| 词条 | The Rescuers |
| 释义 |
| name = The Rescuers | image = Rescuersposter.jpg | caption = Original theatrical release poster | director = {{Plainlist|
}} | producer = {{Plainlist|
}} | story = {{Plainlist|
}} | based on = {{based on|The Rescuers and Miss Bianca|Margery Sharp}} | starring = {{Plainlist|
}} | music = Artie Butler | editing = {{Plainlist|
}} | studio = Walt Disney Productions | distributor = Buena Vista Distribution | released = {{Film date|1977|6|22}} | runtime = 77 minutes | country = United States | language = English | budget = $7.5 million[1] | gross = $169 million[2] }} The Rescuers is a 1977 American animated adventure comedy-drama produced by Walt Disney Productions and released by Buena Vista Distribution. The 23rd Disney animated feature film, the film is about the Rescue Aid Society, an international mouse organization headquartered in New York City and shadowing the United Nations, dedicated to helping abduction victims around the world at large. Two of these mice, jittery janitor Bernard (Bob Newhart) and his co-agent, the elegant Miss Bianca (Eva Gabor), set out to rescue Penny (Michelle Stacy), an orphan girl being held prisoner in the Devil's Bayou by treasure huntress Madame Medusa (Geraldine Page). The film is based on a series of books by Margery Sharp, most notably The Rescuers and Miss Bianca. The Rescuers entered development in 1962, but was shelved due to Walt Disney's dislike of the project's political overtones. During the 1970s, the film was revived as a project for the younger animators, but it was taken over by the senior animation staff following the release of Robin Hood (1973). The Rescuers was released on June 22, 1977, to positive critical reception and became a box office success. The film was also successful throughout the world including France and West Germany. Due to the film's success, a sequel titled The Rescuers Down Under was released in 1990, which made this film the first Disney animated film to have a sequel. PlotIn an abandoned river boat in Devil's Bayou, a young orphan named Penny drops a message in a bottle, containing a plea for help into the river. The bottle washes up in New York City, where it is found by the Rescue Aid Society, an international mouse organization inside the United Nations. The Hungarian representative, Miss Bianca, volunteers to accept the case and chooses Bernard, a stammering janitor, as her co-agent. The two visit Morningside Orphanage, where Penny lived, and meet an old cat named Rufus. He tells them about a woman named Madame Medusa who once tried to lure Penny into her car and may have succeeded in abducting Penny this time. The mice travel to Medusa's pawn shop, where they discover that she and her partner, Mr. Snoops, are on a quest to find the world's largest diamond, the Devil's Eye. The mice learn that Medusa and Mr. Snoops are currently at the Devil's Bayou with Penny, whom they have indeed kidnapped and placed under the guard of two trained American alligators, Brutus and Nero. With the help of an albatross named Orville and a dragonfly named Evinrude, the mice follow Medusa to the bayou. There, they learn that Medusa plans to force Penny to enter a small hole that leads down into a pirates' cave where the Devil's Eye is located. Bernard and Miss Bianca find Penny and devise a plan of escape. They send Evinrude to alert the local animals, who loathe Medusa, but Evinrude is delayed when he is forced to take shelter from a flock of bats. The following morning, Medusa and Mr. Snoops send Penny down into the cave to find the gem. Unbeknownst to Medusa, Miss Bianca and Bernard are hiding in Penny's skirt pocket. The three soon find the Devil's Eye within a pirate skull. As Penny pries the mouth open with a sword, the mice push it out from within, but soon the oceanic tide rises and floods the cave. The three barely manage to retrieve the diamond and escape. Medusa breaks her promise to Snoops that he can have half the diamond, and hides it in Penny's teddy bear while holding Penny and Snoops at gunpoint. When she trips over a cable set