| 词条 | Ljubomir Micić |
| 释义 |
| name = Ljubomir Micić | image = Ljubomir_Micic_1925.jpg | imagesize = | alt = | caption = | pseudonym = | birth_date = 16 November 1895 | birth_place = Jastrebarsko, Austria-Hungary | death_date = {{death date and age|1971|06|14|1895|11|16|df=y}} | death_place = Pančevo, SFR Yugoslavia | occupation = Poet, writer, journalist, critic | language = Serbian | nationality = | citizenship = | education = | alma_mater = University of Zagreb | period = Avant Garde | genre = | subject = | movement = Zenitism | notableworks = Zenit | spouse = | partner = | children = | relatives = | influences = | influenced = | awards = | signature = | portaldisp = }} Ljubomir Micić ({{lang-sr-cyr|Љубомир Мицић}}, 15 November 1895 – 14 June 1971) was a Serbian poet, writer, critic, actor. He was the founder of the avant-garde movement Zenitism and its magazine Zenit. Early lifeHe studied philosophy at University of Zagreb. CareerHe founded the review Zenit, set up a Zenit Gallery and published his own writings and other authors under the Zenit imprint. Zenit was active from February 1921 until April 1924 in Zagreb, and afterwards in Belgrade from 1924 until December 1926 with a total of 43 editions. The first artist to collaborate with Micić and to contribute to Zenit's orientation towards Expressionism was Vilko Gecan. Micić's Zenitism was supported by a small number of younger Yugoslav artists. Micić worked on collecting and exhibiting avant-garde art in Zenit editorial offices in Zagreb and Belgrade, and he organized Zenit international exhibitions of new art in Belgrade in 1924.[1] Micić initially followed expressionistic ideas, which can be seen in the introductary text of the first Zenit, and in texts of authors including Miloš Crnjanski, Stanislav Vinaver, Rastko Petrović ande Dušan Matić. Beside Serbian authors, international authors contributed in more than five languages, including Esperanto. The magazine established ties with Futurists, including Filippo Tommaso Marinetti. Joined by Ivan Galom and Boško Tokin, he published "Manifesto of Zenitism" in which they stated their ideas and ideology. Beside clear contradictions in their statements, Zenitists placed humans in the center of their attention and advocated antitraditionalism, antimilitarism and reaching out to new media and artistic forms such as radio, film and jazz. After closing Zenit, he moved to Paris, where he lived from 1927-1936.[2] Inspired by the Russian avant-garde, Micić favoured the Constructivist view on creativity, denying inspiration as a term in favour of work, with a clear goal in mind. Shortly after abandoning expressionistic ideas, Micić coined the idea of Barbarogenije, proposing balkanisation and barbarisation of Europe. His ideas in favour of primitive and folk art came after World War I and general disappointment in the culture of Western Europe. Micić considered the Balkans to be an unexplored area that could offer freshness and honesty. His work was almost forgotten after World War II. After his death, a collection of art and documentation of his publishing activities were found in his apartment, thus stimulating fresh research into the history and aesthetics of Zenitism. Works
References1. ^{{cite web|url=http://www.avantgarde-museum.com/hr/museum/kolekcija/LJUBOMIR-MICIC~pe4475/|title=LJUBOMIR MICIĆ|publisher=}} 2. ^{{cite web|url=https://banija.rs/poznati-banijci/15312-poznati-banijci-braca-ljubomir-i-branislav-micic.html|title=Poznati Banijci: Braća Ljubomir i Branislav Micić|publisher=}}
2 : Austro-Hungarian Serbs|20th-century Serbian people |
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