| 词条 | James C. Watkins |
| 释义 |
| bgcolour = | name = James C. Watkins | image = Watkins in his gallery.jpg | imagesize = | caption = | birth_name = | birth_date = {{Birth date and age|1951|05|28}} | birth_place = | death_date = | death_place = | nationality = American | field = Ceramics, Pottery | training = | movement = | works = | patrons = | influenced by = | influenced = | awards = }}James C. Watkins (1951 - ) was born in Louisville, Kentucky, in 1951 and raised in a farming family in Athens, Alabama.[1] He is a ceramic artist living in Lubbock, Texas and is known for his large scale double-walled ceramic vessels and laser cut porcelain substrate [2] tiles. He is recognized for his textured surfaces, created by using alternative firing techniques.[3] His porcelain substrate tiles are fumed [4] with stannous chloride and multi-fired using ferric chloride, gold and platinum luster to achieve colorful surfaces.[5] Watkins gained recognition through his inclusion in the 1993 White House Collection of American Crafts,[6] which was curated by Michael Monroe, who was then the director of the Renwick Gallery of the Smithsonian Institution.[7] Watkins' work is included in the permanent collections of major museums, including the Shigaraki Ceramic Cultural Park [8] in Shigaraki, Japan and the Eiteljorg Museum [9] of Art, in Indianapolis, Indiana.[10] Academic and instructional positionWatkins is a Paul Whitfield Horn Professor [11] Emeritus in the College of Architecture at Texas Tech University in Lubbock, Texas where he taught Architectural Ceramics and Architectural Drawing. The Horn Professorship is the highest honor that Texas Tech University bestows on members of its faculty.[12] Personal backgroundWatkins uses his experience of growing up in the rural south during the 1950s and 60s as a source of inspiration for his signature work. His mother and father were farmers. Watkins is the oldest of six children - three boys and three girls. He grew up in a time when large cast-iron pots were still used as an essential farming utensil.[13] His mother made soap, hominy and souse in the large black cast-iron pots. Watkins creates large double-walled ceramics forms that are inspired by the memory of helping his mother keep the fire burning hot around the cast-iron pots.[14] AwardsWatkins has been honored for his contributions to the arts and teaching.
Education
Publications by James C. Watkins
Publications about James C. Watkins' life and art
External links
GalleryReferences1. ^Ceramics Monthly, (Cover), "Pots Made of Memories", Autobiographic Essay, James Watkins, June/July/August 1992. 2. ^PC SUBSTRATES:Laswe Scribing. 3. ^China Ceramic Artist, "Notes on Alternative Firing Techniques" James Watkins, 2013. 4. ^Fuming. 5. ^New Ceramics (cover), The European Ceramics Magazine, James Watkins, September/November Issue 2013. 6. ^White House Collection of American Crafts. 7. ^Southern Living Magazine, Rogayle Frankin, "Artful Pottery, Texas Size", 2001. 8. ^Shigaraki Ceramic Cultural Park. 9. ^The Eiteljorg Museum of Art. 10. ^Lubbock Magazine, Jerod Foster, January/February Issue, 2010. 11. ^Paul Whitfield Horn Professorship. 12. ^African American Art, Asian Persuasion, Juliette Harris, "Transformation From Alabama to Asia", Hampton University Publication 2006. 13. ^Clay Time, The Journal of Ceramic Trends & Techniques, Tony Meriono, "Art out of Frugality" 1998. 14. ^The Studio Potter (cover), James Watkins, "Reflection on Legacy", Winter/Spring Issue 2014.
5 : 1951 births|Living people|African-American artists|Artists from Louisville, Kentucky|People from Athens, Alabama |
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