as a trap by Bernard and Bianca, Medusa loses the bear to Penny, who runs away with it. The local animals arrive at the riverboat and aid Bernard and Bianca in trapping Brutus and Nero, then set off Snoops's fireworks to create more chaos. Meanwhile, Penny and the mice commandeer Medusa's swamp-mobile, a makeshift airboat. Medusa unsuccessfully pursues them, using Brutus and Nero as water-skis, and is left clinging to the boat's smoke stacks as Snoops escapes on a raft and laughs at Medusa, while the irritated Brutus and Nero turn on her and circle below. Back in New York City, the Rescue Aid Society watch a news report of how Penny found the Devil's Eye, which has been given to the Smithsonian Institution, and how she has been adopted. The meeting is interrupted when Evinrude arrives with a call for help, sending Bernard and Bianca on a new adventure. Cast
ProductionIn 1962, the film began development with its initial treatment developed from the first book centering on a poet held captive by a totalitarian government in the Siberia-like stronghold. However, as the story grew overtly involved with international intrigue, Walt Disney shelved the project as he was unhappy with the political overtones.{{sfn|Koenig|1997|pp=153–54}} The project was revived in the early 1970s as a project for the young animators, led by Don Bluth, as the studio would alternate between full-scale "A pictures" and smaller, scaled-back "B pictures" with simpler animation. The animators had selected the most recent book, Miss Bianca in the Antarctic, with its story focusing on a captured polar bear forced into performing in shows causing the unsatisfied bear to place a bottle that would reach the mice.{{sfn|Koenig|1997|pp=153–54}} Jazz singer Louis Prima was to voice the character named Louis the Bear, and this version was to feature six songs sung by Prima written by Floyd Huddleston.[3] However, in 1975, following headaches and episodes of memory loss, Prima discovered he had a stem brain tumor, and the project was scrapped.[4] Meanwhile, the "A" crew had finished work on Robin Hood (1973), and was set to begin production on an adaptation of Paul Gallico's book titled Scruffy under the direction of Ken Anderson. Its story concerned the monkeys of Gibraltar under World War II that would be threatened by the Nazi Party's attempt to capture them from the British Empire during World War II. When the time had come to green-light one of the two projects, the studio leaders eventually decided to go for The Rescuers.[6]{{Self-published inline|certain=yes|date=December 2017}} When Scruffy was shelved, the veteran team turned the project into a more traditional, full-scale production ultimately dropping the Arctic setting of the story with veteran Disney writer Fred Lucky stating, "It was too stark a background for the animators."{{sfn|Koenig|1997|p=154}} Cruella de Vil, the villainess from One Hundred and One Dalmatians (1961), was originally considered to be the main antagonist of the film,[7] but veteran Disney animator Ollie Johnston stated it felt wrong to attempt a sequel and the idea was dropped.[8] Instead, she was replaced by a retouched version of the Diamond Duchess in Miss Bianca. The motive to steal a diamond originated in Margery Sharp's 1959 novel, Miss Bianca. Her appearance was based on animator Milt Kahl's then-wife, Phyllis Bounds (who was the niece of Lillian Disney), whom he did not particularly like. This was Kahl's last film for the studio, and he wanted his final character to be his best; he was so insistent on perfecting Madame Medusa that he ended up doing almost all the animation for the character himself.[9] Penny was inspired by Patience, the orphan in the novel. For the accomplices, the filmmakers adapted the character, Mandrake, into Mr. Snoops and his appearance was caricatured from animation historian John Culhane.[10] Culhane claims he was practically tricked into posing for various reactions, and his movements were imitated on Mr. Snoops's model sheet. However, he stated, "Becoming a Disney character was beyond my wildest dreams of glory."