词条 | Kontradans |
释义 |
HistoryThe "contredanse," the French-renamed country dance as indicated in a 1710 dance book called Recuil de Contredance,[5] began in the English courts and was imported to Haiti via France (Brittany) through colonial rule and had been incorporated with African influences in Saint-Domingue.[6][7][8] Contredanse flourished as it took on this creolized form establishing strong traditions in Haiti that would later influence variant forms throughout the Caribbean.[9] OriginsThe usage of the drums, poetic song, antiphonal song form, and imitations of the colonial elite dance were the elements that had already begun to transform the contredanse.[10] EvolutionA broad group of Saint-Domingue planters, along with their slaves that fled the Haitian Revolution resettled in the old Providence of Oriente in eastern Cuba, that began coffee production around the cities of Santiago and Guantanamo. This settlement provided an impetus of musical activities in those eastern areas. So, this creolized version of contredanse imported from Haiti would fuse with and reinforce the criolla over the next couple of decades. Rhythmic styles such as the tango, habanera, and the cinquillo became dominant patterns as new emerging styles and led to the development of the contradanza,[11] and later in 1879, the danzón; a couples dance and is regarded as the first truly national dance genre of Cuba.[12][13] MéringueA five-note musical figure called quintolet (cinquillo in Cuba and the rest of the Spanish speaking Caribbean), became a chief feature to the kontradans and would figure prominently into the Haitian folk dance music called méringue;[9] a term used to describe a whipped egg and sugar confection popular in 18th century France presumably because it captured the essence of the light nature of the dance where one gracefully shifts their weight between feet in a very fluid movement, animating the final section of the Haitian kontradans.[1] References1. ^1 {{cite book|url=https://books.google.com/books?id=gwEL9mUcVA8C&pg=PA33&lpg=PA33&dq=haitian+contredanse&source=bl&ots=4bsQ1Kcn4_&sig=1vZ3F9EHJ-VpHtPeSo61h0vagzM&hl=en&sa=X&ei=FtooU822Acjn0gGQiIDADA&ved=0CCcQ6AEwATgK#v=onepage&q=haitian%20contredanse&f=false |title=A Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti |author=Averill, Gage |page=33 |year=1997 |publisher=The Chicago University Press |isbn=0226032914 |accessdate=19 March 2014}} {{DEFAULTSORT:Kontradans}}2. ^{{cite book|url=https://books.google.com/books?id=_7NIe_I298MC&pg=PA157&lpg=PA157&dq=haitian+kontradans&source=bl&ots=vwpamb_Hni&sig=H-gEb51d90XAjrDaqviaI5HFcOI&hl=en&sa=X&ei=0kJYVevdDMaQsAXe1IGoBg&ved=0CCQQ6AEwATgK#v=onepage&q=haitian%20kontradans&f=false |title=Caribbean Currents: Caribbean Music from Rumba to Reggae |author1=Manuel, Peter |author2=Bilby, Kenneth |author3=Largey, Michael |page=157 |year=2006 |publisher=Temple University Press |accessdate=17 May 2015}} 3. ^{{cite book|url=https://books.google.com/books?id=BN_49ho6AKkC&pg=PA60&lpg=PA60&dq=haitian+contredanse&source=bl&ots=esqV1hG-WK&sig=mpNZrcVHPOM0on10M5LGqklzWEU&hl=en&sa=X&ei=NcYoU83wJMvHkAem9IH4CQ&ved=0CGkQ6AEwDA#v=onepage&q=haitian%20contredanse&f=false |title=Caribbean and Atlantic Diaspora Dance: Igniting Citizenship |author=Daniel, Yvonne |page=60 |year=1989 |publisher=Stanford University |isbn=9780252036538 |accessdate=19 March 2014}} 4. ^{{cite book|url=https://books.google.com/books?id=fZZ4QKZEumIC&pg=PA120&lpg=PA120&dq=contredanse+saint-domingue&source=bl&ots=NXWA-WHCPN&sig=6MX_Q89X6fOf_EDi1ms4p0c0xdw&hl=en&sa=X&ei=W01YVe6SHcjisAXU-4DYBg&ved=0CD0Q6AEwBg#v=onepage&q=contredanse%20saint-domingue&f=false |title=Cuba and Its Music: From the First Drums to the Mambo |author=Sublette, Ned |page=120 |year=1951 |isbn=1556525168 |accessdate=17 May 2015}} 5. ^{{cite book|last=Holenko|first=John|title=Contra Dance Encyclopedia|year=2010|publisher=Mel Bay Publications|isbn=1609743776|page=6|url=https://books.google.com/books?id=L866b1Olh-UC|ref=harv}} 6. ^{{cite book|url=https://books.google.com/books?id=66VX3BFD-egC&pg=PA33&lpg=PA33&dq=contredanse+saint-domingue&source=bl&ots=EjaMP0Akdj&sig=7J_Jg41o3BxpJDicO9ZFaqYpt2w&hl=en&sa=X&ei=W01YVe6SHcjisAXU-4DYBg&ved=0CDoQ6AEwBQ#v=onepage&q=contredanse%20saint-domingue&f=false |title=Musica!: The Rhythm of Latin America - Salsa, Rumba, Merengue, and More |author=Steward, Sue |page=33 |year=1999 |accessdate=17 May 2015}} 7. ^{{cite web|url=http://www.gottschalk.fr/Bibliographie/References/Chase%20Gilbert%20America%20s%20music%20-%20Exotic%20periphery.pdf |title=Chapter 15: The Exotic Periphery |author=Gilbert Chase |page=309 |accessdate=17 May 2015}} 8. ^{{cite book|url=https://books.google.com/books?id=Ou7UQpV1KtwC&pg=PA27&lpg=PA27&dq=contredanse+saint-domingue&source=bl&ots=DVWWSxVC1I&sig=AUEDc8Cty5yLOoO1fesLMklB9-E&hl=en&sa=X&ei=XFxYVamdI4TcsAXHu4GwBg&ved=0CEoQ6AEwCQ#v=onepage&q=contredanse%20saint-domingue&f=false |title=Popular Musics of the Non-Western World: An Introductory Survey |author=Manuel, Peter |page=27 |year=1988 |publisher=Oxford University Press |isbn=0195053427 |accessdate=17 May 2015}} 9. ^1 {{cite book|url=https://books.google.com/books?id=MX5BXxjwV9cC&pg=PA191&dq=creolization+contradanse+Haiti+via+France&hl=en&sa=X&ei=BTtYVf_ULJG4yQSU3YFY&ved=0CCkQ6AEwAA#v=onepage&q=creolization%20contradanse%20Haiti%20via%20France&f=false |title=Encyclopedia of Latin American Popular Music |editor=Torres, George |page=191 |year=2013 |isbn=9780313340314 |accessdate=15 April 2014}} 10. ^{{cite book|url=https://books.google.com/books?id=aek7fmzOnu4C&pg=PA37&lpg=PA37&dq=haitian+contredanse&source=bl&ots=xqBzVReKqM&sig=0VhduGy-eW220Whcmr2ali2uuRU&hl=en&sa=X&ei=FtooU822Acjn0gGQiIDADA&ved=0CDAQ6AEwAzgK#v=onepage&q=haitian%20contredanse&f=false |title=Rumba: Dance and Social Change in Contemporary Cuba|author=Daniel, Yvonne |page=37 |year=1995 |publisher=Indiana University Press |isbn=025320948X |accessdate=19 March 2014}} 11. ^{{cite web|url=https://online.wsj.com/news/articles/SB10001424052748704895204575320790608961472 |title=The Haitian-Born Rhythm Revolution An Uptown Concert Celebrates the Tradition That Grew From the Music Exported to Cuba and New Orleans by Freed Slaves |author=Da Fonseca-Wollheim, Corinna |date=24 June 2010 |accessdate=19 March 2014}} 12. ^{{cite book|url=https://books.google.com/books?id=6WO7YevK_18C&pg=PA9&lpg=PA9&dq=french+contredanse+in+saint+domingue&source=bl&ots=IvuN7YF7_t&sig=LDBCcrK94_aFyfVqFAV3Aw2Fu6A&hl=en&sa=X&ei=oJUxU74Sg63ZBabmgZgK&ved=0CDcQ6AEwBA#v=onepage&q=french%20contredanse%20in%20saint%20domingue&f=false |title=From Afro-Cuban Rhythms to Latin Jazz |author= Fernandez, Raul A. |page=9 |year=2006 |publisher=University of California Press |isbn=9780520247079 |accessdate=25 March 2014}} 13. ^{{cite book|url=https://books.google.com/books?id=g7fN0e-wA2gC&pg=PA260&lpg=PA260&dq=contredanse+saint-domingue&source=bl&ots=Up0CwDN-tS&sig=OSSbMYSthTlAQRz7_oCorJizFpg&hl=en&sa=X&ei=W01YVe6SHcjisAXU-4DYBg&ved=0CC4Q6AEwAw#v=onepage&q=contredanse%20saint-domingue&f=false |title=The Story of Spanish |author1=Nadeau , Jean Benoit |author2=Barlow, Julie |page=260 |year=2013 |isbn=9780312656027 |accessdate=17 May 2015}} 2 : Haitian styles of music|French folk music |
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