1. Synopsis

2. Development

3. Music

4. Reception

5. Art material incident

6. See also

7. References

8. External links

Synopsis

Players, for the most part, control the troubled screenwriter Du Feng Yu (杜豐于) through a Taipei apartment complex with rooms that represent various years in the lives of the Du family during the 1980s. The family consists of Feng Yu, his wife Gong Li Fang (鞏莉芳), a retired songstress, and their daughter Du Mei Shin (杜美心), an aspiring child singer. Feng Yu's screenwriting career has stagnated while Mei Shin begins to show signs of a mysterious illness. As the family's financial situation deteriorates, Li Fang has frequent arguments with Feng Yu about whether she should come out of her retirement to help support the family.

In the midst of the domestic disputes, Mei Shin enters a popular singing contest, seeking to please her parents by becoming a popular singer. However, Mei Shin's performance of her mother's signature song "Lady of the Pier" (碼頭姑娘) comes one point shy of advancing to the next round. Mei Shin's condition worsens after the setback, to the point she's unable to sing. Despite a doctor's suggestion that the family seek psychiatric care for Mei Shin's illness, Feng Yu instead begins to follow the teachings of cult leader Mentor Heuh (何老師) regarding the folk deity Cigu Guanyin (慈孤觀音), who could supposedly help cure his daughter and her singing career. When Feng Yu becomes increasingly obsessed with Mentor Heuh, Li Fang attempts to convince her husband to snap out of his obsession, but Feng Yu accuses her of being possessed by evil spirits. Realising her husband will not listen to her, Li Fang eventually leaves the family.

Seeing the downward spiral of her family, Mei Shin asks her father to help her fold origami tulips, believing that she will be healed when enough has been folded to fill her room. Instead, as instructed by Mentor Heuh after a séance, Feng Yu performs a dark ritual by submerging his daughter in a bathtub filled with rice wine and banded krait and locking her up in the bathroom for seven days, assumedly causing her death. A post-credits scene shows Feng Yu sitting alone in his apartment watching the noise on TV.

Development

Music

The original soundtrack of Devotion seeks to capture the ambiance of the 1980s in Taiwan by incorporating traditional Asian instruments and folk music elements. The album includes a title track written and performed by the Taiwanese indie band and 2017 Golden Melody Awards winner, No Party for Cao Dong, and "Lady of the Pier" (碼頭姑娘), which appeared during the game and in the ending.

Reception

A number of critics made favourable comparisons of Devotion with P.T. and Gone Home, all walking simulators that subvert the safe and secure feeling of home.^[4] David Jagneaux of IGN gave Devotion 8.2 points out of 10, praising it as "a fantastic psychological horror game that’s short, concise, and well-paced from start to finish." Although the "wonderful environmental storytelling", Jagneaux felt that the actual gameplay is "relatively unimpressive and boring".^[10] Richard Wakeling from GameSpot singled out Red Candle Game's attention to detail that "establishes and effectively reinforces Devotion's disconcerting sense of familiarity", but pointed out that the chase sequence late in the game is "regrettable" in what is otherwise a game that resists frustrating trial-and-error stealth sections and monotonous combat in many contemporary horror games.^[11] Michelle Brohier from [https://www.stuff.tv/my Stuff Malaysia] praised the game's references to East Asian culture in lore and horror, but commented that its epilogue didn't deliver much impact after its captivating build up.^[12]

Art material incident

On February 21, players discovered a fulu talisman decorating a wall in the game contained the words "Xi Jinping Winnie-the-Pooh" (習近平小熊維尼) in Chinese seal script, referencing a recent Chinese internet meme that compared the Chinese paramount leader and general secretary to the Disney character. Also on the talisman were the transcribed words "ní ma bā qì" ({{zh|c=呢嘛叭唭}}), which sounds similar to "your mother (is a) moron" in Taiwanese Hokkien. Taken together, this was interpreted by Chinese gamers as an insult to the Chinese leader. As a result, Devotion was heavily review bombed by Chinese gamers on Steam, and the game went from having "Overwhelmingly Positive" reviews overall to being "Mostly Negative".^[13] Red Candle Games responded by patching out the offending art material, replacing it with a talisman that says "Happy New Year" ({{zh|t=恭賀新禧|p=Gōnghè xīnxǐ}}), explaining that the original talisman was a placeholder that was supposed to be replaced, and apologizing for the oversight. Nevertheless, other aspects of the game were analysed as insults to China, leading to the game being removed from Steam in China on February 23. Publishers Indievent and Winking Skywalker cut ties with Red Candle Games, with Red Candle Games being liable for their losses as a result of the controversy.^[14] On February 25, Red Candle removed the game from Steam globally to fix technical issues, as well as to confirm that no other hidden messages remain.^[15]

Taiwan's Vice Premier Chen Chi-mai spoke out in defense of the game regarding the "easter egg", saying: "Only in countries with democracy and freedom can creation be free from restrictions." Red Candle's Weibo account remains blocked, and posts containing the hashtag #Devotion, which had hundreds of millions of views before the controversy, were hidden by Chinese censors. The episode has raised concerns about the future of the Steam platform in China, which did not gain official approval to operate there but remains accessible with up to 30 million users from China.^[1]

See also

• Ex-voto
• Toilet god
• Religious fanaticism
• Child abuse
• {{section link|Xi Jinping#Censorship}}
• Detention (video game)

References

External links

• {{official website|http://redcandlegames.com/devotion/}}
• [https://www.devotionost.com/ Official soundtrack website]
• {{Facebook|redcandlegames|Red Candle Games}}

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