[11] Brutus and Nero are based on the two bloodhounds, Tyrant and Torment in the novels.[12][13] The writers had considered developing Bernard and Bianca into married professional detectives, though they decided that leaving the characters as unmarried novices was more romantic.{{sfn|Koenig|1997|p=155}} For the supporting characters, a pint-sized swampmobile for the mice – a leaf powered by a dragonfly – was created. As they developed the comedic potential of displaying his exhaustion through buzzing, the dragonfly grew from an incidental into a major character.{{sfn|Koenig|1997|p=154}} Veteran sound effects artist and voice talent Jimmy MacDonald came out of retirement to provide the effects.[14] Also, the local swamp creatures were originally written as a dedicated home guard that drilled and marched incessantly. However, the writers evolved them into a volunteer group of helpful little bayou creatures. Their leader, a singing bullfrog voiced by Phil Harris, was deleted from the film.{{sfn|Koenig|1997|p=155}} A pigeon was originally proposed to be the transportation for Bernard and Bianca, until Ollie Johnston remembered a True Life Adventures episode that showed albatrosses and their clumsy take-offs and landings, and suggested the ungainly bird instead.[15] AnimationEver since One Hundred and One Dalmatians (1961), animation for theatrical Disney animated films was done by xerography, which had only been able to produce black outlines, but had been improved for the cel artists to use a medium-grey toner in order to create a softer-looking line.[15] At the end of production, it marked the last joint effort by veterans Milt Kahl, Ollie Johnston, and Frank Thomas, and the first Disney film worked on by Don Bluth as a directing animator, instead of an assistant animator.[16] Other animators who stepped up during production were Glen Keane, Ron Clements, and Andy Gaskill, who would all play an important role in the Disney Renaissance.[17] Music{{Infobox album| name = The Rescuers | type = soundtrack | longtype = Vinyl LP | artist = Various artists | cover = | alt = | released = 1977 | recorded = 1977 | venue = | studio = | genre = | length = | label = Disneyland | producer = Artie Butler | chronology = Walt Disney Animation Studios | prev_title = The Many Adventures of Winnie the Pooh | prev_year = 1977 | next_title = The Fox and the Hound | next_year = 1981 }} The songwriting team of Carol Connors and Ayn Robbins first met in 1973 on a double date. Connors had earlier co-composed successful songs such as "To Know Him Is to Love Him" and "Hey Little Cobra" for the Teddy Bears. Meanwhile, Robbins worked as a personal secretary to actors George Kennedy and Eva Gabor and wrote unpublished poetry. On their first collaboration, they composed eleven songs for a Christmas show for an unproduced animated film. In spite of this, they were offered an interview from Walt Disney Productions to compose songs for The Rescuers. Describing their collaborative process, Robbins noted "...Carol plays the piano and I play the pencil."[18] Additionally, Connors and Robbins collaborated with composer Sammy Fain on the song, "Someone's Waiting for You". Most of the songs they wrote for the film were performed by Shelby Flint.[19] Also, notably for the first time since Bambi (1942), all the most significant songs were sung as part of a narrative, as opposed to by the film's characters as in most Disney animated films. Track listing{{Track listing| extra_column = Performer(s) | title1 = The Journey | writer1 = Carol Connors and Ayn Robbins | extra1 = Shelby Flint | title2 = Rescue Aid Society | writer2 = Carol Connors and Ayn Robbins | extra2 = Robie Lester (uncredited), Bob Newhart (uncredited), Bernard Fox (uncredited), and the Disney Studio Chorus | title3 = Tomorrow is Another Day | writer3 = Carol Connors and Ayn Robbins | extra3 = Shelby Flint | title4 = Someone's Waiting for You | writer4 = Carol Connors, Ayn Robbins, and Sammy Fain | extra4 = Shelby Flint | title5 = Tomorrow is Another Day (Reprise) | writer5 = Carol Connors and Ayn Robbins | extra5 = Shelby Flint }}
