| 词条 | The Killer Is on the Phone |
| 释义 |
| name = The Killer is on the Phone | image = The Killer is on the Phone.jpg | alt = | caption = | film name = | director = Alberto De Martino | producer = {{plainlist|* Guy Luongo
| screenplay = {{plainlist|* Alberto De Martino
| story = {{plainlist|* Alberto De Martino
| based on = | starring = {{plainlist|* Telly Savalas
| music = Stelvio Cipriani[1] | cinematography = Aristide Massaccesi{{sfn|Howarth|2015|p=196}} | editing = Otello Colangeli[1] | production companies = {{plainlist|* Difnei Cinematografica
| distributor = Jumbo Cinematografica[1] | released = | runtime = | country = {{plainlist|* Italy
| language = | budget = | gross = }}The Killer Is on the Phone ({{lang-it|L'assassino... è al telefono}}) is a giallo film directed by Alberto De Martino.[2][3][4][5] The film is set in Bruges and stars Telly Savalas and Anne Heywood. The story follows an attractive actress who suffers from amnesia and paranoia triggered by a chance encounter with a professional assassin, who in turn begins to follow her with his knife. PlotThe film is structured so as to keep the viewer guessing about the intentions and backstories of characters, revealing major plot points relatively late. For brevity’s and clarity’s sake, the following summary only in part mimics this.The killer Ranko is to assassinate Dillon, who is an emissary sent by the United Nations to help reach an understanding between England, Arab oil suppliers and the Seven Sisters. When actress Eleonor Loraine arrives back in Belgium by ferry after a week’s stay in London, Ranko spots her. As soon as she sees him, she loses consciousness. From this moment on, Eleonor suffers from amnesia which reaches back five years to the death of Peter Vervoort, her lover - supposedly in a car accident. Because she recognised him, Ranko, Peter’s killer (as is revealed near the end), abandons his assignment and keeps following her, waiting for an opportunity to kill her. Eleonor, home in Bruges, is surprised to find that her house was razed a few years ago. She calls the Flamingo Theater in Bruges to speak to Peter, and her sister Dorothy reminds her that they visited his grave together. Eleonor visits the crypt of Eleonor and Peter Vervoort at the cemetery. (Peter’s mother was also called Eleonor, as is revealed later.) Dorothy comes to take her to her current home, where Doctor Chandler and George - a theatre critic to whom she has been married for 3 years - await her, neither of whom she recognises. In a paranoid fit, she believes everybody is acting to drive her mad. Chandler sedates her. Her actor colleague Thomas Braun - a former secret lover of hers - visits her at the hospital, where Chandler administers her a truth serum to cure her. In a slow-motion dream-like vision, she sees herself kissing Peter while Ranko approaches, touching her with his knife and exposing her breasts. Eleonor goes to the theatre to rehearse the main role in Lady Godiva, which is to premiere the same week. Ranko awaits her in the lobby but does not strike, irritated by the fact that she does not recognise him. On stage, Eleonor erroneously recites the monologue of Lady Macbeth, which was on 5 years ago. Walking through Bruges, Eleonor meets a midget jester, who triggers memories. After having sex with Thomas, Eleonor tells him of her first time when she was 13. He calls her a whore, then clinges to her legs, saying he cannot live without her. It was a flashback. Coming home at night, Eleonor finds a pistol in the drawer and confronts her husband. When Ranko calls, it is George who picks up; Ranko remains silent. Eleonor sees how George puts something in her drink and runs away. She remembers telling Thomas to kill Peter. Later, she is followed by Ranko to Thomas’ door, where he stabs her in the stomach. She asks Thomas if she still loves her; he affirms, and she shoots him, then dies of her wound. It is revealed that it was the end of a play, which she relived in a flashback and now believes that her current fear of being murdered stems from acting in these plays. Eleonor and Thomas have sex again, through which Eleonor proves to herself that they were never lovers. In the meantime, Ranko keeps postponing his flight to London. He is approached by his clients, who worry about the success of the assassination of Dillon, for which Ranko was hired. Margaret Vervoort, Peter’s sister and owner of the theatre, wants Dorothy to take Eleonor's part. Ranko enters Eleonor's dressing room and, from behind, mistakes Dorothy, who is in the nude, for Eleonor. He kisses her violently while stabbing her beneath her left breast. Margaret tells George that Eleonor owns a small castle near the Sint-Andriesdreef, which she used with Peter as love nest. George and Eleonor drive to the castle, where she remembers Peter threatening Ranko with a gun, and Ranko stabbing him, then driving off with his body in the trunk. She „returns“ from her vision only to witness Ranko stab George, and escapes by car, hiding in the deserted theatre. There, she drops parts of the stage on Ranko, also making a piano fall on his legs, which pins him. She then activates the safety curtain, which slowly comes down and crushes his abdomen. Finally, Eleonor goes to the Vervoort estate to confront Margaret, a gun in her purse. Margaret claims she truly wanted that George save Eleonor from her trauma and did not order Ranko to kill Peter, only to scare him away; she confesses doing it because she wanted Eleonor all to herself. Eleonor drops her gun, kisses her, then announces that she will make life hell for her, for as long as she lives. Eleonor walks away in the sunlight. When she hears a shot from inside, she stops briefly, then continues walking. Cast
ReceptionIn a contemporary review, Scott Meek of the Monthly Film Bulletin stated that the film "will surely disappoint even the most ardent [Telly Savalas] fans as his contribution consists of scarcely a dozen lines and a series of identical non-expressions presumably intended to appear menacing." and "the greatest mystery of all is the title, which (in this version, at least) bears no relation whatsoever to the plot."[6] In his overview of gialli film, Troy Howarth described the film as "fairly typical of Alberto De Martino's output: blandly efficient" with "pedestrian direction", and that Aristide Massaccesi's cinematography was "decent but lack[ed] the poetic touch that he brought to What Have You Done to Solange?".{{sfn|Howarth|2015|p=196}} References1. ^1 2 3 4 5 {{cite web|url=http://www.archiviodelcinemaitaliano.it/index.php/scheda.html?codice=AG3192|publisher=Archvio del cinema italiano|accessdate=June 1, 2018|language=Italian|title=L'assassino... è al telefono (1972)}} 2. ^{{cite book|author1=Roberto Chiti |author2=Roberto Poppi |author3=Enrico Lancia |title=Dizionario del cinema italiano: I film|publisher=Gremese, 1991|isbn=8876059350}} 3. ^{{cite book|last=Marco Giusti|title=Dizionario dei film italiani stracult|year=1999|publisher=Sperling & Kupfer|isbn=8820029197}} 4. ^{{cite book|last=Paolo Mereghetti|title=Il Mereghetti|publisher=B.C. Dalai Editore, 2010|isbn=8860736269}} 5. ^{{cite book|last=Giancarlo Grossini|title=Dizionario del cinema giallo|publisher=Dedalo, 1985|isbn=8822045106}} 6. ^{{cite magazine|magazine=Monthly Film Bulletin|title=Assassino. . . è al telefono (The Killer Is on the Phone)|last=Meek|first=Scott|volume=42|issue=492|year=1975|page=256}} Bibliography{{Refbegin}}
External links
10 : 1972 films|1970s crime films|Giallo films|Films directed by Alberto De Martino|Films scored by Stelvio Cipriani|Italian films|Films shot in Belgium|Films set in Bruges|Films shot in Bruges|Films set in Flanders |
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