“Josephine Pryde”的意思、由来-开放百科全书

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Josephine Pryde

释义

References

{{Use British English|date=August 2011}}{{Use dmy dates|date=August 2011}}Josephine Pryde (born 1967 in Alnwick, Northumberland) is an English artist. In 2010, reviewing a show of Pryde's work which featured "seven colour photographs of extreme close-ups of clothing on a body, and four sculptures made from half-finished woven baskets and metal butcher’s hooks," the reviewer Dan Fox said that the work "seemed somewhat aloof," adding his opinion that "there was a healthy cynicism here perhaps worth listening to."^[1] On 27 May 2011, an exhibition of Pryde's photographs – titled Embryos and Estate Agents: L'Art de Vivre – went on display at the Chisenhale Gallery in East London.^[2]

Josephine Pryde uses photography and sculpture to explore the nature of image making and display. For the Turner Prize she has created new works using domestic kitchen worktops. To make these pieces, Pryde placed objects on the back of the worktops and then exposed them to sunlight in London, Athens and Berlin. The resulting marks are reminiscent of photograms, a cameraless photographic technique developed by early photographers but often associated with experimental 20th century photography. The works were made over the summer of 2016 and mark the time between the artist's nomination for the Turner Prize and the opening of this exhibition.^[3]

The New Media Express in a Temporary Siding (Baby Wants To Ride) is a scale model of a Class 66 diesel locomotive and carriages in DB Schenker livery. The carriages are tagged by graffiti artists from the cities in which the train has previously been exhibited. For its presentation here at Tate Britain, the train, as the adapted title of the piece suggests, is temporarily static, elevated on a platform and awaiting its next move.

Pryde's ongoing series of photographs, Hands “Für Mich”, resemble fashion or advertising images. They are closely cropped and focus on the models’ upper body and hands, which are touching objects such as phones, computer tablets, driftwood and notebooks. Our attention is drawn to the point at which the body and the object meet and to the gestures the hands perform.

References

1. ^Dan Fox, "Review: Josephine Pryde – Reena Spaulings Fine Art {{webarchive|url=https://web.archive.org/web/20110713161145/http://www.frieze.com/issue/review/josephine_pryde/ |date=13 July 2011 }}," Frieze, Issue 132, June – August 2010.
2. ^e-flux retrieved 27 May 2011
3. ^{{Cite web|url=http://www.tate.org.uk/whats-on/tate-britain/exhibition/turner-prize-2016/about-artists/josephine-pryde|title=Turner Prize 2016: Josephine Pryde {{!}} Tate|website=www.tate.org.uk|language=en|access-date=2017-01-21}}

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