ReleaseDuring the film's initial theatrical run, the film was released as a double feature with the live-action nature documentary featurette, A Tale of Two Critters.[21] On December 16, 1983, The Rescuers was re-released to theaters accompanied with the new Mickey Mouse featurette, Mickey's Christmas Carol, which marked the character's first theatrical appearance after a 30-year absence. In anticipation of its upcoming theatrically released sequel in 1990, The Rescuers Down Under, The Rescuers saw another successful theatrical run on March 17, 1989. MarketingTo tie in with the film's 25th anniversary, The Rescuers debuted in the Walt Disney Classics Collection line in 2002, with three different figures featuring three of the film's biggest stars, as well as the opening title scroll. The three figures were sculpted by Dusty Horner and they were: Brave Bianca, featuring Miss Bianca the heroine and priced at $75,[20] Bold Bernard, featuring hero Bernard, priced also at $75[23] and Evinrude Base, featuring Evinrude the dragonfly and priced at $85.[20] The title scroll featuring the film's name, The Rescuers and from the opening song sequence "The Journey," was priced at $30. All figures were retired in March 2005, except for the opening title scroll which was suspended in December 2012.[20] The Rescuers was the inspiration for another Walt Disney Classics Collection figure in 2003. Ken Melton was the sculptor of Teddy Goes With Me, My Dear, a limited edition, 8-inch sculpture featuring the evil Madame Medusa, the orphan girl Penny, her teddy bear "Teddy" and the Devil's Eye diamond. 1,977 of these sculptures were made, in reference to the film's release year, 1977. The sculpture was priced at $299 and instantly declared retired in 2003.[21]In November 2008, a sixth sculpture inspired by the film was released. Made with pewter and resin, Cleared For Take Off introduced the character of Orville into the collection and featured Bernard and Bianca a second time. The piece, inspired by Orville's take-off scene in the film, was sculpted by Ruben Procopio.[22] Home mediaThe Rescuers premiered on VHS and Laserdisc on September 18, 1992 as part of the Walt Disney Classics series. The release went into moratorium on April 30, 1993.[23] It was re-released on VHS as part of the Walt Disney Masterpiece Collection on January 5, 1999, but was recalled three days later and reissued on March 23, 1999 (see "Controversy"). The Rescuers was released on DVD on May 20, 2003, as a standard edition, which was discontinued in November 2011. On August 21, 2012, a 35th anniversary edition of The Rescuers was released on Blu-ray alongside its sequel in a "2-Movie Collection".[24][25] ControversyOn January 8, 1999, three days after the film's second release on home video, The Walt Disney Company announced a recall of about 3.4 million copies of the videotapes because there was an objectionable image in one of the film's backgrounds.[26][27][28][29] The image in question is a blurry image of a topless woman with breasts and nipples showing. The image appears twice in non-consecutive frames during the scene in which Miss Bianca and Bernard are flying on Orville's back through New York City. The two images could not be seen in ordinary viewing because the film runs too fast — at 24 frames per second.[30] On January 10, 1999, two days after the recall was announced, the London newspaper The Independent reported: A Disney spokeswoman said that the images in The Rescuers were placed in the film during post-production, but she declined to say what they were or who placed them... The company said the aim of the recall was to keep its promise to families that they can trust and rely on the Disney brand to provide the best in family entertainment.[31] The Rescuers video was reissued March 23, 1999, with the inappropriate nudity edited and blocked out. ReceptionBox officeThe Rescuers was successful upon its original theatrical release earning worldwide gross rentals of $48 million at the box office.