes will no longer allow audiences to review movies before release|last=Polo|first=Susana|date=2019-02-26|website=Polygon|access-date=2019-02-26}} 41. ^{{Cite web|url=https://www.engadget.com/2019/02/26/rotten-tomatoes-trolls-audience-scores/|title=Rotten Tomatoes takes on trolls by removing 'want to see' scores|website=Engadget|language=en|access-date=2019-02-26}} 42. ^{{cite web|title=Do Movie Critics Matter?|url=https://www.firstthings.com/web-exclusives/2010/03/do-movie-critics-matter|first=Armond|last=White|authorlink=Armond White|publisher=First Things|date=April 3, 2010|access-date=June 2, 2017}} 43. ^{{cite web|url=http://ew.com/movies/2017/03/23/ratner-tomatoes-scores/|title=Rotten Tomatoes Is 'the Destruction of Our Business,' Says Director|date=March 23, 2017|work=Entertainment Weekly|publisher=Time Inc.|accessdate=June 2, 2017}} 44. ^{{Cite web |url=http://cinemajam.com/mag/features/critical-mass-rotten-tomatoes-death-of-individuality |title=Critical Mass: Rotten Tomatoes and the death of individuality |last=Birrell |first=Mark |date=April 16, 2017 |website=The Spread |access-date=July 17, 2018}} 45. ^{{cite web |url=https://www.hollywoodreporter.com/news/martin-scorsese-rotten-tomatoes-box-office-obsession-why-mother-was-misjudged-guest-column-1047286 |title=Martin Scorsese on Rotten Tomatoes, Box Office Obsession and Why 'Mother!' Was Misjudged (Guest Column) |author=Martin Scorsese |date=October 10, 2017 |website=The Hollywood Reporter |publisher= |access-date= April 12, 2018 |quote=}} 46. ^{{cite web |url=http://www.rottentomatoes.com/m/suffragette/ |title= Suffragette (2015) |work=Rotten Tomatoes |publisher=Fandango Media |accessdate=September 18, 2018}} 47. ^{{cite news|last=Shoard|first=Catherine|date=June 15, 2018|url=https://www.theguardian.com/film/2018/jun/15/oceans-8-dominance-men-film-reviews|title=Ocean's 8 stars blame dominance of male critics for film's mixed reviews|newspaper=The Guardian|publisher=Guardian News and Media|accessdate=June 16, 2018}} 48. ^{{Cite news|url=https://www.wired.com/story/justice-league-rotten-tomatoes-fans/|title='Justice League', Rotten Tomatoes, and DC Fans' Persecution Complex|work=Wired|access-date=November 25, 2017|language=en-US}} Further reading
External links
4 : Film review websites|Recommender systems|Online film databases|Internet properties established in 1998 |
|||||||||
| 随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。