1. Early life

2. Career

3. Personal life

4. Filmography
    Feature films  TV films  Short films  Documentary films 

5. Bibliography

6. References

7. External links

His work often explores themes of alienation and isolation, featuring characters whose interactions are mediated through technology, bureaucracy, or other power structures. Egoyan's films often follow non-linear plot structures, in which events are placed out of sequence in order to elicit specific emotional reactions from the audience by withholding key information.^[2]

In 2008, Egoyan received the Dan David Prize for "Creative Rendering of the Past".^[8] Egoyan later received the Governor General's Performing Arts Award, Canada's highest royal honour in the performing arts, in 2015.^[9]

He was part of a loosely-affiliated group of filmmakers to emerge in the 1980s from Toronto known as the Toronto New Wave.

Early life

Egoyan was born Atom Yeghoyan (Western {{lang-hy|Աթոմ Եղոյեան}}) in Cairo, Egypt, the son of Shushan (née Devletian) and Joseph Yeghoyan, artists who operated a furniture store.^[10] His parents were Armenian-Egyptians, and he was named Atom to mark the completion of Egypt's first nuclear reactor.^[11][12] In 1962, the family moved to Canada, where they settled in Victoria, British Columbia and changed their last name to Egoyan. Atom grew up in British Columbia with his sister, Eve, now a concert pianist based in Toronto.^[13]

As a teenager, he became interested in reading and writing plays. Significant influences included Samuel Beckett and Harold Pinter. Egoyan also attributes his future in the film industry to Ingmar Bergman's film Persona, which he viewed at age fourteen, according to an interview he had with journalist Robert K. Elder for The Film That Changed My Life:

He graduated from Trinity College at the University of Toronto. It was at Trinity College that Egoyan came into contact with Harold Nahabedian, the Armenian-Canadian Anglican Chaplain of Trinity College. In interviews Egoyan credited Nahabedian for introducing him to the language and history of his ethnic heritage. Egoyan also wrote for the University of Toronto's independent weekly, The Newspaper, during his time at the school.

Career

Egoyan began making films in the early 1980s; his debut film Next of Kin (1984) world-premiered at the International Filmfestival Mannheim-Heidelberg and won a major prize. His commercial breakthrough came with the film Exotica (1994). He received the Grand Prix (Belgian Film Critics Association) in Brussels, the FIPRESCI Jury Prize at the Cannes Film Festival, and Best Motion Picture at the Canadian Screen Awards (then called the Genie Awards). However, it was Egoyan's first attempt at adapted material that resulted in his best-known work, The Sweet Hereafter (1997), which earned him three prizes at the 50th Cannes Film Festival—the Grand Prix, the FIPRESCI Jury Prize, and the Prize of the Ecumenical Jury. The film also earned Egoyan Academy Award nominations for Best Director and Best Adapted Screenplay.^[15]

The film Ararat (2002) generated much publicity for Egoyan. After Henri Verneuil's French-language film Mayrig (1991), it was the first major motion picture to deal directly with the Armenian Genocide. Ararat later won the award for Best Motion Picture at the Canadian Screen Awards, marking his second win.^[16] The film was released in over 30 countries around the world. In 2004, Egoyan opened Camera Bar, a 50-seat cinema-lounge on Queen Street West in Toronto.^[17]

In 2005, Egoyan joined the Faculty of the Media and Communications division at European Graduate School (EGS) in Saas-Fee, Switzerland, where he conducts intensive summer seminars.^[2] Beginning in September 2006, Egoyan taught at the University of Toronto for three years.^[18] He joined the Faculty of Arts and Science as the Dean's Distinguished Visitor in theatre, film, music, and visual studies. He subsequently taught at Ryerson University.^[19] In 2006, he received the Master of Cinema Award of the International Filmfestival Mannheim-Heidelberg.