[32][33] During its initial release in France, it out-grossed Star Wars (1977) receiving admissions of 7.2 million.[34] The film also became the highest-grossing film in West Germany at the time with admissions of 9.7 million.[35][36] By the end of its theatrical run, the distributor rentals amounted to $19 million in the United States and Canada while its international rentals totaled $41 million.[37]The Rescuers was re-released in 1983 in which it grossed $21 million domestically. The film was again re-released in 1989 and grossed $21.2 million domestically. In its total lifetime domestic gross, the film has grossed $71.2 million,[38] and its total lifetime worldwide gross is $169 million.[2]Critical reactionThe Rescuers was said to be Disney's greatest film since Mary Poppins (1964), and seemed to signal a new golden age for Disney animation.[39] Charles Champlin of the Los Angeles Times praised the film as "the best feature-length animated film from Disney in a decade or more—the funniest, the most inventive, the least self-conscious, the most coherent, and moving from start to finish, and probably most important of all, it is also the most touching in that unique way fantasy has of carrying vibrations of real life and real feelings."[40] Vincent Canby of The New York Times wrote that the film "doesn't belong in the same category as the great Disney cartoon features (Snow White and The Seven Dwarfs, Bambi, Fantasia) but it's a reminder of a kind of slickly cheerful, animated entertainment that has become all but extinct."[41] Gene Siskel, reviewing the film for the Chicago Tribune, gave the film two-and-a-half stars out of four writing "To see any Disney animated film these days is to compare it with Disney classics released 30 or 40 years ago. Judged against Pinocchio, for example. The Rescuers is lightweight, indeed. Its themes are forgettable. It's mostly an adventure story."[42]TV Guide gave the film three stars out of five, opining that The Rescuers "is a beautifully animated film that showed Disney still knew a lot about making quality children's fare even as their track record was weakening." They also praised the voice acting of the characters, and stated that the film is "a delight for children as well as adults who appreciate good animation and brisk storytelling."[43] Ellen MacKay of Common Sense Media gave the film four out of five stars, writing, "Great adventure, but too dark for preschoolers".[44]In his book, The Disney Films, film historian Leonard Maltin refers to The Rescuers as "a breath of fresh air for everyone who had been concerned about the future of animation at Walt Disney's," praises its "humor and imagination and [that it is] expertly woven into a solid story structure [...] with a delightful cast of characters." Finally, he declares the film "the most satisfying animated feature to come from the studio since 101 Dalmatians." He also briefly mentions the ease with which the film surpassed other animated films of its time.[45] The film's own animators Frank Thomas and Ollie Johnston stated on their website that The Rescuers had been their return to a film with heart and also considered it their best film without Walt Disney.[46] The review aggregator website Rotten Tomatoes reported that the film received an 83% approval rating with an average rating of 6.6/10 based on 26 reviews. The website's consensus states that "Featuring superlative animation, off-kilter characters, and affectionate voice work by Bob Newhart and Eva Gabor, The Rescuers represents a bright spot in Disney's post-golden age."[47] Jack Shaheen, in his study of Hollywood portrayals and stereotypes of Arabs, noted the inclusion of delegates from Arab countries in the Rescue Aid Society.[48]AccoladesThe Rescuers was nominated in 1978 for an Academy Award for the song "Someone's Waiting for You" at the 50th Academy Awards.[49] The song lost to "You Light Up My Life" from the film of the same name. In 2008, the American Film Institute nominated The Rescuers for its Top 10 Animated Films list.[50] Sequel{{Main|The Rescuers Down Under}}The Rescuers was the first Disney animated film to have a sequel. After three successful theatrical releases of the original film, The Rescuers Down Under was released theatrically on November 16, 1990. The Rescuers Down Under takes place in the Australian Outback, and involves Bernard and Bianca trying to rescue a boy named Cody and a giant golden eagle called Marahute from a greedy poacher named Percival C. McLeach. Both Bob Newhart and Eva Gabor reprised their lead roles. Since Jim Jordan, who had voiced Orville, had since died, a new character, Wilbur (Orville's brother, another albatross) was created and voiced by John Candy. See also
