词条 | The Sting-Rays |
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| name = The Sting-Rays | image = | image_size = | image_upright = | landscape = | alt = | caption = | background = group_or_band | alias = The Bananamen, The Paralyzed Purple Rays | origin = Crouch End, Haringey, Greater London, England | genre = Garage Rock, Garage Punk, Psychobilly | years_active = {{start date|1981}}–{{end date|1987}} | label = Big Beat Kaleidoscope Sound Cherry Red | associated_acts = The Earls of Suave, The Sneetches | website = | current_members = | past_members = Keith Cockburn Alec Palao Mark Hosking Bal Croce Jonny Bridgwood | module = | module2 = | module3 = }}The Sting-Rays (often credited The Stingrays) were a British Garage Rock and Psychobilly band from Greater London which recorded on Ace Records' garage and psychedelic subsidiary Big Beat and Joe Foster's Kaleidoscope Sound in the 1980s.[1][2][3][4][5][6] DiscographyMost of the band's songs were written by Alec Palao and Bal Croce
References1. ^David Stubbs, Rob Young Ace Records: Labels Unlimited 2008 p.87 "Another example of the type of group Big Beat worked with was The Stingrays. As Alec Palao, the American-based English expat, one time member of the band and subsequent Ace consultant, recalls: "The band was an amalgam of everything we were into, be it rockabilly, garage punk, 1970s punk, surf, northern soul, folk-rock; we were omnivores." The Stingrays were the classic example of a band who had supersized on Ace's ever-increasing and eclectic output of lost music." 2. ^Martin Jones Lover, Buggers, and Thieves 1900486415 2005 p.153 "This, and the fact that Big Beat were releasing ... ...played a track by then-current psychobilly band The Stingrays." 3. ^Marc Masters No Wave 2007 Volumes 287-292 p.267 "as punk rock mutated into psychobilly there was a demand for an outlet for the primordial rock music of such acts as Johnny & The Jammers, The Meteors, The Stingrays and The Cramps - and in 1980 the Big Beat label was born." 4. ^George Gimarc Post Punk Diary: 1980-1982 1997 031216968X p.275 "The Stingrays are proponents of the "back to Billy Haley" sound that has been lurking in English basements for the last two years." 5. ^The Virgin Encyclopedia of R&B and Soul 1998 p.369 "...in the UK where his influence on 'trash' guitar groups, notably the Stingrays and Milkshakes, has been considerable." 6. ^Maximum Rocknroll No.15 1984 "The STINGRAYS look rockabilly, act punk, and sound more 60s than anything else (note their covers ...)" External links
5 : English musical groups|Garage punk groups|Psychobilly groups|Musical groups established in 1981|Musical groups from London |
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