In 2009, he directed the erotic thriller Chloe, which was theatrically released by Sony Pictures Classics on March 26, 2010. This film grossed $3 million in box office sales in the United States and became one of the higher-grossing specialty films of the year in the United States.^[20] Several months after the DVD/Blu-ray release of Chloe, Egoyan said that Chloe had made more money than any of his previous films.^[6][7] The success of Chloe led Egoyan to receive many scripts of erotic thrillers.^[21]

In 2012, he directed a production of Martin Crimp's Cruel and Tender, starring Khanjian, at Canadian Stage in Toronto.^[22]

After the release of the West Memphis Three from 18 years in prison, Egoyan directed a movie about the case called Devil's Knot (2013) starring Reese Witherspoon and Colin Firth, based on a book on the case, The True Story of the West Memphis Three by Mara Leveritt. His next feature, The Captive (2014), starred Ryan Reynolds and screened in competition for the Palme d'Or at the 2014 Cannes Film Festival,^[23] where it received largely negative reviews from critics.^[24] Justin Chang from Variety described the film as "a ludicrous abduction thriller that finds a once-great filmmaker slipping into previously un-entered realms of self-parody".^[25]

His latest film, Remember, starred Christopher Plummer and premiered at the Toronto International Film Festival in September 2015 and was later given a limited release in theatres.^[26]

Personal life

Egoyan is based in Toronto, where he lives with his wife Arsinée Khanjian, a trilingual (English, French and Armenian) Armenian-Canadian actress who appears in many of Egoyan's films, and their son, Arshile (named after the Armenian-American painter Arshile Gorky).

In 1999, Egoyan was made an Officer of the Order of Canada, it was later upgraded to Companion of the order in December 30, 2015, the highest grade of the honour and also will be honoured with a Lifetime Achievement Award at the International Film Festival of India.^[27]

Filmography

Feature films

TV films

• In This Corner (1985)
• Gross Misconduct (1993)
• Sarabande (1997)
• Krapp's Last Tape (2000)

Short films

• Howard in Particular (1979)
• After Grad with Dad (1980)
• Peep Show (1981)
• Open House (1982)
• A Passion Playground (1985)
• Looking for Nothing (1988)
• Montreal Stories (Montréal vu par...) (1991)
  • segment: En passant (In Passing)
• A Portrait of Arshile (1995)
• The Line (2000)
• Diaspora (2001)
• Chacun son cinéma / To Each His Own Cinema (2007)
  • segment: Artaud Double Bill
• Venezia 70 Future Reload (2013)
  • segment: Butterfly
• Festival du Nouveau Cinéma (2014)
  • segment: L'Apparition (d'après René Magritte)

Documentary films

• Citadel (2003)

Bibliography

• Dear Sandra, Volumina (2007)

References

External links

• Ego Film Arts – official website
• Atom Egoyan Faculty page at European Graduate School (Includes biography, filmography, photos and video lectures)
• {{IMDb name|382}}
• {{Amg name|88743|Atom Egoyan}}
• {{OCC|5365}}
• CTV.ca Filmmaker Egoyan set to teach at U. of Toronto
• Discussion of Egoyan's film, Calendar by Ron Burnett
• Literature on Atom Egoyan

• Das Me
• Das Me (Brooke Candy song)
• Da, smert
• Da, smert (film)
• Dasmesh Public School, Faridkot
• Das Micky-Maus-Girl
• Das Millionenspiel
• Dasmina Upazila
• Dasmomorpha
• Das Monster Aus Dem Schrank
• Dasmophora xerospila
• Dasmosmilia
• Dasmunsi
• Dasmurt
• Das Mädchen auf dem Brett
• Das Mädchen aus der Fremde
• Das Mädchen Irene
• Das Mädchen Johanna
• Das Mädchen Marion
• Das Mädchen mit der Protektion
• Das Mädchen Rosemarie
• Das Mädchen vom Moorhof
• Das Mädchen von Fanö
• Das Mädel mit der Peitsche
• Das Mädel von Capri