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(Along with Over 30 Other Disney Flicks)|url=https://www.technologytell.com/hometech/84299/the-rescuers-slated-for-2012-blu-ray-release-along-with-over-30-other-disney-flicks/|work=Technologytell|publisher=www.technologytell.com|access-date=March 23, 2012|archive-url=https://web.archive.org/web/20120318030545/http://www.technologytell.com/hometech/84299/the-rescuers-slated-for-2012-blu-ray-release-along-with-over-30-other-disney-flicks/|archive-date=2012-03-18|dead-url=yes|df=}} 25. ^{{cite web|url=https://www.blu-ray.com/news/?id=8139|title=Disney Teases 2012 Blu-ray Slate|author=Josh Katz|date=February 3, 2012|work=Blu-ray.com|access-date=June 26, 2012}} 26. ^{{cite web|work=Urban Legends Reference Pages|title=Photographic images of a topless woman can be spotted in The Rescuers|url=http://www.snopes.com/disney/films/rescuers.htm|access-date=April 12, 2007}} 27. ^{{cite news|title=Dis Calls in 'Rescuers' After Nude Images Found|last=Davies|first=Jonathan|date=January 11, 1999|newspaper=The Hollywood Reporter}} 28. ^{{cite news|title=Disney Knows the Net Never Blinks|last=Howell|first=Peter|date=January 13, 1999|newspaper=The Toronto Star}} 29. ^{{cite news|title=What Would Walt Do?|last=Miller|first=D.M.|year=2001|publisher=San Jose, CA: Writers Club Press|pages=96}} 30. ^{{cite news|last=White|first=Michael|title=Disney Recalls 'The Rescuers' Video|url=https://apnews.com/0c4e3681c3576b572b1d6204e96aec6a|date=January 8, 1999|publisher=Associated Press}} 31. ^{{cite web|work=The Independent (London)|title=Disney recalls "sabotaged" video|url=https://www.independent.co.uk/news/disney-recalls-sabotaged-video-1045806.html|archive-url=https://web.archive.org/web/20141225175933/http://www.independent.co.uk/news/disney-recalls-sabotaged-video-1045806.html|dead-url=no|archive-date=December 25, 2014|access-date=September 24, 2017}} 32. ^{{cite news|title=Disney's animated classic 'The Rescuers' marks 35th anniversary|url=http://articles.latimes.com/2012/jun/22/entertainment/la-et-mn-disney-animated-film-the-rescuers-is-35-20120621|last=King|first=Susan|newspaper=Los Angeles Times|date=June 22, 2012|access-date=July 22, 2015}} 33. ^{{cite news|work=Variety|title=Disney: Never Forgetting Its Roots In Animation Medium|date=January 3, 1979|page=30|last=Ludwig|first=Irving H.}} 34. ^{{cite web|url=http://www.boxofficestory.com/france-1977-c25249366|title=Box office for 1977|publisher=Box Office Story}} 35. ^{{cite news|last=Harmetz|first=Aljean|authorlink=Aljean Harmetz|url=https://news.google.com/newspapers?nid=1310&dat=19780810&id=9AZFAAAAIBAJ&sjid=6uEDAAAAIBAJ&pg=7122,2605529&hl=en|title=Disney film far behind schedule|work=The New York Times|publisher=Eugene Register-Guard|date=August 10, 1978|access-date=May 11, 2016}} 36. ^{{cite web|url=http://www.insidekino.com/DJahr/DAlltime100.htm|title=Top 100 Deutschland|access-date=March 15, 2018}} 37. ^{{cite news|last=Thomas|first=Bob|authorlink=Bob Thomas (reporter)|url=https://news.google.com/newspapers?nid=1928&dat=19840919&id=PHsgAAAAIBAJ&sjid=tmcFAAAAIBAJ&pg=3804,3420618&hl=en|title=Walt Disney Productions returns to animation|newspaper=Lewison Daily Sun|date=September 19, 1984|access-date=May 11, 2016}} 38. ^{{cite web|url=https://www.boxofficemojo.com/movies/?page=releases&id=rescuers.htm|title=The Rescuers Release Summary|work=Box Office Mojo|publisher=Internet Movie Database|access-date=March 21, 2018}} 39. ^{{cite book|last=Cawley|first=John|work=Cataroo.com|title=The Animated Films of Don Bluth|chapter=The Rescuers|url=https://www.cataroo.com/DBrescu.html|accessdate=April 12, 2007|archive-url=https://web.archive.org/web/20070311015411/http://www.cataroo.com/DBrescu.html|archive-date=March 11, 2007|dead-url=yes|df=}} 40. ^{{cite web|last=Champlin|first=Charles|title=Animation: the Real Thing at Disney|url=https://www.newspapers.com/newspage/164605802/|format=Subscription required|newspaper=Los Angeles Times|via=Newspapers.com|date=July 3, 1977|accessdate=October 17, 2018}} 41. ^{{cite web|last=Canby|first=Vincent|url=https://www.nytimes.com/1977/07/07/archives/disneys-rescuers-cheerful-animation.htm|title=Disney's ‘Rescuers,’ Cheerful. Animation|newspaper=The New York Times|date=July 7, 1977|access-date=May 14, 2018}} 42. ^1 {{cite web|last=Siskel|first=Gene|title=Orphan, teddy bear rescue Disney film|format=Subscription required|url=https://www.newspapers.com/newspage/386431146|newspaper=Chicago Tribune|via=Newspapers.com|date=July 6, 1977|accessdate=October 17, 2018}} 43. ^{{cite web|url=https://movies.tvguide.com/the-rescuers/review/115769|title=The Rescuers Review |publisher=Movies.tvguide.com|date=September 3, 2008|access-date=May 27, 2012}} 44. ^{{cite web|url=http://www.commonsensemedia.org/movie-reviews/rescuers|title=The Rescuers – Movie Review|author=Ellen MacKay|work=Commonsensemedia.org|access-date=May 27, 2012}} 45. ^Maltin, Leornard (2000). The Disney Films, p.265. JessieFilm Ltd., New York. {{ISBN|0-7868-8527-0}}. Quotations from this same source were used in the 1998 home video promotional trailer for the film found in the VHS release of Lady and the Tramp (1955) of the same year. 46. ^{{cite web|work=Frank and Ollie's Official Site|title=Feature Films|url=http://frankandollie.com/Film_Features.html|access-date=April 12, 2007}} 47. ^{{cite web|title=The Rescuers – Rotten Tomatoes|url=https://www.rottentomatoes.com/m/rescuers/|work=Rotten Tomatoes|publisher=Flixster|access-date=May 11, 2016}} 48. ^{{cite book|title=Reel Bad Arabs: How Hollywood Vilifies a People|first1=Shaheen|last1=Jack G.|year=2001|publisher=Olive branch Press (an imprint of Interlink publishing group)|isbn=1-56656-388-7|page=393}} 49. ^{{cite web|url=https://awardsdatabase.oscars.org/ampas_awards/DisplayMain.jsp?curTime=1215198030898|title=Oscars Database|access-date=June 25, 2011}}{{dead link|date=December 2017|bot=InternetArchiveBot|fix-attempted=yes}} 50. ^{{cite web|url=http://connect.afi.com/site/DocServer/10top10.pdf?docID=381&AddInterest=1781|title=AFI's 10 Top 10 Nominees|format=PDF|access-date=August 19, 2016|deadurl=bot: unknown|archiveurl=https://web.archive.org/web/20110716071937/http://connect.afi.com/site/DocServer/10top10.pdf?docID=381&AddInterest=1781|archive-date=July 16, 2011|df=}} Bibliography
External links{{wikiquote}}
41 : 1977 animated films|1970s adventure films|1970s American animated films|American films|1970s comedy-drama films|1970s crime drama films|1970s criminal comedy films|1970s fantasy films|American adventure drama films|American buddy films|American children's animated adventure films|American children's animated fantasy films|American comedy-drama films|American coming-of-age films|American fantasy adventure films|Animated adventure films|Animated buddy films|Animated comedy films|Animated coming-of-age films|Animated drama films|Animated films about birds|Animated films about cats|Animated films about mammals|Animated films about reptiles and amphibians|Animated films about death|Animated films about orphans|Animated films based on children's books|Films based on works by Margery Sharp|Films about child abduction|Films about the United Nations|Films based on multiple works of a series|Films directed by John Lounsbery|Films directed by Wolfgang Reitherman|Films directed by Art Stevens|Films featuring anthropomorphic mice|Films produced by Ron W. Miller|Films set in Louisiana|Films set in New York City|Walt Disney Animation Studios films|Walt Disney Pictures films|1970s children's animated films |
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